In every movie, the director will use something specific to serve as a symbol of a certain aspect of the movie character.

Of course, the movies mentioned here are definitely better movies.

For example, some film directors like to use the color of the character's costume or the style of the costume as symbols.

This symbol may be an object, an expression, a body language, etc.

By the way, there are some different makeups.

These TV series are also often used.

For example, in "The Legend of Zhen Huan" and "The Legend of Miyue", the makeup of the heroine in it always changes as the plot continues to progress.

Similarly, the same is true for "The Devotion of Suspect x"!

In fact, in my previous life, there were also some easter eggs or details arranged by the director in the domestic version of "The Devotion of Suspect X".

For example, the brand name Erdos that Chen Jing bought for Shi Hong is the name of the Hungarian mathematician that Shi Shen admired the most in the original work.

For example, the pen is the little policeman around Tang Chuan likes to bite the pen cap; when Tang Chuan uses his pen, he likes to put the pen upside down on the desktop and push it out of the tip before using it.

These are the details that some directors have thoughtfully made.

The biggest difference between movies and TV series is that the cameras of movies are limited, and every shot, most of the time, a successful director will give them charm.

In this movie, the invisible symbol given by Chen Shaojun is a bag!

The camera specially gave a close-up of the bag that Shi Shen carried, which was an old brown flip briefcase!

In stereotypes, the old briefcase of Shi Shen shows his rationality, which contains his stereotype, nostalgia and the hint of following self-conventional rules.

Bao here was given social attributes by Wu Xiaozu, giving the audience hints and a manifestation of the characters.

Of course, most of the time, the average audience will not deliberately pay attention to this.

But Zhang Weiming felt that this shot must have profound meaning, otherwise why would he give this bag a close-up?

The camera finally gave the Shi Shen a close-up of his face for the first time, under the intermittent long light.

The audience saw the complete face of the Stone God for the first time!

The old-fashioned glasses have a slightly numb and unconscious look, a sallow complexion, but very thin.

The ordinary is like an office worker who can be seen everywhere on the streets and alleys. The audience can see him as if they see him.

Zhang Weiming wrote a word "Bao" on his notebook and asked a question mark!

Dingling... The difference between the sharp ringtones in the sound montage at the beginning is that the ringtone is very soothing! It sounds obviously very comfortable.

A red bicycle drove into the screen, Shi Shen stiffened and subconsciously bent down to tie his shoelaces, as if he was just to wait for the bicycle to pass by.

The heroine Chen Jing was wearing a long skirt, a double-breasted sweater, and was riding a red bicycle. On the back seat was a white and cute girl with a bright yellow schoolbag on her back. She held a small hand around the heroine's waist and the other hand was holding a flowerpot with bright little wild flowers.

This picture has obvious tone and is completely different from the previous scene where Shi Shen traveled alone.

The charm of a movie is not only the lens, but the same color tuning is also very important.

Zhang Weiming couldn't help but nod.

The red bicycle, bright yellow schoolbag, and bright little wild flower pots, women and children immediately made the whole picture soothe from the previous lifelessness and the previous depression.

It seemed as if the picture came alive.

This opening scene surprised many insiders.

Wang Yifan was also a little surprised.

I have to say that Chen Shaojun has indeed grown a lot.

The movie "The Devotion of Suspect X" is actually a commercial movie.

But it does not mean that commercial films cannot be artistic.

In fact, this opening really gives people a very stunning feeling.

Especially the switching of the screen.

It is very smooth. In fact, there is no dialogue in the opening paragraph, and some of them are only the discussions of the students in the previous sound montage.

Afterwards, the Stone God walked under the night sky, and placed the Stone God in a depressing environment through his body language, through his clothes, light and color, making people feel that the Stone God was very depressed!

In fact, this kind of picture makes people watch it and they will definitely not like it too much.

Because it's too depressing, it feels like the picture is "dead"!

Then, the amazing thing is that the soothing bicycle ringtone is to introduce Chen Jing and her daughter to the entrance.

The two of them seemed to be elves who broke into the deadly and depressing world of the Stone God.

The whole picture was filled with various bright colors, making the whole picture come alive.

Especially when in the end, in the camera, a seagull flew in and then landed on the long lamp that was undecided. The light that was clearly extinguished returned to light, and at the same time the light hit the stone god.

The split use of light shows the life of the stone god shattered.

Old briefcases, twinkling long lights, red bicycles, small wild flowers in flower pots, and seagulls that suddenly give people hope for luck.

The movie starts very depressing, but the seagulls at the end bring people hope.

And this hope is gradual.

Not the kind of sudden appearance.

People like Wang Yifan who knew the plot nodded repeatedly.

In fact, this opening session itself contains a lot of information.

A lot of things were expressed.

For example, the scar on the Stone God’s wrist is a prelude, but at the same time, it also means that in everyone’s eyes, he is a weird person.

He himself didn't mind, but at the same time his life was indeed very depressing. There was no other color in his life, there were only depression and dim colors.

Until the appearance of the mother and daughter brought him light and different colors!

The character Shi Shen himself is constantly looking for spiritual support for his heart to lose.

Therefore, under the camera, there will be a faint camera alienation, which makes the audience feel that this person is like a person close to you, but when you really touch it, you will find that the other person is thousands of miles apart and walking in his own world.

In this way, the audience can calm down and look at this relationship and the story objectively.

The movie continues. In the camera, Shi Shen is standing under the duplex tube building with his bag. This is a large staircase with an outer arc. Under the staircase, various debris are piled up in chaos.

The camera followed the person slowly up the stairs. The corridor in front of the single row of houses seemed very congested in the cramped corridors, and there were dirty water hidden in the bumpy aisles. Pots, pans, clothes rails, etc. were placed randomly at random, which was very cold and humid.

The stone god seemed to walk by quietly, as if all this had nothing to do with him!

"Cruff-"

The sound seemed a bit abrupt.

A clean room door that passed by suddenly opened. Chen Jing, the mother of the mother who appeared before, walked out with a pot of wild flowers. There was a simple fitting mirror hanging from her door.

"Teacher Shi." Chen Jing smiled politely.
Chapter completed!