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Chen Huanyu said: Since the old lady here has said so, of course I have to be polite."

"He helped the old lady to the bedside and chatted: Old lady, I won't leave when I come here today. Well, how about having a meal with you at home? As soon as I said this, the old lady was happy."

"What's wrong?" Chang Yuan said.

Chen Huanyu said: "The old lady laughed: Oh, my son, you really should stay for dinner today. Today is my birthday."

"Oh, it's more appropriate to celebrate a birthday." Chang Yuan said.

"Ouch! My mother... I didn't know this before. I came here empty-handed. I'm so sorry. May I have a long life?" Chen Huan said.

"When the old lady mentioned this, she thought for a while and said: Oh, this sounds a bit old. I have to do the math. Think about it, I was born in the 12th year of the Showa era..."

"Huh? How can Showa be a Neon person if she's not my mother???" Chang Yuan said.

Chen Huanyu said: "Well, I'm in my sixties anyway, so I'm quite old."

"Oh, old lady, this is so good. I remember this day today, and I will kowtow to you later to celebrate your birthday. And not only will I come today, I will have to come today next year."

"Why are you coming here next year?" Chang Yuan asked doubtfully.

Chen Huan said: "Come to wish me a happy birthday. Today, old lady, next year will be your anniversary!"

"Hey, it's the anniversary? Isn't that what they say?" Chang Yuan said speechlessly.

"Hahahahaha!!!"

"Uu uh uh..."

The audience burst into laughter and applauded.

Chen Huanyu continued without saying anything: "I haven't said anything yet, please take a seat and I will kowtow to wish you a happy birthday."

"The old lady said: don't, don't, don't, don't, wait for me to lie down. The old lady lay down on the bed alone, pulled the sheets and covered herself, and I was kowtowing."

Chang Yuan said speechlessly: "My dear, this is so unlucky. You even covered the sheet yourself..."

Chen Huanyu said: "I was kowtowing when there was a knock on the door outside. Someone came to the house."

"Who is coming?" Chang Yuan asked curiously.

Chen Huanyu said: "These are the three sisters in your family. The Chang family has many children. There are three sisters at the top and one sister at the bottom. The three sisters were studying in Sijiu City at that time, and they were all the first ones."

"After graduation, I went out to study abroad in the province, and went to a place like Dongwan."

Chang Yuan frowned and said: "Go to Dongwan...why do you have to go somewhere else???"

Chen Huanyu waved her hand and said: "Hey, there are some things that you can't understand, because there are many things that you can't learn elsewhere. Your three sisters went to learn advanced technology and strive to do it.

A skilled woman."

"Good guy..." Chang Yuan said speechlessly.

Chen Huanyu said: "I have been studying abroad for several years. When the time came, my boss at Dongwan's place told me not to come back. After all, Dongwan also needs talents."

"So later on, your three sisters got married there. The three sisters settled down and bought their own properties. Your eldest sister opened a pedicure shop, your second sister opened a pedicure shop, and your third sister opened a pedicure shop.

Head room, business is extremely hot!"

"Otherwise, Dong Wan's boss wouldn't be willing to part with it..." Chang Yuan complained speechlessly.

"puff………………"

"Hahahahaha!!!"

"Oh my god..."

"Hey, hey, hey..."

There are a few innocent little white flowers in the audience who love to listen to Zan Kemanjing, and they understand each one of them instantly.

The jeers, cheers, and applause could hardly be blocked by the theater door, and the voices rushed outside.

At this time, in the backstage lounge, Guo Taoer and Yu Qian looked at each other, their expressions a bit subtle.

And the reason is naturally because of this cross talk work.

This cross talk work is called "Da Shang Shou". In fact, unless you are an expert or an old cross talk artist or an old audience,

Otherwise, most people have never heard of this part.

There is only one reason, and that is the same as "A Wife and a Son" and the like, because some of the more naughty baggage has been cleared away after the reform.

But no one said anything about cleaning up, but for actors like them, who come from a cross talk family and learn more traditional cross talk, this job is naturally not a big deal.

You must know that the pinnacle of "Da Shang Shou" is Chang Baoyi, who used to be known as the "little mushroom" of the Chang family.

Of course, because the version that has been handed down was recorded through official channels at that time, a lot of the baggage in it has actually been green-coded.

Some time ago, when we were drinking, eating and chatting, Chen Huanyu, Chang Yuan, Yu Qian and Guo Taoer also chatted a few words about these relatively classic but forbidden cross talk.

Several people also chatted about their thoughts, and Homework Homework redid some baggage processing and improvements, such as deleting some yellow baggage and adding some more yellow baggage...

There is no way, after all, the traditional cross talk in the past was like a treasure that was forgotten and rarely explored. It is really a pity that it has been kept there forever.

Of course, although the traditional programs that have been passed down to this day are all treasures and safe cross talk, it cannot be said that all traditional programs are of high quality.

Many of the self-written programs of later generations of actors from Zanke Nanjing are made up of short jokes, uukanshu.com www.uukanshu.com. For example, they were posted from online jokes, such as Guo Taoer, Zhang Helun, etc., and they were sued for infringement because of this.

This kind of use of short jokes is called "Suai Liuer" by experts, and it is easier to be criticized.

But in fact, there were also fragments in traditional programs in the past, such as "Da Shang Shou", "Tie the Doll", "The Money Man Comes Home", "Jie Wa" and other programs were all fragments of that era.

.

Even among all traditional cross talk activities, such programs account for more than one-third.

Works with clear creative ideas, such as "Reporting the Name of the Dish" and "Yellow Crane Tower", actually only account for half of the total.

But this does not prevent "Lao Sui Liu Er" from becoming a classic cross talk work, even though the creation level of these works was not very high at the beginning.

However, after a long period of time and multiple re-creations by many people, especially the interpretation by master figures, the work with ordinary content has been rounded up and sounds complete, and this section has become a classic.

This is the role of inheritance and the charm of inheritance.

Why do later generations of Guo Taoer sneer at the slogans of some crosstalk actors who want to abandon old crosstalk and create new crosstalk? This is the key.

If you don't inherit the classics, just one person, with half a bottle of ink in his belly, just innovates? Then there's something wrong with being able to say it well.

Only by inheriting the classics can we talk about future innovations.

Who would have thought that just drinking and talking about traditional cross talk in the past only happened a few days ago.

Chen Huanyu really dared to say it again in the small theater today. Although there is no explicit prohibition, the unspoken rules of not being allowed to say these paragraphs have been observed by everyone for decades.
Chapter completed!