"Teacher Huang, long time no see you." When he met Huang Shaotian, Jiang Yan greeted him with a smile.

"Xiao Jiang, tsk, the change is quite big, I can't recognize you." Huang Shaotian glanced at Jiang Yan and then said.

"Me? What's wrong?" Jiang Yan asked after hearing this.

Huang Shaotian teased: "I've become more beautiful. I'm afraid that an old man who talks to you will be beaten to death as an old pervert."

Jiang Yan pursed his lips and smiled, "Teacher Huang, it's really a joke. We will cooperate this time, so I'll ask the teacher to take care of you later."

"When I worked together last time, you were still at CCTV. I didn't expect that you would come to Tianman in a blink of an eye. I think you should take care of me more, haha."

The two of them came to Tianman's studio while joking. Tianman also opened a commentary program on animation, similar to "Meeting for Premiere", but only animation, but it is not limited to Tianman's works, nor is it limited to movies, TV versions, Ova, etc., and there will be introductions every week.

The host is naturally Jiang Yan, and the special guest invited by this episode is Huang Shaotian.

"Ping'an City has changed so much. I just came a few years ago, but when I came this time, I didn't recognize it. I thought I had arrived at the legendary fantasy town."

"And that Baiyulou Snack City, Teacher Xiao He is really amazing. He has created such a snack city that makes people want to come out if they get inside."

"How is the housing prices here? I want to settle in Ping'an City."

"By the way, is it allowed for the show to swear by Teacher Xiao He?"

Huang Shaotian never stopped talking from beginning to end, and after talking for a long time, Jiang Yan felt that even if he was left alone in the house, he could still talk to himself for the rest of his life.

"Personal suggestion. For the sake of your own life safety, please be careful." Jiang Yan said.

Huang Shaotian was shocked: "So dangerous? Is this really the legendary demon king city that cannibalizes people?"

"Okay, I'm not kidding anymore. I'm going to record the show. The ratings of this show are pretty good. I'm worried that something bad will happen to you when you meet excited fans. This is Ping'an City, there are not many anything, there are so many fans."

Everything was ready in the studio, and the two ended the chat. After the director made an OK gesture, they started recording the program.

"The stins;gate" has brought us a wonderful time and space journey from the initial dullness and unpopularity to the final sensation. I believe that the audience has already known Teacher Huang Shaotian next to me very well, and I don't know what Teacher Huang Shaotian thinks of "steins;gate"?"

After a simple opening remark, Jiang Yan brought the topic to "steins;gate" and Huang Shaotian. Huang Shaotian immediately got into the state and took the topic calmly.

"Traveling time and space is an old theme, ancient and modern, Chinese and foreign. People have never given up their fantasy about the mysterious topic of time and space. "steins;gate" has a unique style and the plot is far higher than other similar works in terms of height. It is used to immersive and ups and downs to expand the plot to immerse the audience's feelings. Many people think it is slow to heat up, but I want to say that the previous plots are by no means nonsense, but an important foundation for subsequent development and ending orientation."

"The real John Tito was presented from the beginning. The European Atomic Research Organization is not a simple parallel timeline as the basis of logic, which is sufficient to taste; use a slow simmer to simmer, "let simple text information travel through time and space", "let consciousness travel through time and space", and "let people travel through time and space" to tell the story in a leisurely manner; there is a shocking reversal in the middle of the story, and it is so gorgeous that Madeger's "human being essentially a time-oriented existence" to advance the plot; use a perfect plot to fit the changes in the timeline."

"It seems that you have a very high opinion of "steins;gate"." Jiang Yan continued.

Huang Shaotian continued: "I personally believe that the most important factor in works about traveling through time and space is the setting of 'cause and effect'. Whether this factor can be grasped is directly related to the success of the entire film. The most classic thing is from the result to the cause, that is, the result of the formulation at the beginning, and then it is substituted into the subsequent process. This process will eventually move towards the result of the formulation. This will facilitate the setting of suspense, fully mobilize people's curiosity, and finally give people a feeling of sudden enlightenment when they see it."

"I heard you say this, "steins;gate" seems to be like this." Jiang Yan said, "Unlike Hollywood films that fix conflicts and plots, the first half of "steins;gate" puts the characters in their respective positions, using small coincidences to show the changes in the timeline. The plot is like a series of arcs slowly drawn with a pencil. When the plot is halfway through, the plot turns around, like using a colored pen to paint all the circles just drawn with dream colors. Then in the last few episodes, the pen is just at the end of the first time, and all the arcs are perfectly closed and the curtain is over."

Huang Shaotian nodded and said, "There is another point that many science fiction works will be very awkward and difficult to understand, and keep playing with profound esoteric. But I think the most important thing for science fiction works is to be easy to understand, at least not pretending to be profound. Less awkward does not mean that it is superficial, and 'logical' is the key. Many works that are called 'brain-burning' are not because they are so difficult to understand, but they are just very logical. If you sort out your ideas, it is easy to understand. In fact, it is just a story of 'because'."

"The entire work of Steins;gate is produced very rigorously from beginning to end, and it is necessary to "conform and make the cause and effect cycle as much as possible. From the first chapter, it lays the groundwork: I saw the assistant stabbed to death with my own eyes. This key point starts to trigger a series of events: Send the first d-mail - from the β world line to the a world line - the assistant who saw the a world line - accidentally discovered the function of combining electronic ovens and mobile phones - began to study d-mail - experiment d-mail - study memory transmission... Until I was really reasonable, I started to enter ** here, Okabe countless memory transmissions, and later the assistant helped him find the root cause, and later solved the cause, and finally found that he returned to the original point."

"This foreshadowing is beautifully buried, and the process is really exciting. But what makes me feel the most 'finishing touch' is the last two episodes. How Okabe escaped the confinement of the world line and 'rescued' his assistant from the law of cause and effect. This process is simply exciting, too clever and very reasonable - of course, this reason is based on the world view of the story." When he said the wonderful thing, Huang Shaotian couldn't help but danced and kept gestured with his hands.

"How should Okabe escape the confinement of the world line and rescue his assistant under the constraints of the law of cause and effect. The conclusion given in the play is to 'deception' - to deceive himself. Because there was only one condition that triggered Okabe's text message: seeing the assistant lying in a pool of blood. It doesn't matter if he dies. For example, it's the assistant who lies on red paint to sleep? It doesn't matter. Because the moment he sent the text message, Okabe went to the A World Line to 'drift'. After he came back, he didn't know any news about the β World Line in the past two weeks. Of course, he wouldn't know from the news whether the assistant died or not."

Huang Shaotian paused before saying, "What attracted me at the beginning of "steins;gate" was actually its scientific setting. The theoretical structure of time travel as the theme is not as simple as a blue fat man popping out of the drawer, but is based on the existing time machine theory and a little fantasy."

"The excitement of the characters in the work when discovering unknown phenomena; establishing hypotheses, conducting experiments, failing, and persisting in the experiment; and finally the principle of understanding that the joy of the invention is all touching my curious heart and exploring them together. This work also has a huge amount of information knowledge with as many as 224 annotations. From this point of view alone, it is not difficult to find that this work is not a pure fantasy production, but a science fiction work based on reality. Not only that, it also contains the unpretentious allusion of things such as cern and DMFun, giving people a huge sense of reality and substitution, making people unable to extricate themselves."

Speaking of "subtitles", Huang Shaotian smiled jokingly. Tianman's works often become a feature of Tianman products, and gradually became a feature of Tianman.

"As the story goes on, the tortuous plot becomes another element that attracts me. As a step-by-step distort of time and space, the price of cause and effect, fate mercilessly jokes with the characters in the work. The nonsense deaths again and again bring about the increasingly fierce destruction of the soul; the efforts of time jumping again and again ultimately bring about the conclusion that the will of the world cannot be defy. After all, what is obtained is a chasm called despair. However, all of this is not futile, and it is precisely because of these little accumulations in the past that the salvation of the world and the self is finally exchanged for."

"The character creation in the story is impressive," said Jiang Yan.

Huang Shaotian said: "The two heroines, Kori Su and Mayuri, one is a calm positivist who published an article in Science magazine, and the other is a very cute and naive ordinary girl. I don't know how the Great Demon set the character at the beginning. I only think that the two heroines, one represents logical rationality and the other represents irrational intuition. In the story of "steins;gate", whether it lacks Kori Su's rationality or Mayuri's intuition, Okabe cannot persist until the end of the story."

"There is also the protagonist, the sentence 'I am a science madman, Phoenix Academy', from the beginning of childishness, ridiculousness when I was powerless, the sadness and sadness after the determination of life and death, to the calmness and calmness of seeing life and death in the end, it is a process of a child growing into a hero. I have to say that the dubbing's interpretation of Okabe is very exciting..." (To be continued, please search for astronomy, the novel is better and faster!
Chapter completed!