"Have you discovered it? This work is called Shuangyan...is it the name?"

An old man asked, and after Bai Ye nodded and said yes, he continued to comment: "But when looking at this painting, the first thing that caught my eye was the unique white wall building in the small township in Jiangnan, followed by the river bank next to the riverside, and finally a tree of not too old and a lake reflecting the trees and houses."

"If it weren't for his name, the paintings were double swallows, I'm afraid some people would have easily overlooked the two swallows on the side of the branches and the building walls. After all, these two swallows seemed to be drawn in one stroke. My eyes were dizzy, so I had to use a magnifying glass to see clearly."

The old man smiled and said, "Every stroke and one swallow are so good that it saves paint."

"It is the real ability to see the big one from the small one."

Another person next to him suddenly laughed and said, "This reminds me of the Northern Song Dynasty when the Xuanhe Painting Academy exam came up with a question, and ancient poems fishing alone in the cold river snow..."

When hearing this, some people are ignorant and some people are conscious.

A group of painters painted on the theme of fishing alone in the snow in the cold river. Among them, the amazing works stood out were painters who drew an old man fishing on a blank piece of painting paper.

In addition, there is no more ink in the vast white paper.

But the image of the lonely cold and lonely world immediately became apparent.

Such ingenuity and exquisite artistic conception.

Naturally, it is amazing.

Under the guidance of the old man, the others suddenly realized that their understanding of oil paintings was deeper.

They would not doubt it, it was a wrong interpretation.

Because the naming of Baiye is a hint. Otherwise, no one would have chosen the picture wrongly by naming the moonlight lake. But he said that this is called Shuangyan.

It is obvious that this is focusing on the theme and pointing out the direction for the appreciation of the painting.

Ginger is still so spicy.

A group of young painters lamented that they didn't care about the connection between the name of the painting and the artistic conception of the painting.

Several big guys came over and watched for a moment, and then they reached the point of view and found out the meaning.

This is the gap, you can't accept it.

While everyone was sighing, Bai Ye also walked back from outside. After all, Wang Jing was asking him just now if there was a sketch manuscript. He really brought the manuscript over and was in the car outside.

After going out for a few minutes, when I came back again, Bai Ye had an extra picture book on his hand.

He handed the painting to Wang Jingzheng and said, "This is my sketch before I officially started writing oil paintings. It was basically a simple composition. The drawing was very casual, I hope the president will not make jokes."

Wang Jing took the picture book and looked at it. He couldn't help but feel it, "If this is a joke, then there will be no serious paintings in the world."

The others couldn't help but lean over and watch.

The main thing is that a group of big guys are watching, while the other people wish they could grow their eyes on the top of their heads so that they could see clearly.

After reading the sketch, the person naturally understood the reason why Wang Jingzheng was moved. After all, the sketch of white leaves in the painting book is the same theme as the ready-made oil painting, but the specifics have changed.

Although it is also a scene of white walls, eaves and lakes, there are more steps under the trees.

There are also people washing things.

There are no two swallows on the wall, but under the pen of Baiye, the ripples of the lake waves are very artistic. The lines at circles seem very messy, but they also hide the rules.

At first glance, there is a strong sense of déjà vu, which makes people feel like they see that the real lake surface should look like this when it is rising.

You know, this is a sketch. A simple charcoal sketch creates a picture that is like a substance.

Lifelike, very vivid, and vivid, appearing on paper.

Especially in the painting, the classes by the lake are bounded by the boundaries, with white walls above, which are simple and monotonous. At the bottom, there is a scene of the lake waves full of waves. Every movement and one stillness are natural, forming a perfect balance.

Seeing the smallest, such a composition is perfect.

After a group of big guys saw it, someone couldn't help but whisper: "Even if we draw, it's just that. At most, it's the brushwork, which is more concise."

"Um!"

Some people nodded slightly.

For them, the brushwork can be practiced.

The key is that composition and image are talent.

This is the most core quality of a painter's aesthetics, interpretation of art. How high the limit is for a painter's future is basically reflected through these basic elements.

Obviously, through oil paintings, and these sketches.

White leaves should have the four words "a bright future".

There are about hundreds of pages of a painting book, and the white leaves are definitely not finished. However, there are also twenty or thirty sketches, each of which is a theme, but each has its own changes.

It is either the changes in lake waves or the changes in architecture, as well as trees.

Even if it is different, the essence remains unchanged.

Lines and surfaces, geometric division, and white space in traditional Chinese paintings, these elements that constitute the water towns in Jiangnan are always implemented in sketches, constantly deepening their impression.

At the end of seeing it, an old man couldn't help but turn his head and ask, "Bai Ye, where is that Moonlight Lake?"

"Haha, this is what I want to ask..."

The old man next to him smiled and said, "I am also thinking about it now, and I plan to see what it is. If it is so beautiful, I might as well draw it..."

"Haha, you're itchy."

Some people make fun of it, but the meaning revealed also surprised some people.

They are the organizer and the staff of Suzhou.

As participants, they naturally knew the influence of these bigwigs in the industry.

Suzhou spent a lot of money and used many relationships to finally get the right to hold the hosting. Isn’t the purpose of increasing the foundation and increasing cultural influence?

Art exhibitions and other things are just accumulation. The fastest way is, in addition to this art exhibition, it is naturally that these big shots left behind, so that they can take the opportunity to promote it.

Unexpectedly, this ultimate goal was easily achieved.

At least if the boss has this intention, the organizer will definitely find every way to implement it.

Of course, there are some people who suddenly think of Shenzhuang...

From Shuangqiao to Shuangyan, there is a familiar scene.

Is history going to repeat itself? A painting drives a place and is well-known.

Some people muttered in their hearts that their moods were different, either calm or lost. Because they basically knew that this national exhibition had already settled before it officially began.

I expected to make a big splash and sensation the person who became the most dazzling star in the audience, but it was not me.

This is a blow, and it is inevitable that it is sad.

But there are also some people who accept all this calmly. They are not discouraged, but have firmed their beliefs. Only when they know the gap can they catch up.

On the road of art, a temporary lead does not mean anything.
Chapter completed!