The mixed accompaniment suddenly disappeared, leaving only the lonely sound of the violin.

In the quiet venue of the concert hall, the audience's regret and sympathy gradually sounded.

“The piano is so bad.”

"Don't come and get in the way."

"It would be great if this was the case at the beginning."

The judges sighed, and their originally sitting upright body tilted to the side.

"It may be a wise move. Although points deductions are inevitable, if you continue playing like this, it will have an impact on the violinist."

In the voice of the narrator, the camera turned to the stage, pulled it closer, and gave Bai Xuejia a close-up: Bai Xuejia clenched his fist, lowered his head, and gritted his teeth hard.

No one is more painful than him when he plays this way.

This is a very long shot, with only Bai Xuejia in the camera. The audience stared at his figure. He didn't say anything, but he seemed to hear Gong Sheng's voice in his ears: Sorry, if you continue playing, my recitation will hinder you.

Most audiences do not understand music. They only feel beauty about their previous performances. But at this moment, they hear another sound contained in beauty from the melodious and lingering violin sound, which is comfort and encouragement!

And their hearts seemed to have become strings under Nishino Si's bow, and they conveyed encouragement to Gongsheng under gentle pulling.

Bai Xuejia, who lowered his head, never responded, and the violin sound that did not receive Bai Xuejia's response suddenly stopped.

"No, even the violin has stopped playing?" The audience in the concert hall was surprised.

"Will you lose your qualifications like this?"

"It's not like losing the qualification..." I think the score will not be high.

The judges scored the contestants' list in an atmosphere and made a dissatisfaction voice: "It's really unheard of! What should we regard serious competitions as?"

"It's over." Another judge shook his head and sighed.

"Why not?"

"It's obvious that you don't need to cooperate with that bad accompaniment."

"It was obviously so handsome just now."

Amid the criticism of the audience, Nishinoji looked back and showed a bright smile at Bai Xuejia.

When the audience in the cinema saw the close-up of Nishinoji looking back on the screen, they were glanced at by their clear and shiny eyes, and everyone was trembling and hissing! Just like they were electrocuted, the eyes full of hope could speak!

She was saying, OK, look, I stopped, I have no grades anymore. So don’t suffer any pain. No matter how much you get in the way, it doesn’t matter. Come on, throw the pain aside, and play together! I don’t care about the grades, I just want to play with you as much as possible!

The bow was placed on the strings again.

"That girl's performance is over." The audience sighed.

"Then, why is she playing again?" the audience was puzzled.

The ensemble sounds again.

However, this time Bai Xuejia did not look at the piano score. He stared at Nishinoji's figure. His fingers moved with Nishinoji.

It doesn’t matter if I can’t hear it, I can see you, you are my piano score.

The two of them were entangled with their eyes and entangled sounds of piano, just like the most gorgeous waltz dancing.

"What a nice view……"

The people who made this amaze were not only the audience in the movie, but also the audience outside the movie. Especially Nishinoji's fans, they saw a Nishinoji who had never seen before. The person was still the same person, and their temperament was still the same, but they clearly felt a different feeling.

Nishinoji is like a wild rose. Artificially cultivated roses will not bear fruit, but wild roses will grow delicate red fruits.

The story takes music as the bright line and emotions as the dark line. Use music to connect emotions and guide music with emotions.

Every song is a story.

The first song in the film is the performance that was interrupted by a young Gongsheng. The interrupted performance is just like the death of her mother. Life is interrupted from then on, and the music comes to an abrupt end. Gongsheng also lost everything and lost sound from then on, so it was pitch black, like an abyss of despair.

The first story is called the Abyss.

The second song played by Kotori was a ensemble with Miyazo Kaori. He went from being unfamiliar to stopping, as if his life, from starting to learning piano to abrupt end when his mother passed away, he retraces his life, as if he was saying that his life would always stop at that day and could not move forward.

Miyazo Kaori called Gongsheng with a violin. She stopped and played again, as if she was in the journey of life, she stopped, pulled Gongsheng a hand, then held his hand tightly, and continued to move forward together.

The second story is called Redemption.

The third piece played by Kotosaki was a piano solo. He participated in a piano competition that had been away from many years after his request. Just like his life, it was Miyamotosaki who pushed her forward again.

The figure of Miyama Kaori lost in his pupils, as if his life had lost the signposts. He could not hear the sound, and his performance became chaotic again. After all, Miyama Kaori could not push him all the time. After pulling him up, Miyama Kaori let go.

However, after a brief pause, he saw the figure of Miyazo Kaoru, who was waving towards him in front of the road of life, so he ran towards that direction with his own strength.

The third story is called Self.

The fourth piece played by Kotori, the invitation letter for the special performance of the celebration concert received by Kotori Miyama and Kotori. The two were originally going to play together again, but because Kotori Miyama did not arrive, they became Kotori's solo. The invitation from the outside was like fate. Kotori Miyama's breakup indicates that the two were destined to be inaccessible.

Although Gongsheng decided to start his music journey again, the problem of his inability to hear sound was not solved. This was his inner demon. The reason why he could not hear sound was because of his guilt towards his mother and his escape from music. His music was filled with his deep feelings. He escaped from that feeling and escaped from music.

The song chosen by Miyazo Kaoru here is called "Love Sorrow". Because of Miyazo Kaoru's promise, Gongsheng was like a child who lost his temper, and he was angry at first. However, this song was also the song that Gongsheng's mother's favorite song, and it was also the lullaby he had listened to since childhood. During the performance, Gongsheng sank into his heart and hid it. The feelings he escaped, as he recalled the music, finally stopped escaping and looked directly at that feeling.

The fourth story is called Transformation.

The fifth piece played by Kotosaki was when he knew that Miyazo Kaori was seriously ill. When facing the closer and closer death, Miyazo Kaori's emotions became as hysterical as Murosaki's mother. Miyazo Kaori's figure gradually overlapped with his mother. In order to encourage Miyazo Kaori, who had given up hope, Kotosaki and Nakata played a piano game, conveying the song to Miyazo Kaori and conveying the encouragement and hope to her.

He was once saved from despair by Miyazo Kaoru, but now he stretched out his hand to Miyazo Kaoru who stopped.

The fifth story is called "People's Day".

Putting aside all the modifications and finding out the essence of the story is actually a bloody story where a loved one cannot be together.

However, the audience was fascinated by the viewer and their moods went ups and downs with the music.

Staring at Bai Xuejia's lonely figure, his dry eyes were filled with silence.

Too cruel!

Some sentient little girls couldn't help but feel cramped in their hearts, covering their mouths and sobbing silently.

Once, my mother left him, and finally a Miyato Kaori who saved him and found his spiritual sustenance appeared, and she wanted to leave him again.
Chapter completed!