Yan Chenyu is a very interesting girl. After sending her away, she hummed and interrogated Yunluo. When she heard Yunluo and Koala went to Yangzhou for fun, she was also trying to go out to play. Yunluo could only obey Yan Chenyu's thoughts. However, Xiangchu Chunko didn't want to go, so she stayed in Sihai City and took care of Hongshi Tangtang.

Quietly, he returned to Yangzhou. Yunluo brought Yan Chenyu to the museum in Yangzhou. The architectural style of the Double Museum is unique, and the appearance adopts lotus leaf shapes, which integrates it into the adjacent lakeside geographical environment, fully reflecting the design concept of harmonious unity between man and nature and the integration of architecture and nature.

The natural and smooth, and corner-free building exterior lines abstractly reflect the properties of water. They are a refinement of the local cultural spirit of Yangzhou, reflecting the design concept of harmonious unity between man and nature and the integration of architecture and environment.

The predecessor of the Double Museum was the Yangzhou Museum. The history of the Yangzhou Museum can be traced back to the Yangzhou "Cultural Relics Museum" established and the "North Jiangsu Museum" planned to be built in the same year. After more than 50 years of development, the Yangzhou Museum has become a comprehensive museum with rich collections, complete functions and distinct local characteristics.

The Shuanggong Pavilion covers a total area of ​​more than 50,000 square meters and has a total construction area of ​​more than 22,000 square meters. It is divided into two main building and annex building, with a construction area of ​​20,000 square meters and annex building in Beiku District. The building height of the main building is 22.4 meters, and the main building is a three-story frame structure with four partial floors.

The main building is divided into three parts. The Yangzhou Huaguo Woodblock Printing Museum in the east and the Yangzhou Museum in the west. The shared space of the atrium organically combines the two museums. The exhibition area of ​​the Double Museum is 10,000 square meters. In the square outside the Double Museum, there are many stone carvings and sculptures of famous historical figures related to Yangzhou's history.

Liu Bi (215 BC-540 BC), was granted the title of King of Wu in the early Han Dynasty, and used Guangling as its capital, and governed the three counties and fifty-three cities. He dug canals in the country, "that is, the mountains are minted and the sea is boiled into salt", which promoted the rapid development of the local economy, instigated the "Seven Kingdoms Rebellion", and was eventually defeated and killed.

Fuchai (?-473 BC) The monarch of Wu during the Spring and Autumn Period. At the end of the Spring and Autumn Period, he established a base for development to the north. He built the "Hancheng" at the tail end of Shugang, Yangzhou, and dug the Hangou connecting the Yangtze River and Huai River, opening the prelude to Yangzhou city.

Ruan Yuan (1764-1849) was named Boyuan and his pseudonym was Yuntai. He was a native of Yangzhou. He was a leader of the literary world in the middle of the Qing Dynasty and a famous minister of the generation. He presided over the compilation, prosecuted a large number of ancient books, and actively supported the publication of the academic achievements of the Yangzhou School. In his later years, he devoted himself to the restoration of cultural relics and historical sites.

Ouyang Xiu (1007-1072) was named Yongshu, and his pseudonym was Zuiweng, and his later pseudonym was Liuyi Jushi. He was the leader of the ancient Chinese movement in the Northern Song Dynasty and one of the eight great masters of the Tang and Song dynasties. He was once the governor of Yangzhou. During his tenure, he built the "Pingshan Hall", repaired famous places and historical sites, and carried out cultural movements, with far-reaching influence.

Dong Zhongshu (179 BC-104 BC), Jiangduxiang of the Western Han Dynasty, was a thinker, philosopher, and the most important promoter and disseminator of Confucian culture. The theory of "righteousness and enlightenment" he proposed was respected by Emperor Wu of Han and later rulers.

Jianzhen (688-763). Commonly known as Chunyu, a monk from the Tang Dynasty's law studies. In his later years, he was invited by Japanese monks to travel to the east to spread the law, and was in danger and blind. He finally arrived in Nara. He made great historical achievements in spreading Buddhism and the culture of the prosperous Tang Dynasty.

Shi Kefa, whose courtesy name was Xianzhi and also Daolin, was a famous general in the anti-Qing Dynasty at the end of the Ming Dynasty and a national hero. He passed the imperial examination in his early years and entered the official career. Later, he suppressed rebellions in various places. After the capital city was captured, Shi Kefa supported King Fu of Ming (Emperor Hongguang) and continued to fight with the Qing army. The Qing army besieged Yangzhou City, and Shi Kefa City was destroyed and died.

The Double Museum Building has a three-story frame structure and is divided into two major areas: east and west. The east area is the Yangzhou Huaguo Wood Printing Museum, the west area is the new Yangzhou Museum, and the central shared hall organically connects the two halls, making the entire building integrated.

Entering the gate of the Shuangbu Pavilion, the hallmark of the Shuangbu Pavilion is the statue of Fuxi and Nuwa, which immediately brings your thoughts to the ancient times when our ancestors lived. Yun Luo and Yan Chenyu turned left and entered the sutra hall, which was a large temporary exhibition hall that could host various exhibits, where you can see temporary exhibitions with their own characteristics.

When you walk down the hall and follow the steps of the hall, you will come to the special exhibition hall of the Yangzhou Museum. There is a "National Treasure Hall" that displays the "Treasure of the Town" of the museum - Yuanji blue glaze white dragon pattern plum vase, and a "Yangzhou Sculpture Art Exhibition Hall" that displays the unique carving art of Yangzhou.

In order to commemorate the 320th anniversary of Zheng Banqiao's birth, the Municipal Museum selected 34 pieces (sets) of Zheng Banqiao's calligraphy and painting masterpieces from the collection, and held the "Perfect Romance - Zheng Banqiao's Calligraphy and Painting Exhibition in the Ming and Qing Calligraphy and Painting Hall on the second floor of the museum. It is reported that this is the first time that the Yangzhou Museum has unveiled all the Zheng Banqiao's calligraphy and painting masterpieces in the collection for exhibition.

"The Peerless Romance - The Premium Exhibition of Zheng Banqiao's Calligraphy and Painting in Yangzhou Museum" covers Zheng Banqiao's works from different periods, with distinctive themes and diverse forms. They include representative works of vertical scrolls such as orchid, bamboo, and stone, as well as many albums such as Banqiao's cursive script and running script, and their hand scrolls are preserved in good condition.

Among the exhibits, some of Zheng Banqiao's calligraphy and painting masterpieces made their debut, including a six-foot picture of "Orchid, Bamboo, Stone Picture", which is the largest work of Zheng Banqiao in the museum. It uses light ink to draw mountain stones and thick ink to draw orchids and bamboos. Such a large size Banqiao painting is rare in the country.

Among the exhibits are two works written by Zheng Banqiao for the contemporary painter Luo Yuxi. Luo Yuxi is the father of Luo Pin, the youngest painter in the "Eight Eccentrics of Yangzhou". These two works handed down from generation to generation provide information for studying the interactions between the Eccentrics of Yangzhou painters.

Zheng Banqiao, a Han nationality, from Xinghua, Jiangsu, and his ancestral home is Suzhou. He is a famous painter and calligrapher in the Qing Dynasty; his original name was Zheng Xie, whose courtesy name was Kerou, and his pseudonym was Li'an, and also called Banqiao. He was known as Mr. Banqiao, also known as Zheng Banqiao.

Zheng Banqiao is an outstanding artistic celebrity in Chinese history and the main representative of the "Eight Eccentrics of Yangzhou". He is a calligrapher, painter and writer who is famous for his three supernatural "poetry, calligraphy, and painting". His life can be divided into five stages: "reading, teaching", selling paintings in Yangzhou, "passing the juren, Jinshi" and official travel, becoming an official, and selling paintings in Yangzhou again.

Zheng Banqiao was born on November 22, 1693 and died on January 22, 1765 at the age of 73. He was a scholar of Kangxi and a scholar in the tenth year of Yongzheng. He was a Jinshi in the first year of Qianlong (1736). He was a county magistrate. He had a political statement saying, "I asked for relief for the people because of hunger every year, and offended the officials, so I begged to return sick."

Before and after becoming an official, he lived in Yangzhou and made a living by calligraphy and painting. He was good at poetry, lyrics, calligraphy and painting. He did not bother to write familiar words. He was good at painting flowers, wood, stone, and especially long orchids and bamboos. The beauty of orchids and leaves was written in burnt ink, and used the vertical strokes in cursive scripts, and used them to move them in long strokes. Most of them were not messy, few were not sparse, and they were all used to get rid of the time, and they were extremely beautiful.

The calligraphy is also unique, with half-li and half-li, and he calls himself "Six and half-li" calligraphy. He also uses painting techniques to write it. His seals are simple and ancient and verbal writing. Why are you unrestrained and unruly? He chose county magistrates by Jinshi, who worked in poetry and wine every day, and transferred to the county. Because of famine, he asked for relief for the people. He offended the officials and lived in Yangzhou. He had a great reputation. He was indifferent to the mountains and rivers, and he was drunk with poets, and traveled to the countryside.

At that time, he wrote the congregation of orchids and thin stones in the lounge, monks' walls, and casually wrote sentences, and the viewers sighed. He wrote "The Complete Works of Banqiao" and was engraved by hand. His paintings were so smooth and chanted for a while. He was one of the "Eight Eccentrics of Yangzhou". His poems, calligraphy and paintings were known as the "Three Greatests" in his world, and his orchids and bamboos were good at painting orchids and bamboos. Zheng Xie painted the most bamboos in his life, and then orchids and stones, but he also painted pine and chrysanthemums. He was a more representative literati painter in the Qing Dynasty.

Zheng Banqiao was born in a scholarly family. He was a scholar in the late Kangxi period, passed the juren in the tenth year of Yongzheng, and became a Jinshi in the first year of Qianlong. He had been in the county for twelve years since he was fifty. The idea of ​​"being successful and benefiting the people" led him to take measures such as "opening warehouses and relief loans" and "donating honest people on behalf of others" to the common people who had been famine for years in his official career. This aroused the dissatisfaction of corrupt officials, evil tyrants and gentry, and was demoted to the official.

Afterwards, he survived by selling paintings. Zheng Banqiao's life experienced ups and downs, experienced the ups and downs, and saw through the coldness of the world. He dared to incorporate all this into his works.

By analyzing the poems on the orchid and bamboo paintings drawn by Zheng Banqiao in different periods, we can associate Zheng Banqiao's life experience through the image of a limited painting, and think of various phenomena in the Qing Dynasty society, making a single picture like a literary work, a film and television film, narrating many, many...

He was appointed as the magistrate of the county and once wrote a painting "The Bamboo Painted by the Office of the Nian Bo Bao Dazhong Chengkuo". The painting said: "I lie in the yamen and listen to the slalom of bamboo. I suspect it is the sound of suffering among the people. Some officials in our county, and each branch and leaf is in charge of the feelings."

The bamboo in this painting is no longer the "reappearance" of natural bamboo. The title of this poem is no longer the poem that is unsensical. Through paintings and poems, people think of Banqiao's character. As a county magistrate, he recalls the sound of bamboo in the wuhan wuzhai and the sound of hardships of the people, which shows that he has the people in his heart and the emotional link is tied to the people.

At this time, the bamboo leaves in the painting have expanded their image. Zheng Banqiao opened a warehouse to provide relief loans and rescued the victims and appeared in people's minds one by one. The "stable moment" turned into an infinite story in the audience's mind, like a very infectious novel and film, which was gripping and thought-provoking. With just a few strokes of bamboo leaves and a few concise poems, people feel the profound thoughts and deep feelings contained in the work.

There are a few more paintings written by Zheng Banqiao after being demoted to the county town, three donkeys and one cart of books, and two sleeves left with a clean breeze. Before leaving, one of the bamboo pictures says: "If you throw away the black gauze, you will not be an official, but your sleeves are cold. You will take a thin bamboo branch, and the bamboo fishing rod on the autumn wind on the river." He used the bamboo to express his calm mentality of abandoning his official position for the people, being indifferent to fame and fortune, and enjoying life.

Second, the poem in "Bamboo and Stone Picture" says: "Presist in the green mountains and do not relax. The roots are originally in the broken rocks. Thousands of mills and thousands of blows are still strong, and the winds in the east, west, south and north are all the winds."
Chapter completed!