Similarly, as in the title of "Ink Bamboo Picture" says: "I returned from officialdom and my temples were staring on the bamboo in the west pavilion. Now I planted Yangzhou bamboo again, but I still have green patches of Jiangnan." Another bamboo picture title says: "I was trapped by a micro-official, and I went to Junyuan to gain spirit, and the fragrance of bamboo is bleak, and the inner classes are finally gone."

These ink bamboo pictures are all used to express his feelings of becoming more and more free after being demoted by the government, "picking chrysanthemums under the eastern fence and leisurely seeing the southern mountains." At this point, we can see that the bamboos and poems drawn by Zheng Banqiao are mostly used to express his love by using bamboos to express his aspirations, expressing his feelings of "living in a yamen and listening to the whistle and whistle by the people."

It shows the strength of "the roots are originally in the chaotic rocks, no matter the winds in the east, west, south and north", and expresses the integrity and spirit of "writing a thin bamboo, and throwing it away from the black gauze," and the aura of bamboo is fully expressed by him.

This is exactly what Zheng Banqiao's works are different from traditional flower and bird paintings, and from their predecessors. Most traditional orchids and bamboos are expressed as appreciative and entertaining themes. The picture mainly pursues the truth and beauty of natural images, the high and low painting skills, and the skillful use of brush and ink.

When it comes to Zheng Banqiao's writing, in addition to achieving these skills, the poems in the painting also give the subject new ideological content and profound artistic conception, so that flower and bird paintings can also produce ideological and lyrical nature, giving people a profound feeling, and after reading them, they will be endless aftertaste and have a lot of thoughts...

Zheng Banqiao's unique painting of bamboo, and the same is true for painting stones. The most ruthless stones in nature are alive in his writings, such as the stones in "Pillars and Stones", which are also commonly used in paintings by predecessors, but they rarely use them as the main image. Zheng Banqiao painted an isolated peak stone in the center of the painting, but it had the spirit of soaring straight into the sky, and there was no background around it.

The four-line seven-character poem on the painting: "Who is with the lonely and lonely family? A pillar of the stone is in the sky. It is straight and straight, Tao Yuanliang, how can five buckets of money be broken? "The poem points out the title of the painting and combines the stone with the character together. It can be said that "the painting is insufficient but the title is sufficient, and the painting is silent but the poem is sounded. Poetry and painting are used with each other, opening up countless ways for future generations."

Banqiao uses strong stones to praise Tao Yuanming. Banqiao praises his upright and noble character, and seems to express his own experiences and demeanor. The stones in the painting represent the character image, contain the qualities of being upright and majestic, which makes people feel that drawing stones here are more meaningful than painting people and can reveal profound meanings.

Zheng Banqiao also has many paintings with orchids as the theme, which also express some new content, using the theme of painting poems to express their views on various things. For example, some use the characteristics of orchids. They are not arrogant when they win, not discourage when they lose, and maintain a normal mentality. The poem inscribed with the poem says: "Orchids are related to bamboo, and they are always among the green mountains and green waters. The frost and snow do not wither and spring do not be bright, and laugh at people with red and purple as guests."

Orchids make people associate it. People should be as quiet, lasting, fragrant, not floating or impatient as orchids. They should not compete for beauty. The paintings are close to each other, expanding infinitely and profound artistic conception. For example, some people use a bunch of orchids to hold some natural phenomena of thorns to express the temperament of a gentleman to tolerate villains.

The poem inscribed with "The Picture of Orchids and Stones in Thorns" says: "If you don't want thorns, you won't be able to make orchids. The demons from here look coldly at each other. When they see the mixed fish and dragons, they realize that the Dharma is vast and long." Another picture of "The Picture of Orchids and Stones in Thorns" says: "The picture is full of gentlemen. Why did they end up with thorns? A gentleman can accommodate villains, but without villains, they cannot become gentlemen. Therefore, the orchids in the thorns have more lush flowers."

Banqiao is ingenious and has several thorns interspersed in the orchids. The paintings of orchids coexist with thorns, expressing the magnanimity of meeting villains, being humble and living in harmony, and "only after hard work, you can become a hero", and those who read paintings also benefit a lot.

The more you read, the simpler plants have a profound artistic conception and endless fun. Looking at the orchid, bamboo and stone painted by Zheng Banqiao, and carefully savoring the poems in paintings, it is not difficult to see why he likes to paint orchid, bamboo and stone, just as he said: "Orchids that do not thank you in all seasons, bamboo and bamboo that are evergreen in all festivals, stones that are invincible for eternity, and people who will not change for thousands of years", and "is the four beauties."

"There are orchids, bamboos and stones, and there are joints, fragrances and bones." In his eyes, orchids, bamboos and stones can represent people's qualities such as steadfastness, integrity and selflessness, tenacity, bright hearts, noble character, etc. Therefore, every word and sentence in his poems express one's aspirations through objects, and the artistic conception is profound.

Zheng Banqiao is the most famous poem in "Inscription on the Ink Bamboo Picture": I lie in a yamen and listen to the slalom of bamboo, and I suspect it is the sound of suffering among the people. Some of our small counties and cities have a lot of branches and leaves. This poem describes the disaster he suffered when he was in office and countless hungry people. Zheng Banqiao traveled for the victims all day long, worked hard during the day, thoughtful at night, and couldn't sleep at night.

Listening to the cold rain knocking on the window, the wind blowing sparse bamboos, making a sound of whistling sounds, he immediately recalled the complaints of the people crying hungry and crying cold, so he got up and spread the paper to paint, and made this article, and sent it to his superiors to understand the sufferings of the people.

He also wrote a letter to ask for relief, opened the official warehouse, and helped the people. The disaster was serious and the situation was urgent. He had no time to wait for his superiors to approve it, so he resolutely decided to open the warehouse and release grain, and at the same time mobilized officials to cook porridge to provide relief, so he offended his superiors and was dismissed from office.

All of the above are all creative paintings that Zheng Banqiao uses to closely connect orchids, bamboos and stones to real life and are inspired by his thoughts. They are also the contributions made by "literati paintings" and "get away from reality and escape from reality" to "caring for reality and paying attention to reality".

The inscription and painting poems have given the simpler flower and bird paintings rich social content, and have profound ideological and lyrical nature, which narrows the distance with the readers, as if the heart-to-heart communication is carried out. Face-to-face dialogues have continued the "stable moment" and strengthened the artistic appeal.

In his writing, the poems in which the inscriptions and paintings are not only thoughtful and lyrical in content, but also more artistic and interesting in form. The poems inscriptions and paintings can fully reflect the artistic interest of "the same origin of calligraphy and painting" and "the same method of using the brush". Most of the postscripts of traditional painters are written in the blanks of the painting, which plays a balanced role with the picture.

However, the inscriptions of "Eight Eccentrics of Yangzhou" have been separated from the inscriptions of traditional Chinese paintings and "literati paintings" and the inscriptions of poems. In particular, Zheng Banqiao combines calligraphy and paintings, and has become a special method to express images together, and their relationships are inseparable.

For example, in "Orchid Stone Picture", Zheng Banqiao ingeniously integrated the poems in the form of calligraphy, real, cursive, official and seal script, big and small, tilted around, just like "stones laying on the streets" on the stone wall, replacing the texture required for drawing stones, producing the beautiful rhythm and rhythm, and just showing the three-dimensional sense of stones in other places, which is more interesting than simply using the texture method to express the three-dimensional sense.

This has become an indispensable method of expression, which not only deeply reveals the characteristics of orchids, symbolizes the artistic beauty of noble character, but also has the artistic beauty of calligraphy art instead of the art of brushstroke. When viewing paintings, people can enjoy the artistic beauty of painting and poetry, and also enjoy the formal beauty of calligraphy art, immersed in poetry and painting.

In addition, in many paintings of orchids, bamboo and stone, the form of his poems is varied, not following the rules and not confined to the rules, and naturally becomes interesting, achieving the best writing, and the style of the painting is appropriate, and the painting also adds color. The so-called proper style of the poem is to conceive according to the reality of the picture, pay attention to the formal beauty of the composition, so he wrote poems or long titles on the side.

Some short questions are either up and down, vertical questions, horizontal questions, or oblique questions, or they run between orchids and bamboos, or vines and leaves, and intermittently. Looking at the shapes, they are staggered and sparse and dense. It is also a calligraphy and a painting, a poem, a poem and a painting. Appreciating the poems in each painting is both a wonderful reproduction of calligraphy and a comprehensive art that complements calligraphy and painting into interesting things.

The titles and pictures are organically integrated, forming a unified poetic and painting style, giving people a comprehensive and perfect artistic enjoyment. Therefore, people all praise them as the best creators who integrate poetry, calligraphy, painting and seals.

To sum up, Zheng Banqiao's works break through the barriers of traditional flower and bird paintings. His works are not "reproductions" of natural scenery, not replicas of the art of predecessors, nor are they brush and ink games far away from life. They have a unique personality and innovative spirit. Therefore, since its works are published, they have been very popular among people at home and abroad.

It is not difficult to find that people's aesthetic standards like works that have personality, artistic conception, innovative and infectiousness. This gives us inspiration: Only when works have personality and innovation can they have infinite vitality.

Yun Luo took Yan Chenyu to see the pottery figurines. The plump beauty - The Life Exhibition of Ladies of the Tang Dynasty" focuses on Ladies of the Early Tang Dynasty to the Rising Tang Dynasty, combined with bronze mirrors, head hairpins and other related cultural relics to display it, and details show the little things of the maids' daily life, recreating the gorgeousness and exquisiteness of Ladies of the Tang Dynasty.

The Tang Dynasty was the heyday of the feudal society in China, with its economy prosperous, culture developed, and frequent foreign exchanges. Under such a social background, the lives of ladies in the Tang Dynasty showed an unprecedented openness.

Especially the aristocratic women living in Chang'an, the capital, were not only enthusiastic about politics and pursued themselves, but also decorated their beauty with gorgeous clothes, gorgeous makeup and exquisite jewelry. They were involved in all aspects of social life in the Tang Dynasty, leaving a strong mark in history.

"The Beauty of Plump - The Life Exhibition of Ladies of the Tang Dynasty" has a variety of fine works and is full of colorful colors. Painted ladies' figurines, painted women's figurines, painted women's figurines, painted women's figurines, and three-color women's figurines, which are all kinds of shapes and colorful, making them an outstanding representative of the Tang Dynasty's statue art.

The music flying gold combs, spherical hollow string gold earrings, agate-embellished gold hairpins, silver arm bracelets, spherical hollow string gold earrings, etc. are luxurious and noble, dazzling. The museum's collection of horse riding ladies' figurines, blue Ruyi shoes, and Tang Dynasty hair buns have rich characteristics, fully reflecting the widespread influence of Central Plains culture on Western Regions culture and deserves special attention.
Chapter completed!