"This will be another classic work from Pixar Studios!"

Jerryfor Carsonberg, who was talking, had already watched the preview. At this time, he stood in the front hall of the Temple Theater and was inevitably moved by Pixar and Disney's senior executives, "Dreamworks Animation Studio is not bad, we will catch up soon..."

"Competition is more conducive to the development of this industry." Ed Kamr laughed.

"That's right."

When he got here, Ryan happened to hear their words and continued, "The animation market share has become larger and larger in recent years. As long as the quality is guaranteed, it is not too difficult to make a profit from it."

After saying that, he waved his hand and signaled that the people who came to say hello one after another were welcome.

In today's era, it is simply impossible to monopolize any type of film market. How to make the film more attractive and how to further expand the market is the primary problem faced by major animation studios.

Not to mention Pixar, DreamWorks and Blue Sky Studios, which are now gradually occupying a leading position in computer animation, other film companies have also set up computer animation departments in order to get delicious cakes in this market.

The most typical example is that Warner's animation studio invested huge sums of money and quoted 3D and IMAX technologies, "Polar Express" produced by Tom Hanks and Robert Zemekis.

After chatting for a few words, the main creator who took a photo outside walked into the hall. Ryan followed everyone to the screening hall, and someone pulled the corner of his clothes from behind halfway.

"Kristen?" When he looked back, it was Christen Stewart, who voiced Nemo.

The girl walked two steps, walked side by side with Ryan, and asked, "Where is Alison? Didn't she come?"

"I've gone to New York with her parents." Ryan asked curiously, "She didn't inform your mother?"

"Probably I forgot." Kristen Stewart stroked his hair long and longer, "I'll settle the score with her when she comes back."

"Well. You can throw her into the sea with Scar." Ryan came up with a bad idea.

"Oh, Ryan..." Kristen Stewart shook his eyes on purpose, "You'll be sad if you say that."

"Who will be sad?" Later, another woman walked quickly, and she took the tomboy's hand in a familiar way, and greeted her, "Hello, Ryan."

"Hello, Allen." Ryan nodded to her, recognizing that this was the voice of Dolly, Alan DeGeneres, "I heard you are preparing your own talk show?"

“That’s how it is.”

After approaching the front seat, Allen DeGeneres simply changed seats with the tomboy and sat next to Ryan, continuing the topic just now, "I'm still looking for a partner."

"You can get in touch with ABC TV station."

The other party is one of several well-known talk show hosts Ryan Limited remembers, which is also due to the Oscars in his previous life. "I think they should need an excellent evening talk show."

"Thank you, Ryan." Allen DeGeneres understood that this was a very good opportunity, "I will notify the producer immediately after I go back."

"Looking for Nemo", this Pixar animated film, which was named "Finding Nemo" by Zhongchao on the other side of the previous life, slowly kicked off.

The plot and content of the film are typical Pixar style. It uses a child-like perspective to tell topics that even adults cannot ignore, and laughing will always make people cry...

The plot of the story is not complicated, but it shows the most advanced computer animation technology today.

Some people once thought that the effect of burning flames could not be virtual, and water flow was considered a technology that was more difficult than fire. However, the facts proved that high-tech software could do everything. Pixar used flowing water in "Looking for Nemo" to create a marine world that is difficult to surpass in the short term.

Of course, this time the ocean is definitely not the clear and transparent sea water in "The Daughter of the Sea". They created a very natural undersea image.

The lights and colors appear in cartoons are richer than those in the actual ocean. The seabed is usually dim and deep, and the sun cannot reach the seabed through the seawater. Objects on the seabed will show different colors as the distance is far away, but the seawater in the movie always maintains a saturated color. Although it is a bit unreal, the effect is amazing.

For those who know computer animation technology on site, the most shocking thing is the group of jellyfish. Their appearance has taken a big step towards animating marine life!

The characters involved in the film are not just various marine creatures, but perhaps they are borrowing some practices from the Marvel movie. In the background of "Looking for Nemo", many other Pixar animation characters appear.

These are basically concentrated at the intersection of marine life and humans, in the dentist clinic.

In one shot, a car drove past the clinic door. This car did not exist in reality, but a character in the newly established "Car Story".

There are also on the ground in the clinic where you can clearly see the doll of Buss Light Years. The comics the boy waiting for the clinic are "Superman Family". Pixar Studio is obviously advertising for the "Superman Family" that is about to be completed...

As for the dentist's clinic's styling, it's even more interesting. It's an animated version of a dental clinic on the street behind Jenkins Films.

However, even if the film adds a small number of other elements, it still has a strong Pixar style. For such an animated film, a happy ending, although tacky, is a must-have choice.

If this type of film chooses a tragic ending, it will inevitably become a market tragedy.

"I still remember when I was a kid, I saw a picture where two clown fish in the water were peeking out from an anemone. It was really interesting."

When he left the theater, Ryan was stopped by a reporter from Disney TV. The other party asked about the origin of the story in "Ryan's Story Collection". When he saw that it was his own media, he said a few words, just to promote the movie. "At that time, I had no idea what kind of fish they were, but I just couldn't turn my eyes away from them.

He pointed to the huge poster behind him, "And they are called 'clown fish'. This fact can embellish the characters and make everyone think that clown fish is a very funny fish - very perfect. Of course, today's movies have proved that there is almost nothing else in the world that can be more attractive than those fish who want to play hide-and-seek with you."

The response of the movie also proves Ryan's point of view. Pixar produced and Ryan Jenkins' original work adapted into a perfect sign, attracting a large number of viewers to flock into the theater.

Shortly after the premiere ended, a large number of comments from ordinary audiences appeared on the Internet.

“Pixar Studio has the best story, the best special effects, the best picture, the best songs, the best characters, the most touching animated movie!”

"The foreshadowing of the story is invisible, the plot is completed in one go, and the pictures and music are all swaying with the warmth of the ocean."

"Interesting dialogue, fresh stories, exquisite pictures, a single-parent family, a cautious father, a rebellious child, an adventure of searching for relatives for thousands of miles, and a happy ending that sublimated together. Although the stories Ryan compiled are always a pattern, they can touch our hearts."

Some viewers who expressed their opinions probably became fathers or mothers, and they were even more touched by the movie.

"What is family viewing? This movie perfectly interprets this. It is a very inspirational movie. I believe it will benefit you for the rest of your life after watching it."

There are also comments from industry insiders.

"Not mentioning the touching father-son friendship, the inspirational and moving road of freedom, the adventures along the way, and the rich plots of funny and humorous, we only look at the performances of various undersea animals in different shapes and the beautiful scenery brought by the flow of water. Pixar's powerful technology is worthy of our worship. If I could go back ten years ago, I would definitely buy Pixar Studio before Ryan!"

Of course, the comments will definitely attract a lot of criticism from the wrong people, but this animated film, which is a fish road film in a sense, does not only please teenagers but also please their parents.

Ann Hornardi from the Washington Post is undoubtedly a supporter of this view. In addition to the comments that she directly gave the movie a full score of ten, not only the small audience, but also the large audience who accompanied them.

Roger Albert, who is at the top of this industry, also gave a 10-4 star rating. "Search for Nemo is one of the few movies I have seen that I want to sit in the front seats. It proves that Ryan Jenkins' creativity and Pixar Studio production are basically synonymous with fine animated movies."

Joe Moganstern from the Wall Street Journal also expressed a similar view, "This is a genius work full of visual appeal. With the past Ryan's creation of Toy Story and the adaptation of Monster Shrek, the best computer animation movies are directly related to him. Ryan should really give a good lesson to the playwrights who lack action, fun and novelty!"

Of course, it is not without criticism, such as David Denby of "The New Yorker" who fired directly, "The colors are very bright, and as for the others, only the colors are very bright. The story is not bad, but there is nothing outstanding. Everything feels very mediocre, and the typical Ryan-style works that are used to routine are not novel. There are many problems with the script, and there is nothing that can really touch people."
Chapter completed!