However, Biyao's death was also a turning point in the entire drama of Zhu Xian. ↑

The original protagonist of Zhu Xian was Zhang Xiaofan, but after Biyao died, it was Gui Li.

However, when the Zhuxian was serialized, Huang Yifan had already ended the summer vacation early. Kong Shujun called Huang Yifan and asked Huang Yifan to go to Shuimu University for an interview one month in advance.

"Xiaofan, in addition to me, there are also the director of the Shuimu Academy of Arts and several other professors. However, after all, you have not fully graduated from the University of California, and there may be several questions to evaluate you during the interview. I hope you don't take it seriously."

Before the interview, Kong Shujun said to Huang Yifan.

"Haha, Mr. Kong, I've made an exception to recruit Shuimu University, so I care about anything. Besides, even if it is normal, there will be various assessments. It's okay, I'm afraid that I can't answer some of the difficult questions you have raised, so I have to go home and write to make money."

"You, you, what's the point of making money? It's a pity that you have learned all your talents and think about making money. Besides, you are not short of money. You don't think I know that a Harry Potter you wrote abroad has said to have broken the records of the American publishing industry. I'm afraid you will never spend the royalties in your life. Besides, if you are not qualified, we probably don't need to recruit other lecturers."

Kong Shujun smiled and patted Huang Yifan on the shoulder, "Let's go, I'll take you to the interview."

Following Kong Shujun, Huang Yifan entered Room 012 for an interview.

"Everyone, this person is Huang Yifan."

Because it was Kong Shujun's recommendation, after taking Huang Yifan to the office, Kong Shujun introduced him from time to time.

"Student Huang Yifan, this is the director of Shuimu Literature College, this is the professor of Shuimu Chinese Department "Ye Qiu", and this is the professor "Zong Tian". I have four people in total."

"Hello, Director Jian, Professor Tan, Professor Religion."

Huang Yifan said hello to the three of them.

"Haha, Lao Kong, no need to introduce it, we don't know Huang Yifan."

"Student Huang Yifan, I'll say it's been a long time since I saw you."

Although Huang Yifan had not read books for several months in Shuimu, these professors still remembered the actions Huang Yifan had made on Shuimu. At this time, when Huang Yifan took his seat, Professor "Zong Tian" sitting next to him smiled and greeted Huang Yifan politely.

"It's been a long time no see, indeed."

"What I mean is, Huang Yifan, when you went to Xiangjiang, I really thought you would never come back. Is the old man still has a deep vision, otherwise, you might still be in California now."

"Ye Qiu" next to him also interrupted.

"Okay, okay, there's no need to say anything about politeness. Now the interview is officially started."

The director of the court, "Xing Yi", who was sitting in the middle, coughed lightly, interrupting the chatter of several people.

"Okay, let's introduce yourself first when the interview begins."

Kong Shujun looked at Huang Yifan and said.

"Dear leaders and professors, my name is Huang Yifan. I studied in Shuimu for two months before. Later, I went to Xiangjiang University as an exchange student, and then went to the University of California to study for the World Literature. I have some research on modern and contemporary literature and classical literature. This time I came here to apply for a lecturer in the Department of Shuimu Chinese."

After briefly introducing himself, Huang Yifan showed calmness and calmness.

Several professors sitting in front nodded, very satisfied with Huang Yifan's calm and composed personality.

"So, since you said you have some research on modern and contemporary literature and classical literature, then, I have a question here. Compared with modern and contemporary literature, why are our classical literature more brilliant and brilliant, but there are very few works in modern and contemporary literature that have had a profound impact on people?"

“I think there are two aspects to this.”

This question is not difficult. Huang Yifan did not learn Chinese in the past few years. He just thought about it and replied, "Classic literature originated from hymn poems, and then developed through Yuefu, Tang poetry, Song ci, Yuan ci, and Ming and Qing novels. These works reflect the face of society at that time, such as the national style, music style in hymn poems..., etc., which reflect either the national situation, customs and human feelings, or war... and in the form of songs, it has been widely circulated. As for Tang poetry and Song ci, in addition to the social environment, it is also related to the trend of good poetry at that time. Later, to Ming and Qing novels, it also reflects the strong demand of ordinary people for artistic classics."

"So, then, do you think that modern literary works rarely reflect the social outlook at that time?"

"It cannot be said that there are indeed many well-written literary works in modern times. I even think that modern times, literary works have developed in this direction. It's just that the influence is not enough. I think it's because the language and the charm of the story art are too flawed. Of course, there is another reason that the needs of readers are not valued."

Huang Yifan's answer is just the norm, and this theorized answer is like this, and there is nothing particularly innovative.

"So, what's the other aspect you're talking about?"

"In modern literature history is only over a hundred years, and the time is too short."

Huang Yifan answered this.

This answer almost made Kong Shujun spray water.

Just thinking about it seems that it is normal.

Ancient literature has developed for thousands of years, and of course it is brilliant and brilliant. Modern and contemporary literature has only been a hundred years in full swings. Literary works that last for a hundred years will be compared with literary works that last for thousands of years. Isn’t this a pity?

“The answer was too general.”

Several other professors did not object to Huang Yifan's answer, but the director of the college "Xing Yi", who was in charge, seemed not very satisfied. He frowned and Xing Yi said, "Student Huang Yifan, what do you think of the writing techniques of classical prose?"

"I think the writing techniques of classical prose and ancient poetry are actually similar..."

Found that the director of the institute, "Jing Yi", seemed to be not satisfied with his answer, Huang Yifan put a little effort into it and said, "The content of the poem is not the general classic Tao and reason, but the "emotion" that is related to reason, ambition and qi. The form is not ordinary words, but the words that combine with "image" and "text". The relationship between the two is: "Emotion is the classics of literature; words are the latitudes of reason. The meridian is correct and then the latitudes are formed, and the theory is determined and then the words are smooth." They complement each other to form a perfect art of unity of quality and literature, and this unity is achieved through "spiritual thoughts" in the creation process."

The word "Shen Si" is the most famous literary theoretical work "Wenxin Diaolong" in ancient times.

Sure enough, Huang Yifan just put forward this point of view, and the director of the court, "Jin Yi", who was sitting in the middle, was stunned.

This is the first time he has heard of this view of literary theory, and the more it sounds, the more it tastes.

Although Xing Yi is the director of the School of Literature, he has also had a very profound study of Chinese. At this time, when he heard Huang Yifan's transliteration theory, his inner shock was nothing to do.

You know, he did not agree with hiring Huang Yifan as a lecturer in Shuimu before, although he also knew that Huang Yifan was indeed a little talented. However, being a lecturer in Shuimu University not only requires talent, but also knowledge and depth. Just being able to write poetry and novels cannot be regarded as a qualified lecturer in the Chinese Department.

Therefore, during the interview, Xing Yi immediately raised a more in-depth question, hoping that Huang Yifan would give up. He originally thought that Huang Yifan's answer was the same as before, just to summarize the evaluations of his predecessors and explain them in his own words. Unexpectedly, Huang Yifan blurted out the theory that directly shocked Xing Yi.

Even this completely innovative theoretical system made Xing Yi ask in a hurry, "What is spiritual thought?"

"The thoughts of literature are far away, so it is silent and concentrating, thinking that goes through thousands of years; it is quietly moving and looking through thousands of miles. It is the sound of pearls and jade in the chanting; before the eaves and the shadows are rolling and the clouds are rolling. In my opinion, it is through this kind of "spiritual thoughts" that ancient prose has created so many excellent works with outstanding literary talent."

Wenxin Diaolong is the most awesome literary theoretical work in China in his previous life. He uniformly compiled and commented on most classic ancient prose before the Southern Dynasties, and proposed a set of the most rigorous, vivid and literary theoretical review system. For some other people, Huang Yifan could write some novels and some poems to shock them. But for these academic masters, "Wenxin Diaolong" is the artifact that shocked them the most.

Huang Yifan talked freely. Although he only brought out the little points of the Wenxin Diaolong, there was no sound in the entire office at this time.

They were not just stunned by Huang Yifan's literary theory.

Even more shocked, he was so shocked that even the literary theories he mentioned were as artistic as poetry.

If Shuimu doesn't hire such talents, he may regret it for life.

===
Chapter completed!