At this moment, Chiyo recalled what Luo Sa said just now, and his heart was even more confused.

Garula... and the fourth generation of the four generations of Fengying thought Gaara was a failure. How did this person know?

Is it really like Luo Sha said that the Akatsuki organization has any special intelligence channels?

Or...

The top leaders of Sakai Village have actually been penetrated by the Akatsuki organization?

It's so scary!

Just as Chiyo was still thinking hard in his heart, Uesugi Tetsu said, "This, Lord Scorpion has not told me about it, but... he asked me to take care of Chiyo. After all, you are old and can't stand the injury at all."

When Chiyo heard this, he was so angry that he was so angry that he said: "Ha, he is so arrogant! Then let me see, what ability do you have to hurt me!"

As soon as the words were finished, Chiyo flew his hands and fingers, and the ten white-robed puppets surrounding Uesugi Tetsu moved instantly.

Uesugi Tetsu raised his eyebrows slightly, his expression became a little more serious.

These puppets are different from the puppet master he encountered when he was at the gate and the puppets controlled by the Sandun Dark Division.

The puppet controlled by Chiyo can hardly hear the sound of "click, click" when it is in action, and it is almost the same as the real person's actions.

This means that Chiyo's puppet technique has reached a peak.

In his memory, when he was watching Naruto anime in his previous life, even the puppets controlled by Chiyo would make such sounds, but only when he was in it was in it, he realized that those were just anime effects.

A true puppet master, controlling a puppet master, has no obstacles, and like an arm, all operations are smooth and smooth.

Being able to control a puppet to reach this level is already a master among puppet masters. Like Chiyo, if you can control ten puppets, you can easily freely paint them. That is the master among masters.

This S-level puppet technique is very difficult to use. One finger and one puppet is known as "a machine that deserves a thousand", and its power cannot be underestimated.

Uesugi Tsuki praised in his heart, then glanced quickly and found that the ten white-robed puppets had sealed their retreat and surrounded them for a moment.

"He stood in the air and gave us a chance. He was in mid-air and had no place to leverage his strength. It was difficult to avoid attacks like flat ground. Under the attack of my nearly ten people, there was no possibility of escape... Haha, I don't know if he was ignorant or arrogant!"

Chiyo said to Rasa, and at the same time, his hands were beating ten fingers, very flexible.

Luo Sha glanced at Qianyo and thought to himself that he was no wonder. He used this puppet technique at the bottom of the box as soon as he came up, probably to send his resentment towards the scorpion on this man.

Whoosh-

A sound of breaking through the air suddenly popped up in his ears. Uesugi Tetsu turned around and saw a female-looking puppet holding two swords, which had already reached behind him.

The blade broke through the air and slashed in front of me.

Uesugi Tsuki's body swayed, as if it was suddenly flashing, and he instantly moved two positions to the right.

The puppet's two swords fell to nothing, and Chiyo, who was controlling below, couldn't help but be surprised.

How is that possible?

Standing in the air, without any place to leverage his strength, how did he move his body so quickly?

At this moment, Uesugi Tsuki's figure flashed again, this time, appeared behind the double-sword puppet, and then punched it out with one punch-

boom!

The double-sword puppet was hit on the ground with a punch, and the huge impact force made it split in an instant.

Chiyo was even more shocked when he saw this.

You should know that this set of "nearly ten people from Matsu" puppets were passed down from the puppet master's ancestor Monaemon, and was later reinforced by many puppet masters. The materials used were excellent, and the puppet bodies were even harder than many powerful ninja tools.

But unexpectedly, he couldn't even block the opponent's punch.

It’s not that Chiyo didn’t want to control the fall of the double-sword puppet, but because that punch was too powerful. Who would have thought that the other party could punch such a punch without a place to borrow power.

As soon as this fist was released, the puppet suffered a heavy blow at that time was enough to disintegrate the puppet's body, and there was no need to wait until it fell to the ground before it was broken.

Moreover, although Chiyo's puppet technique reached its peak, that punch obviously exceeded the controllable scope. With Chiyo's power, the power of the puppet could not control the power of the puppet.

"Why is that puppet a bit like the Uzumaki Mito of Konoha?" Uesugi Tsuki retracted his fist and couldn't help thinking in his heart.

The puppet who was hit on the ground with a punch and used the double sword was like Uzumaki Mito, with two buns tied to the top of his head.

Before Uesugi Tetsu thought about it, the other puppets had already continued to attack.

First, there was a long-haired puppet, which looked a bit like Orochimaru. He was surrounded by a red-faced puppet. The red-faced puppet's hands could stretch and contract, and the head would also produce a rapidly rotating blade. The long-haired puppet grabbed his left hand and threw the red-faced puppet forward, waving it wildly. The red-faced puppet was like a hammer in his hand, greeting Uesugi Tetsu.

The puppet is controlled and even if it fights in mid-air, it will not be constrained by no means of leveraging power. On the contrary, it is very flexible.

But living people are different. Without leveraging power, many attacks will weaken a lot.

It was precisely because Chiyo was attracted by this that he controlled the ten people in Neimatsu to surround Uesugi Tetsu in mid-air.

But she made the wrong plan.

The changes in the wind attribute nature of Uesugi Takashi have reached a certain level. In mid-air, he controls his body movement completely by relying on the flow of air, that is, wind that cannot be detected by the naked eye.

Strictly speaking, he treats his body as a puppet, and the wind flowing around him controls his own chakra thread.

It can also be regarded as an alternative use of puppet technology.

Uesugi Tsuki still thought it was quite fun.

Suddenly, his figure flashed, and Uesugi Tsuki avoided another puppet attack.

At this time, the remaining nine puppets had launched many attacks on Uesugi Chok at the same time. They were extremely fast and powerful, but they were all over Uesugi Chokk.

Uesugi Tsuki did not use the Hang Escape, otherwise these puppets would not be able to get close to him at all, and would directly become a bunch of useless ornamental puppets.

He hasn't had close combat for a long time, so he took this opportunity to have fun.

Bang!

Bang!

Bang!

After three consecutive punches, Uesugi Tsuki instantly knocked out three more puppets.

At this moment, another horse-faced puppet suddenly stretched out his hands and quickly stretched forward. Many spikes suddenly appeared on his hands, forming a cage, trying to trap Uesugi Tsuki in it.
Chapter completed!