"No matter how big a celebrity or how prominent you are, you must put aside your airs and communicate with the public honestly and honestly."

Chen Feng said disdainfully: "Now the people are flying all over the sky, how can there be a word that is the truth!"

"Hey, today is different from the past, the environment is different." Hu Fang said helplessly: "Yi Lijing's "Position", Chen Xiaonan's "Talking to Strangers", Jiang Sida's "Visitable for Only Three Days", Lu Yu's "Meeting Later", Xu Zhiyuan's "Thirteen Invitations"..."

"Now it's all season-playing guerrilla mode. You don't know when the next season will be, and you don't know if there will be another season."

Chen Feng sneered at it, would he ask about the bad movies of celebrities, plastic surgery, negative reviews...

Aren’t these all the controversies that celebrities should face and respond to?

How long did we live in an insulated box before we think this basic operation is even if we dare to ask?

In addition to the old-fashioned standards from above, does the disappearance of the interview program also have the tolerance from below?

Are we willing to listen to others and allow others to say it?

Looking back at the time when there was a late-night talk show on Hong Kong Island called "No Defense Tonight", the hosts were three of the four major talents in Hong Kong, Huang Zhan, Ni Kuang and Cai Lan.

In one episode, Rosamund Kwan came to the show and was intrigued. Huang Zhan asked the goddess directly: Will you be willing to be someone else's mistress?

Today is a question of death!

Unexpectedly, Lin Guan was generous and explained clearly what the paparazzi could not dig for several months.

This is honesty.

"The finale of "Thirty Only" the day before yesterday was accused of being unfinished. The biggest reason why netizens scolded was whether Xiao Sanlin in the play received retribution?"

"Everyone said he was unhappy?"

"Call the screenwriter's viewpoint is not correct?"

Hu Fang said indignantly: "Whoever stipulates that the villain must be punished with evil?"

"Don't forget that the most common flaw in domestic crime movies is the ending subtitles of justice from heaven. The criminals will definitely be arrested and there is no room for them."

"If the keyboard warrior complains about the shackles of criminal films, why do you require film and television dramas to revenge the mistress?"

"Miss San can't even violate the law!"

Chen Feng shook his head. Once the audience becomes righteous, it can be more stringent than the red line of censorship.

Is there a difference between profound and not profound, full and not plump, and is there a distinction between high and low?

Is it a disgusting actor who plays a mistress?

Twenty years ago, a big star generously admitted to the camera that he became a mistress. Today, the star is unwilling to even play a mistress?

Whose preference is this?

"The audience of interview programs on TV is relatively fixed. Everyone is like talking in the living room. They can relax and joke, reveal their shortcomings, and expose their thoughts from time to time."

"When the Internet can connect to every screen, any speech is placed in a public place in full view. Everyone is no longer a viewer willing to communicate and listen, but more like a moral picket volunteer."

"As long as one sentence, the three views are killed... as long as the gender contradiction is black or white... as long as the hot search is right..."

Hu Fang complained: "Who has the patience to listen to a good interview?"

So the interview program is fading. What disappears is also the posture of equal communication, the obscured lines under the label, and the attack and exploitation of the hearts of public figures from a bystander perspective.

Issues, loopholes, and value conflicts are all carefully closed and collapsed.

Occasionally, a real question was raised, as if a thunderclap was heard on the ground: Wow, how dare you ask!

Speaking of this, Chen Feng looked at the indignant Hu Fang and suddenly asked, "Will you write such a script?"

"I..." Hu Fang was stunned, met the boss's scrutiny gaze, and suddenly felt under a lot of pressure.

"I have to say that "Thirty Only" is undoubtedly the hottest national drama this summer, no doubt about it."

After pondering for a moment, he finally said: "The number of views is 3.6 billion, 150 hot searches in 18 days, 9 per day, and the whole circle of friends is following dramas..."

“I have to do the first half of the film depicting a well-liked group of women, telling an inspirational growth story full of ambitions.”

"But from the middle part, the drama has changed a little. From a female drama that is honest and grits her teeth and struggles, it jumps into a cliché eight o'clock stage with a click."

"What I can't stand the most is that all the scumbags and scumbags appear one after another as if they have agreed. They scold the scumbags, beat the mistress, tear green tea..."

Chen Feng interrupted directly: "This is the reason for the national carnival!"

Hu Fang swallowed his saliva, so was it, otherwise why would the melon-eating crowd like it?

Married, divorced.

Happy, cheating.

Romantic, broken.

The resonance of life gradually evolved into a common attack on the enemy. Each character is considered a bad person and a bad person has a unique character.

Chen Yu, who has a straight male cancer type, is nicknamed Chen Yangyu. He raises fish, works and lives. He does not communicate or solves problems, and is accustomed to cold violence...

Xu Huanshan, who is nicknamed Xu Fangpao, lives in a high-end apartment in Shanghai and lives a middle-class life. His wife Gu Jia is inseparable from his worries for him...

Neptune Liang Zhengxian is rich, leisurely and tasteful, and is good at using romantic words and spending money to make his lover happy. Unfortunately, he is not only an unmarried man, but also a fiancée who has been dating for seven years...

Three scumbags, along with Lin Youyou, who intervened, are definitely public enemies on the entire network.

Isn’t this the usual problem-solving thinking of domestic dramas…

There is not enough conflict, can the scumbag come to make up?

The reason why Chen Feng asked this was to see Hu Fang’s most realistic attitude: Should he want quality or traffic?

Since ancient times, routines have won the hearts of the people, and "Thirty Only" is by no means an exception.

It is no exaggeration to say that most domestic dramas have been labeled as women, and they must portray the scumbag as the only imaginary enemy of the growth of female characters.

"My First Half of Life" The rich wife Luo Zijun, if she hadn't had her husband cheated, she wouldn't have felt that there was anything wrong with her life. She believed that her family was happy and her life was happy. It was not until her husband cheated that she began to reflect on her life for more than 30 years...

"Story of Yanxi Palace" The evil of Chunfei also started with a scumbag...

"The Temptation of Going Home" The first generation heroine Ru transformed from a housewife into a capable urban strong woman, creating a counterattack myth, and also began with being betrayed by her husband and bestie, being kicked out of the house, and being both physically and mentally injured...

Even in the fantasy drama "Three Lives Three Worlds Ten Miles of Peach Blossoms", Bai Qian, who was respected by all over the world, was ascending to the gods through tribulation, but the reason was that she was actually emotionally hurt?

When can you let scumbags rest?
Chapter completed!