"So actually, this song was really tailored for Sister Lin Zi himself?"

"Awesome Director Wei, I have never seen any Chinese who can write English songs so omega, cool and wild."

"I think there is the creator of the Golden Songs by Wei Director and the powerful singer Lin Zijie. The two join forces, and "Shakeitoff" will really achieve good results overseas by then."

It's actually quite time-consuming to record a song.

Lin Zi recorded all night and didn't even record a few words. Wei Xun stayed by her side to follow up on quality issues.

The musicians of those bands heard that "Shakeitoff" was created by Wei Xun, and even their attitude towards Wei Xun was different. They looked admirable when chatting.

If Wei Xun was a very powerful director and actor in everyone's eyes, then now he is a respectable gold medal music creator.

People always admire the strong.

Especially this strong man has been strong enough in your field.

As Chinese musicians, everyone knows how amazing it is to write a high-quality English song.

This song "Shakeitoff" completely conquered everyone present, including Lin Zi.

The song was recorded until midnight, and Lin Zi took the initiative to stop.

She sent Wei Xun out and said apologetically: "Please trouble Mr. Wei. You have to film tomorrow. I will do the recording of the subsequent songs by myself. After recording them every day, I will send them to you."

This will not delay Wei Xun's time too much.

After all, Wei Xun still needs to film "I Am Not a God of Medicine". I heard that while filming, the script of the TV series "In the Name of People" was still written.

I can only say that the young man in front of me is really omnipotent and powerful, and can take care of all films, TV and songs.

It's really admirable.

"Okay, if you feel any problems during recording, please contact me at any time. During this period, you won't have to go back to Beijing. Just finish recording this song in Jinling."

Wei Xun smiled and said, "This will also facilitate our timely communication."

It was pitch black outside in the early morning night.

Lin Zi sent Wei Xun out. Seeing Wei Xun bent down and about to get on the car, she hesitated for a moment and asked, "Mr. Wei, I want to ask, how much do you expect from the song "shakeitoff"?"

Wei Xun held the car door with one hand, turned around and smiled, "I look forward to you being able to airborne the billboard and kill all the way."

Even though he was mentally prepared, Lin Zi was still shocked by Wei Xun's answer.

Can she really do it when she hits the billboard?

Lin Zi didn't have any confidence at all.

But seeing Wei Xun's confident smile that was almost dazzling, her heart couldn't help but beat faster.

Maybe... maybe this song could really help her open up the European and American markets and fight with Ome Musicians on the Billboard?

After all, "shakeitoff" is definitely a very personal and excellent song!

Thinking of this, after Wei Xun left, Lin Zi excitedly returned to the recording studio and stared at the English song given by Wei Xun, and his expression became firm and fanatical.

There was something called ambition burning in her eyes.

Since Wei Xun can have such great confidence in her, why can't she, Lin Zi, have confidence in herself?

Isn’t it just a billboard? I’m going to kill with a new song!

The song "shakeitoff" requires such a state of ostentatiousness and confidence to perform to the best.

Lin Zi, who was inspired by Wei Xun, became more and more smooth during the subsequent music recording.

After Wei Xun solved the problem of making songs for Lin Zi, he returned to the crew of "I Am Not a God of Medicine" to continue filming.

When he was filming on the crew for the second week, Yuan Ye, the editor-in-chief of "Movie Weekly", wrote a column interview about the acting faction on Monday.

His interviewee is actor Wei Xun.

The title of this article is: Wei Xun talks about the vague current situation of the performance industry, classified performance genres, and claims to be a member of the experience school.

As the most authoritative journal in the performance industry, "Movie Weekly" has always been a benchmark magazine in the performance academic community.

Not only do theoretical scholars in the performance industry choose to order, but academic masters all use the weekly "Movie Weekly" as a habit to read.

Even professors from major film academies now force students to subscribe to "Movie Weekly" to learn performance and theoretical knowledge.

As a senior professor in the Performance Department of Beijing Film Academy, Professor Chen Qinghe also reads "Movie Weekly" every week.

On Monday morning, he arrived at the office twenty minutes early as usual, and there was a magazine and newspaper on his desk.

The office is quiet at this moment.

Chen Qinghe took out the reading glasses from the drawer and put them on, and then opened the latest issue of "Movie Weekly".

Then he was surprised to find that "Movie Weekly" actually published a column.

Generally speaking, only the editor-in-chief and editor-in-chief are qualified to publish the columns, and the interviews are all big players in the performance industry, analyzing some performance skills or summarized experiences.

Chen Qinghe has taught and educated people in the Film Academy for most of his life, and often absorbed new ideas and methods and gave them to their students to listen.

So he was very excited to see this issue of columns.

However, after seeing the name of the interviewer in this column, he was stunned for a moment.

Wei Xun.

A very popular actor and director in recent years, "Let the Bullets Fly" at the beginning of the year, was directed by Wei Xun. Chen Qinghe went to the cinema and liked it very much.

Judging from these achievements, Wei Xun appeared in the column of "Movie Weekly".

Chen Qinghe thought silently in his heart and began to watch the manuscript written by Yuan Ye.

"Wei Xun talked about the vague current situation of the performance industry, classified performance genres, and claimed to be a member of the experience genre..."

Classified performance genre, self-proclaimed experiential genre?

However, after reading Wei Xun's exclusive interview, Professor Chen Qing and his face became increasingly ugly from the beginning to the later surprise.

Not to mention whether a young man in his twenties is qualified to divide the performance professionally into a bold manner, just talk about what this so-called experiential school is?

To play a homosexual, you must find the point of love from a man and play a murderer. The best way to play a murderer is to turn yourself into a murderer.

This almost absurd remark is simply spreading performance as a cult theory.

And for actors, shaping roles is to act out their feelings. How can someone turn themselves into a role?

He was talking nonsense, all of which were attracting attention.

Chen Qinghe's previous affection for Wei Xun because of "Let the Bullets Fly", after seeing this "performance faction classification" with incredible remarks, he was so angry that he threw the newspaper on the table, and then called the "Movie Weekly".

After the phone was answered, Chen Qinghe said angrily: "Editor Yuan, how did your column article about Wei Xun pass the review and issue it? It is simply a misleading child!"

Not just Chen Qinghe.

On Monday, the entire performance academic community responded greatly because of this article that divided the film factions published by Wei Xun in Movie Weekly.

Most people can accept the description of the two factions of expression and method.
Chapter completed!