Others also surrounded him and knew what the real Tang Sancai was worth.

If it is true, it will be a beautiful story for this charity event and it will be considered big news.

Moreover, everyone's eyes looked at Korean Kim Sung-ki, and everyone seemed to be smiling. It can be seen that everyone is willing to accept such a possibility.

"Really or not?"

"Let Mr. Gu look at it." Mr. Gu is the most capable big shot at the scene. Just now, Mr. Gu actually didn't look at it, maybe he was not interested in what the Koreans took out.

"Indeed, Mr. Gu will know the authenticity after looking at it."

...

If you want to talk about the thing just now, it was something that the Korean guy took out. Mr. Gu didn't want to touch it, so he didn't have this idea now.

Mr. Gu smiled and said, "Young man, can I take a look?"

"Old man, please." Hu Yang handed over the Tang Sancai camel.

The Tang Dynasty was the heyday of Chinese feudal society, with prosperity and prosperity in economy and culture and art. Tang Sancai was a painted pottery craft produced during this period. It is famous for its vivid and realistic shape, bright colors and a rich atmosphere of life.

This kind of artwork is actually caused by foreigners.

When it was discovered in the early 20th century, it did not attract the attention of the domestic collectors, mainly because it was a burial tool for burying the underworld, which was not very auspicious.

However, foreigners had no such concern and bought them in large quantities, which eventually caused a large number of fine products from Sancai. When the domestic collection industry woke up, Sancai resources were almost exhausted.

However, since then, Tang Sancai has been falsified and has been messed up by countless counterfeiters in the past century. Due to the continuous improvement of writers' methods, some foreign antique dealers or collectors still "take medicine".

Therefore, how to identify Tang Sancai has become a key issue.

"The real Tang Sancai has a squid pattern, which is a feature that is difficult to imitate." Mr. Gu said to everyone.

The surface glaze layer of Tang Sancai genuine products is thicker, and there are few bubbles in the glaze. If you observe it with the naked eye, the surface cracks are not obvious, and there will be no long stripes that are horizontal and vertical.

However, the glaze surface has a very obvious phenomenon of "such as dry, cracked, warped pond mud", which is what the people call "skin-skin pattern".

So far, forgers have not been able to imitate the same "skin-skin pattern" as the original Tang Sancai. Therefore, "skin-skin pattern" is one of the most important features in the identification of Tang Sancai.

Mr. Gu observed for a while, but didn't say anything, just nodded slightly.

This Tang Sancai has a slim pattern, but it is not too obvious to the naked eye. It is probably the biggest reason that confuses most people. Mr. Gu himself admitted in his heart that if he looked at it for the first time, he would probably be confused and dare not be too sure.

Afterwards, Mr. Gu gestured at the work for a while, which made people unable to understand, especially the novices in the live broadcast room.

Poplar had to explain to them that Mr. Gu was observing his shape. The camels of the Tang Dynasty had their own characteristics.

Generally speaking, the head is small, the neck is long, the body is strong, the proportion is accurate, and the colors are pure and luxurious. The camel's body is very fat, but the legs are small, which highlights the bones of the tendons. It is the contrast between the changes of this bone and the flesh that makes the camel round but not bloated, agile but not elegant.

I saw the camel in front of me. The camel was 40 cm tall. The colorful glaze camel was round and his eyes were round, his neck was raised, his head was raised, his mouth was opened, his nostrils were slightly opened, and his limbs were strong and powerful. He stood on a rectangular pedal. The camel hair on his neck was neatly cut, and his back was tilted to the left and right, showing the physiological characteristics of the camel when he whispered to the sky.

"This is a camel from the Tang Dynasty." Old Gu couldn't help but say.

Seeing the doubts in the eyes of Andy Lau and Sister Fei, Hu Yang explained to them: "The Tang Dynasty is a powerful dynasty. The people of the Tang Dynasty are very confident. This is a kind of spiritual outlook. Therefore, the camels made look more arrogant, just like this one, with their eyes glaring to the sky.

The camel who bows his head and bows his head, is listless and dying, is definitely not from the Tang Dynasty.”

The audience in the live broadcast room almost burst into laughter when they heard this.

OK! The Tang Dynasty is indeed awesome, even camels are arrogant.

Hearing Hu Yang's explanation, Mr. Gu couldn't help laughing: "Haha! The young man is right! It seems that you are very knowledgeable about Tang Sancai and have great strength."

President Wang introduced to Mr. Gu: "Mr. Gu, his name is Poplar. He is the discoverer of Jiulong Jade Cup and Chai Kiln porcelain."

As soon as these words were said, everyone looked at Hu Yang in shock, and Mr. Gu was also very surprised. After a moment, he sighed: "Young people nowadays are amazing!"

Korean Kim Sung-ki was also stunned.

He naturally also heard that Jiulong jade cups and Chai kiln porcelain were all top national treasures. If they were auctioned, hundreds of millions would be small things. It was truly priceless and much more precious than Tang Sancai.

At this time, he felt very bad in his heart. It was very likely that it was the real Tang Sancai! At this time, his heart was about to be bleeding. Such a precious treasure was actually taken out to do charity or to do charity for the Chinese. It was really a waste of time.

After sighing, Mr. Gu continued to analyze to everyone: "The real glaze is thicker and moist, and the color is basically white, yellow, green and blue. Looking at it from this, there is no problem."

Due to the long buried underground, after more than a thousand years, the glaze has become soft and lustrous due to the erosion of the soil environment and chemical substances such as acids and alkalis in the soil. The glaze surface is uniform and small, regular, and the four sides of the opening are slightly raised. Use a magnifying glass to carefully observe the rusted silver emerald between the tablets, which is similar to the lead-blowing phenomenon of green glaze pots in the Han Dynasty.

In fact, there is also the "crater" mentioned by professionals.

Populus euphratica tells everyone that because it is buried underground for a long time, its body glaze will inevitably be "eroded". After the unearthed three-color horses often appear mottled and fall off, forming tiny round pits in the shape of "small round pots", which is the so-called "meteorite craters".

The characteristics presented by this naturally formed defect are also an important basis for us to distinguish the authenticity of Tang Sancai.

"However, this work was unearthed in the Qing Dynasty and was played with for a long time, so the crater was not obvious. Instead, the patina showed the characteristics of the Qing Dynasty, which is also a reason why everyone mistakenly thought it was an object in the Qing Dynasty." Mr. Gu said to everyone.

Then, we continued to explain from other aspects and finally identified this as the real Tang Sancai.

When Jin Shengji saw everyone looking at him, she immediately smiled a little very reluctantly, which made the audience in the live broadcast room laugh, and it felt so good.

Let you show off! This is a bit expensive!

Although the price of the real Tang Sancai has dropped in the past two years, it is still at the level of millions. Mr. Gu just told everyone that this is a rare boutique.

In fact, everyone can understand that after all, it is something that the prince has played with. Can the quality be poor?
Chapter completed!