"One day, it will definitely, no matter what..."

"For these five of us..."

“Make…”

"Animation..."

"work!"

Five soft girls with the same hobbies and dreams strive towards the same goal, surrounded by the pink and bright colors they emit, and the gentle and comfortable bgm symbolizes their beautiful dreams.

At first glance, the audience thought that next was a story where several people began to fight for their goals. However, the picture suddenly changed, without any transition, and instantly turned to another picture, and bgm also stopped abruptly, as if he was having a beautiful dream, but was suddenly awakened.

The picture turned directly to two and a half years later, and Miyamori Aoi's face disappeared from everyone's dreams and a bright expression that seemed to have infinite fighting spirit, and a look of fatigue as if it was ruined.

Drive in the car, waiting for the red light to pass at the silent intersection.

Many people who have already started working have a different feeling when they see this scene, and then smile, as if they have seen their former self. With just one turning point and two scenes, they can see the differences between campus and society, dreams and reality.

With his love for animation, Liu Chang also entered the animation industry and joined a small animation company. The various problems that occurred in "Dream Eater: White Box" made him seem to see the shadow of his own company. He always seems to be busy because of various problems.

Every day when I get off work, it's already late at night.

"Dream Eater: White Box" is played in the prime time, and he never had the chance to see the premiere one day. Fortunately, the current TV has the function of playback, and he will set it up every day. After he comes back, he can see the animation. Then the busyness and irritability of the day will always disappear without a trace.

Looking at "Dream Eater: White Box", he recalled his original intention when he entered this industry. He liked these things. As long as he had love, no matter how busy his life was, he would only feel fulfilled. All the people in their company are brainless fans of "Dream Eater: White Box". The first thing he did when he came to work every day before work was to talk about the stories in yesterday's animation.

In the story, Tianman Animation Company, which has become a newcomer, is closer to their lives. From the protagonist's shadow, they can often feel the little things that belong to ordinary people, and often unknowingly pick up the selves buried deep in their memory; it is like walking on the autumn path and picking up a beautiful maple leaf from under their feet.

...

When Miyamori Aoi got off work, she received a call from her mother. The mother said happily and saw Miyamori Aoi’s name at the end of the animation. Although she couldn’t understand it, her mother read it many times. While talking, she also instructed Miyamori Aoi to be careful of her health, eat well and sleep well, and not to be too tired.

Almost everyone who works outside often receives such calls. Parents always pinch the time to calculate the time for their children to get off work, and call them when they are fine. They are long-winded, but full of care.

Jiang Yan remembered his past. The tone of the mother in the animation was almost exactly the same as that of his mother. In fact, all parents in the world who love their children have the same heart.

Moreover, Miyamori Aoi's reaction was exactly the same as hers. She didn't want to worry about her parents, or she was just to show off her strength. She never told her parents about any trouble. She was eating bento or some fast food, but she said she was eating very well and she didn't need to worry.

A very short scene, without tearjerking bgm, and without intentional expression, ordinary things are like ordinary conversations between millions of families, but they make many people working outside wet their eyes.

Some people studying or working abroad are even more crying, and their parents often call them. In order not to affect them, parents will call them when they have time, but because of the time difference, it may be late at night in China when they have time. When many people are already sleeping and resting, their parents look at their watches, count the time, call their children, and listen to their children's voices.

"At first, I felt very pitiful. My feet were so busy every day. The most common sentence I said every day was 'I'm sorry'. But in the end I realized that Shizuka was the most pitiful! Miaosen and Aima had already started to do the animation work, but Xiao Shizuka didn't even have an animation dubbing. She finally received a audition, but her opponent was a big star! She was inspirational to be a dubbing, but she had to work in a barbecue to make a living! What a miserable word!"

Shizuka's experience has received infinite sympathy from fans. They are all good friends who get together, but watching others move forward on the road of dreams and not yet embark on the dream, it is a tragedy on earth.

Although I didn't say anything, this gap still had a great impact on my heart. In the end, I was drunk and made people feel sad for her.

Work is hard, making a living is not easy.

These eight words are not just words, they are a true portrayal of the cruel society.

"I never knew the competition for dubbing was so fierce and cruel."

"Yes, Dalang Taosha, I am also a dubbing person. I finally got the protagonist of an animation before. The one who competed with me was Tianman's No Nakamoto, who was too strong. I can understand Shizuka's mood. For the sake of her dream, she is not as good as a human. That kind of unwillingness and heartache is too uncomfortable."

"Fortunately, most of the main dubbing of Tianman's works are only dubbing Tianman's works, and occasionally others will come out to receive extra money, otherwise the competition will be even more cruel."

Some people sighed at this.

Especially compared with Shizuka, there is Mibo in "Dream Eater: Breaking Man". In He Chen's comics, both of them join the same company, Tianman Entertainment.

Miho moves forward from supporting role to protagonist, but Shizuka doesn't even have the chance to have a supporting role or even a supporting role. Compared with the two, it makes people feel even more sad for her.

There is an important theme in "White Box", that is, the dispute between hand-drawing and 3D. This is a very direct conflict in the original island country and a major issue in the animation industry. This is not just a dispute over ideas, or a social problem. If all 3D is used, what kind of survival problems will the massive painters in the industry face?

This is a very sharp contradiction.

But for He Chen, the contradiction is not obvious, because He Chen only cares about "whether the animation can be more exciting" and does not care about what kind of performance methods are used. As long as it can bring wonderful performances to the audience, He Chen will integrate any new technology.

The sea embraces all rivers, and tolerance is great. Only by constantly making progress can we make continuous progress and bring more exciting animations to the world.

Whether it is transitional persistence and hand-drawing, or transitional persistence in 3D, it is considered to lose the truth. Such signs have appeared in He Chen's world, so "White Box" is just right to put this problem on the spot, helping people regain their original intention of making animations, eliminate this sign, and let the animation industry thrive healthier.

Huima encountered a bottleneck at work. Just like every rookie who is just a newbie entering the workplace, this is a must for everyone. The only difference is that some people have passed the bottleneck, while others are blocked from the door.

For creators, they can better understand the bottleneck of painting Ma, and they can no longer draw. Even they lose confidence in themselves, put too much pressure on themselves, so they collapsed. Even the things they could draw before were not able to draw at all.

When Wu Cheng was in Kawen, he felt the same way. He had an idea in his heart, but he just didn't know how to write. He wanted to write better, but he was always inappropriate. The huge pressure in his heart made him less and less able to write. The pain and torture made him want to open his head, crush his brain, put some chili, soy sauce, and coriander and eat it.

It is not feasible to work behind closed doors. The senior took Huima for a walk, relaxed his mood, broadened his horizons, and personally felt what he wanted to draw. With the guidance of his senior, Huima walked out of the bottleneck.

This is exactly the story comes from life. Sometimes when Kaven comes, Wu Cheng will go for a walk, walk around the community, or go to the park to see the various aspects of the world. Sometimes the inspiration is to deliberately find it but it appears if it is unintentionally.

It's simple, most people have heard of it, but when they really need it, they will always be forgotten and ignored.

After abusing Ema, it was Misa's turn.

Huima's experience can be seen as a bottleneck in work, while Meisa is even worse than Huima, and it should be said that it is a wrong path at work, although it is not the original intention.

Rookie job seekers who have just learned may basically encounter this situation. They come into a company with expectations, but in the end they find that this company is completely different from what they are looking forward to.

Misa does not have the talent for painting like Ma, but she also longs to do animation with everyone, so she learned 3D. However, after entering the company she once longed for, she found that what she did was nothing to do with animation. Tires, tires, tires, and tires were all kinds of tires. There were advertisements, films and television, but it had nothing to do with animation.

However, this company is indeed good, with good salary and high benefits. If you want to change to an animation company, the benefits and benefits will definitely decline.

This is reality, and it will never be exactly as people expect, and it will always be full of all kinds of "misunderstandings".

Is it a compromise with reality, just to live and sit in the work that I don’t want to do for life, or to give up all this for my dreams!

Mesa’s experience is exactly the problem that countless people have to face before, now or in the future.

Jiang Yan had faced this problem before, and she chose the latter.

How many opportunities can a person have to fight for his dreams in his life? If he doesn’t even fight for his dreams, what’s the difference between it and salted fish?
Chapter completed!