Many people who know ancient Greek mythology look familiar with the stories about Wuyazi and stone statues, because this allusion is based on ancient Greek mythology.

In mythology, there is a king named Pygmalion. Pygmalion is very good at carving, but he does not like mortal women and decides not to get married.

Later, he used magical skills to carve a beautiful ivory girl statue. During his work day and night, he gave all his energy, all his passion, and all his love to this statue, caressing her, dressing her up, giving her a name, and begging God to make her his wife.

The god of love Aphrodite was moved by the king and gave the statue life and made them married.

Later, a psychologist proposed the "Pigmalion effect" based on this myth, which is that as long as you have a persistent pursuit of artistic objects, your artistic correspondence will be induced.

In fact, it is not just an artistic object, but in a broad sense, everything you expect. As long as you have a sincere heart, a sincere attitude, and a persistent skill, one day, the beautiful thing you expect will happen or appear in front of you.

A kind of benign psychological suggestion, in general, is "If you never forget it, there will be a resounding response."

However, Wuyazi is quite tragic. His stone statue did not give any sense. This may be because he married Li Qiushui and cheated on the stone statue.

Some people commented on the "Everyone who has feelings is evil" in the Tianlong Bazi, which is quite thorough. As the whole story develops, there is almost no relationship that is not misplaced or deformed.

When Qiao Feng and Azhu met, Azhu was seriously injured by Qiao Feng's palm force, but he almost tried his best to send him to Juxianzhuang for treatment. After that, he fell in love and accompanied each other, and investigated the evil man and the leading brother all the way. As a result, he found Azhu's father's head. After a misunderstanding, the tragic ending of the tragic ending of the promise of a cow and sheep, which made many people feel regretful.

Xu Zhu and the Xixia Princess love each other for no reason. To put it bluntly, Xu Zhu took the closest path to the princess's heart, made love first and then. The whole process made the three good monk Xu Zhu awkward, and bothered Tathagata and Qing. Fortunately, the ending was good.

As for Duan Yu, I won’t say that he lives in the fear that all women in the world are his sisters every day. It’s a big problem just because of his relentless pursuit of Wang Yuyan.

It is a question of whether he loves Wang Yuyan himself or the stone statue of Wang Yuyan is a question of whether he loves Wang Yuyan himself or is a question of whether he loves Wang Yuyan's statue or the stone statue.

In addition to the three protagonists, the emotional entanglements of Xiaoyao and the three elders are also a big drama. Wuyazi falls in love with the stone statue that will never respond to him, Li Qiushui and the Tianshang Tonglao fall in love with the senior brother who will never love them.

In addition to the three elders of Xiaoyao, there are also Zhao Qiansun, Tan Gong and Tan Po, who are also in love with each other, who are also wary of their whole lives.

Other typical examples include Ye Erniang and Abbot Xuanci, Duan Yu's mother Dao Baifeng and Duan Zhengchun, Duan Zhengchun and a group of women...

Of course, Mrs. Ma, who is based on Pan Jinlian as the prototype, admires Qiao Feng and is also a deformed relationship. The specific one can compare Pan Jinlian's temptation to Wu Song.

A book can write all emotions in strange shapes, which is enough to show the author's profound skill in human relationships and the deep malice he has towards all readers.

Jia Liyu opened the scroll and saw that the first line of the scroll read "Bei Ming Divine Art". His handwriting was beautiful and powerful. Later, he introduced the magical uses of this set of magical skills. Jia Liyu quickly skipped it. He knew a lot about Bei Ming Divine Art.

The following is the image and practice method. The images are all naked fairy sisters, either standing or lying, appearing on their chests, or seeing their backs. The faces of the portrait are the same, but they are either happy or sad, or gazing with affection, or looking lightly and angry, with different expressions.

If Jia Liyu had not recited scriptures for three years, practiced hard for three years, and experienced the baptism and training of modern image images, he might have lost his mind just by facing these images.

This kind of thing is crucial when practicing high-quality martial arts. If you are not careful, you will be destined to be possessed. When Wuyazi drew this picture, no one can know whether he had similar thoughts.

There are thirty-six images in total, each with thin colored lines on it, indicating the location of the Tao and the practice techniques. For Jia Liyu, even without these detailed line indexes, there is no difficulty in practicing.

Behind the Beiming Divine Art is the four words "Lingbo Weibu", and countless footprints are drawn afterwards, which are based on the direction of the Book of Changes. In Jia Liyu's opinion, it is even more like seeing an old friend.

His masterpiece, "Carp Sliding", was created in the same way.

The Beiming Divine Art may take some time, but Lingbo Microwave can be achieved in half a day.

To be honest, when I read novels and films in the past, I had a great impression of Lingbo Weibu. Today, I have the fate to meet, so I naturally practice it first to become respectful.

Jia Liyu looked at the direction of the footprints several times, followed his understanding, and kept it silently in mind. Then he placed the scroll aside, slowly stepped out his left foot, shook his body, and then stepped out his right foot, his movements were as slow as he walked three times in the stone chamber at this speed, then stood for a moment, slightly increasing the speed, and continued to walk three times. This repeated, the speed became faster and faster. By the time he took the ninth step, his body movement had already appeared.

Half a day is still estimated to be long.

After learning Lingbo Microsteps, Jia Liyu did not immediately practice Beiming Divine Art, but left the stone room to practice Lingbo Footwork.

In order to make the Nascent Soul more in line with the body, he still hopes to be connected with the body at all levels. The more contacts, the greater the success rate of Hedao will be.

Jia Liyu left the stone gate, spread the Lingbo Microstep and ran in the valley, speeding faster and faster. In the end, she turned into a series of figures, and she couldn't tell which one was the real Jia Liyu.

After running like this for half a day, I mastered all the Lingbo Microsteps, and I felt a little proud.

He was not conscious when he was practicing Kung Fu. When he finished his kung Fu, he felt thirsty and hungry. He first took the mountain spring water and then picked some wild fruits to eat. This scene made him recall the situation he had with Zhang Wuji in Cuigu.

Thinking of Zhang Wuji, I can't help but think of the world of the Heavenly Heaven, Zhou Zhiruo, Zhao Min, Xiao Zhao...

The heart is like an infinite jade bi, and those beautiful figures will inevitably appear frequently.

Jialiyu smiled bitterly and said in his heart: "I will not get the right result as a monk, but it may only be because of a woman."

No matter how profound the Buddhist principles are, they cannot save many lovers.

Jia Liyu, who had no intention of leaving the valley for the time being, officially practiced the Beiming Divine Art the next day. The core essence of the Beiming Divine Art is to "lead the internal force into my body", like a hundred rivers entering the sea.

But there is a barrier here. If the power of all rivers is greater than that of the sea water, it will also cause the sea water to flow backwards. That is to say, when encountering someone whose internal strength is stronger than you, using the Beiming Divine Art is harmful and use the Beiming Divine Art, and will lose your internal strength to the other party.

This is a process of accumulating small amounts into many. Streams gather into rivers, small rivers form big rivers, and the river surging, and eventually rushes into the sea.

Jia Liyu did not count how many days he had been at the bottom of the valley. Sometimes he was fascinated by practicing martial arts, and one day or two days passed in a blink of an eye.

On this day, Jia Liyu had already practiced the Beiming Divine Art. In order not to affect the development of the subsequent plot, and to avoid cheating his third brother Duan Yu, he still put the scroll back into the cushion and then covered it with the cushion. As long as Duan Yu is still sincere and breaking the cushion, he can see the true scriptures.

Jia Liyu stayed at the bottom of the valley for a few days, consolidated two magical skills, and then left the valley from a secret path behind the stone house. At the end of the path was a rumble and rushing river, with an iron cable suspension bridge across the river.

Jia Liyu reached out to try the iron chain bridge, which was relatively firm, so she shook her body and a series of figures flashed past and ran towards the opposite side.

Opposite the river is a dark forest. Jialiyu did not enter the forest. He spread the sway waves along the river and walked in the opposite direction. After running for a few days, he had already left Wuliang Mountain.

At noon that day, he was walking slowly on the road when he suddenly heard a sound of horse hooves. He quickly turned his head and saw a woman wearing black veil riding a black horse. Behind the woman, two old wives holding crutches, chasing them fiercely and anxiously.
Chapter completed!