Insidious, shameless, lustful, brain-dead, pretentious, and cowardly young talent Liu Mang travels to the parallel world of the European Middle Ages, without him, because of the persistent knight-princess complex. Is life in the European Middle Ages like a knight? What about novels and fairytale romances? The high-pressure and imprisoned church rule, the undercurrent of the Renaissance, the crusaders who conquered the Holy Land, Byzantium under the setting sun, the sword of God sweeping Eastern Europe, and the saint who shook the wheel of history with her two-year life Joan of Arc, the unscrupulous Ottoman Turkey, and the Song Dynasty in the far east. Faced with all these, should we be an advocate of light, or a guide of darkness?
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Disaster Medieval