The wonderful things in "Dream Eater: The Boomer" can be expressed in comics. However, the remaining works cannot be like this. For example, in "White Box", the part that colors the original paintings will appear in "White Box". If you draw them in black and white line drawings, people will not be able to intuitively see the changes in the original paintings, and cannot understand the charm of them, and can only make up for them.

Of course, this can also be expressed by color comics. Add one or several color assistants, and He Chen can launch color comics. For He Chen, this is not a big deal. But in addition to color, the most important point is that sound animations have sounds, bgm sounds, and dubbing sounds.

This is something that comics cannot reflect in any way.

It is never as deeper and more realistic as the feeling of listening to the audience with just the pictures and words. Dubbing is a very important part of the animation, and it is also a protagonist in this story. If it is just a comic, everyone can express it, but she can't express it, and she loses the flavor of the protagonist.

For example, "k-on", as a comic, it can only be regarded as a general reason for the comics to have no songs. Although "k-on" shocked the world with its "cute", the songs in this work are very important plus points, which is the point where the animation hits the comics. It can even be said that if there were no animation version of "k-on" and those songs, there would not be the cute overlord in the future "k-on".

Therefore, the remaining works in the "Dream Eater" category ("White Box", "K-on", "Lovelive", "Idol Master") are all animation first. The plans of these works are even earlier than the plans of "Dream Eater: Broadcom" because they all grow up in these stories. Whether it is "K-on" or "Idol Master", if the newcomers started training first and then "act" the newcomers later, even if they can have the master level of Yi Jing-young, they are far inferior to those of them who are ignorant recordings when they are newcomers, no matter how they act, they cannot be more like newcomers than a real newcomer.

Therefore, the dubbing of several works has started completely before they have received systematic training. For example, Shizuka Sakagi in "White Box", she used newcomers to apply for dubbing in the story. This is the performance of the newcomers selected in He Chen's newcomer plan when they only undergo the initial rough training. They matched this part in the early stages, and then after training, they dubbed the previous part in reverse, so that they could easily show a feeling of growth.

The same is true for the others.

This is very costly and very expensive. Most people will not spend a lot of effort to do such an optional thing for a work. However, for Tianman, it is not difficult because Tianman has its own university, excellent talent reserves for them to choose from, a mature training system, and a large number of works for Tianman to practice. If you want to achieve He Chen's goal, Tianman can do it without any effort.

And this is also the advantage that Tianman has unique, unique, and is above everyone else. If he has an advantage, he will not be punished by heaven. What reason does He Chen have not made such a "perfect" work?

Anime, anime, animation and comics have always been an inseparable one. One film "Dream Eater: Breaking Man" writes the story of the comic, while the other film "Dream Eater: White Box" depicts the story of the animation practitioners who are almost never paid attention to and are behind the scenes.

Since they are both "Dream Eater" series, the theme of "Dream Eater: White Box" is naturally a dream.

This is a shallow and broad theme. However, the extraordinary feature of "White Box" is that it does not talk about the process of chasing dreams in a single thread - realizing dreams, but instead discusses and advances the concept of dreams from multiple aspects in this group drama.

The five protagonists actually represent five different realistic dreams: Miao Sen is a person who is eager to make animation but does not have obvious skills. Although he is already engaged in the animation industry, he has no clear goals. He often feels confused when he sees everyone around him has dreams; Huima has the talent and dream of painting, and has indeed become an original artist, but he encountered many realistic difficulties in his work and has been moving forward stumblingly; Shizuka has always firmly determined her heart as a voice actor, and although she has joined the firm, she has never made her debut.

Still struggling to pursue dreams; although Misa has been engaged in the 3D production of dreams, she found that the monotonous and boring work in reality runs contrary to the original idea; Xiaolu has not graduated yet, which is the most ideal stage of dreams. She is still excitedly holding her vision for the future in front of the door. Although the five heroines hold hands and hold the common tree of dreams, their own real situations are different, representing the different situations that everyone really encounters when chasing their dreams in reality.

There are two story lines in "White Box", one is the light and one is the dark: the light line is the pursuit of each and the common dream of the five high school clubs, while the dark line is the various forms of the animation world implicated in the production of the two animations of Tianman.

Tianman is still advertising himself and shamelessly named Tianman. Although he is obviously a giant in the industry, he is just a small company that is second-level in the middle and lower reaches. As the creator, pioneer, and leader of this industry, Tianman itself will not have too complete systems in Tianman. Even if there are problems, there will be mature emergency remediation measures. Therefore, Tianman's animation never has problems of one kind or another. However, Tianman has produced a story that countless small companies have experienced more or less.

For those small companies that are struggling with their dreams, the meaning and touching of this work to them is self-evident. Although they do not appear in this story, for them, this work is describing their stories.

The story of "White Box" looks warm and simple overall, as if it is an idealized utopia, but it also reflects the reality of the industry. Individuals who each have their own persistence, it is difficult for them to simply divide the conflict between right and wrong values. How to compromise reality and dreams, how to choose ideals and survive, everyone faces similar questions and has different answers.

Compared with young people, those who are a little more mature, especially those who have just entered society, are more touched by this work.
Chapter completed!