Due to "vocaloid" and Hatsune, the entire music industry is divided into two distinct factions.

Yipai believes that Hatsune is just a music software, which only expresses the songs with set programs, and cannot highlight the emotions in the music. Letting a software sing is not only a blasphemy to the songs, but also a fool of the listener.

Another school believes that the song itself contains emotions, and let Hatsune sing it, so that the audience can truly feel the original charm of the song.

The entire music industry has been involved in this debate. Those who oppose virtual singers are called "Over-singing Cong School". Most of them are people who can sing but have insufficient lyrics. Those who support virtual singers are called "Over-singing Cong School". Most of them are songwriters and singers with original abilities.

All contradictions arise because of interests, and the same is true here.

Originally, because they were behind the scenes, most listeners only recognized celebrities, but not lyricists. Even if they were famous composers, a good pop song was sold for 100,000 to 80,000 yuan, but the potential value they brought to celebrities was millions!

Such a significant difference leads to inequality in the status of both parties.

But simple songwriters can't do anything about this, because without the spread of singers, their song listeners can't hear it.

The emergence of Hatsune changed this situation.

The songwriters have an additional channel, a channel that allows them to play at will. They will also go to the stage from the people behind the scenes who rely on others' fame - because for Hatsune's songs, the audience is like chasing novels and comics. They pay more attention to their authors.

Singers also suddenly returned. Now they wanted to ask someone to write songs. It would cost a higher price. In this way, others may not be able to write to you.

So during the argument, the songwriter finally stood on the same position as the singer.

It also forced some singers who did not surrender like Hatsune to start trying to create original songs.

These things have no effect on He Chen at all.

He only knew that the Chihiro Music Storm List had been monopolized by Hatsune. At first glance, it was Hatsune.

Hatsune's "Shooting Song" has captured all square dances across the country. The fans or handkerchiefs of the square dance aunts are all replaced by Hatsune scallions specially produced by Tianman.

Every day, the cheerful rhythm of "swinging onion song" echoes over the sky all over China. A large group of square dancers who are unwilling to be lonely are dancing on the square, waving green onions. The beautiful scene is unaware of the sight.

The anime thank-you festival concert ended successfully, and "White Album 2" was unlocked.

The selling points of galgame were originally 18x-oriented works until the emergence of the key. With a work that was unshakable for galgame, the all-age version of "Clannad", it reversed the negative impact of galgame in one fell swoop.

He Chen directly used the all-age version of "kanon" to create galgame. It made galgame directly a mainstream romance theme work without any negative impact of 18x, opening a very perfect start for galgame.

He now has three romance works: "I Want to Trouble You to Try to Hurt", "School-days", and "White Album 2".

"I Want to Torture You" is one of the most classic girls' romance comics. However, just like Qianman's "lethe", it lacks adaptability and is only suitable as a pure anime work.

He Chen had already redeemed "school-days" last year, but he just used "kanon" to start the era of pure love for galgame, and then released "school-days". The contrast is too strong, and He Chen is afraid that the audience will not be able to bear it.

Therefore, the second galgame work chose "White Album 2".

"Kanon" is the first to open up the market for galgame, so that comics and animations will be released first. At the end when it is most popular, galgame will be launched in one fell swoop, so that this type of game theme will immediately gain a foothold among many games.

For "White Album 2", He Chen is preparing to release the game first, and then the comics and animations. In this way, the audience will not be influenced by the first impression of the animation and comics, and will support their favorite characters from the heart, so that the Dongma Party and the Xuecai Party will be close to each other (desperate), and will not stop with each other, and will not stop with the party.

Since the 18x plot is impossible, He Chen wants a higher quality CG so that he can attract players' interest in collecting CG. After all, in addition to guiding beautiful girls in galgame, collecting a large number of exquisite CGs can also bring players a huge satisfaction.

For the game CG of the beautiful girl theme, Inoue and Ruzuki are very interested. They defeated other opponents with their unparalleled superb painting skills and won the position of assistant to He Chenchun's masterpiece "White-album".

Gao Yang and Qiu Yun felt very sorry for this. Since then, they were cured by their teacher's "Kanon", they finally determined the theme of their future development. After quickly completing "Kepfa", they serialized the "Pokemon" super-era chapter while conceiving their own love comics.

This time, I learned that the teacher was going to publish another work about love, so I tried my best to become an assistant to this work, hoping to learn something from it and get inspiration.

Unfortunately, the style of the two people is inconsistent with He Chen's requirements. Although the portrayal of women in "Kepfa" is pretty good, it is a bit too much of a look, while He Chen needs the feeling of being indifferent, preferably the kind of illusion that people are wearing clothes, but they can make people feel hazy illusion that they are not wearing clothes.

This will allow players to fall into the pit of collecting cgs.

This is exactly what Yuhiko Inoue and Ruyuequn really like. A short story of "Sakiko" made the two of them not satisfied. So in "White-album", the portrayal of the female characters inside, let alone men. Even women can't control them after watching it!

"Do you want to draw such a subject?" He Chen asked when he saw the regretful appearance of the two.

Gao Yang nodded and answered honestly: "Teacher, we are indeed a little powerless in combat. The battle in "Pokemon" is too simple and we didn't notice it ourselves. Follow your "Sailor Moon" and went to draw "Kempfer" to find out your problem... Although "Kempfer" has been recommended by you, it is still popular. But the battle inside..."

Gao Yang and Qiu Yun looked at each other and smiled awkwardly: "Don't say that readers always complain, I can't stand it. After this movie, we found that we are not suitable for painting combat themes, and funny types, and are not as good as Xiaoyu. Our style is more warm and has a little joy. After watching "Kanon", we want to learn the theme of "Kanon".

The two knew that they had low talent, so they worked much harder than others. They kept trying various styles of works.

He Chen also saw the attitude of the two. So he said to them: "There is another theme, I think you will like it very much."

Tian Shi is the best at the style of "It seems like you're so anxious to die". Unfortunately, Tian Shi is not interested in this kind of theme that promotes heterosexuality. If she asked her to draw, He Chen was really afraid that he would eventually develop into a love triangle between Shota Feng Zao, Ryu Sanada and Kento Miura without knowing it.

When Gao Yang and Qiu Yun were painting "Sailor Moon", they learned Tian Shi's style, which combined with their own cute style, which is also very suitable for "I Want to Try You to Try to Trouble".

So He Chen decided to let them be the assistants of "It seems like you're so anxious".

"Inoue, Ruyue, the cg of this game can't take you too long. There is another topic. Do you want to draw it?" Finally, He Chen asked Yuhiko Inoue and Qunma Ruyue again.

"And?" They were given two tasks at once, and they felt the attention of the most respected teacher. Ru Yue Qunzhen immediately replied: "As long as the teacher's arrangements!"

After a while in China, this guy watched animations and TV series all day long. His oral language has improved rapidly, and he has learned the style of China.

Yuhiko Inoue was still erect and faced with a paralysis. He looked at He Chen and asked, "What subject matter? Are there any women? Do you need a **?"

He Chen is no longer surprised by his personality, but he just sighs in his heart, why can't the great god draw well?

He also wants to see the great master create "Rangkexing" in this world.

If he could change the script of "Langkexing" to the ancient Chinese style under the influence of He Chen, He Chen would be even happier.

"Apart from the first female lead, all other female characters are!" He Chen said affirmatively to him.

"Okay! I'll draw!" Inoue Yuhiko's dead fish eyes lit up and she replied in a muffled voice.

"This is a fantasy time travel theme, with magic and aliens. I will only give you an idea, just like in "Sakiko". You can draw the specific content at will. Tomokashi, Oda, you two will also help, Oda, I think you have the potential to draw combat works..." He Chen said to Oda Eiichiro and Tomokashi Yoshihiro again.

Gao Yang and Qiu Yun were just talking about the difficult battle, but He Chen said in a blink of an eye that he had the potential to draw a combat style. Oda Eiichiro was so excited!

So he immediately agreed loudly: "Hi!"

I thought to myself, no matter how many other people are, I must do my own battle scenes in this work and not let down the teacher’s expectations!

"Fujian, you continue to be responsible for the story, and you can play it casually this time." He Chen gave Fujian Yoshihiro high authority, and Fujian Yoshihiro nodded excitedly to agree.

Traveling through, alien world, magic, alien race, the first heroine with small breasts, other **.

The subject He Chen told them was "The Devil of Zero".

When Daisuke Ono captured Rie of Takumiya for He Chen, He Chen immediately thought of Takumiya Simoe who spreads Takumiya virus, "Zero's Demon", "Shanna with the Eyes", "Tornado" and "Dragon and Tiger".

The cute works are based on characters as the selling point and have little dependence on the plot - basically after watching it, readers will forget the plot, but they will be impressed by the characters.

Therefore, as long as He Chen remembers his character, he does not need to wait for the system to refresh.

Among these works, He Chen chose "The Demon of Zero".

First of all, time traveling through fantasy themes is also a mainstream online literature category now, and He Chen has never touched on this type of theme.

Secondly, there are many girls and many Opali, which can arouse the real creative passion of Yuhiko Inoue and Ruyuequn. It is also considered that He Chen fulfilled an agreement to deceive Yuhiko Inoue. He said at the time that if "Slam Dunk" is drawn, he would give him a subject that satisfies him. If Yuhiko Inoue reminded He Chen last week, He Chen would have forgotten this agreement.

Finally, he has Fujian Yoshibo.

Yoshihiro Toshikari is best at this type of fantasy theme.

Tomoki Yoshihiro made the original work, Oda assisted the battle scene, Inoue and Ruzuki made their character designs, such a lineup would have to kneel even if the original "Zero's Messenger" came. (To be continued...)

ps: Sorry... It's been so long tonight...
Chapter completed!