Speaking of the four major pornographic books in China, we have to mention this book "The Legend of the Immortal Woman" because this book is very special compared to other books, such as the other books "The Legend of the Immortal Woman", "The Legend of the Flying Swallows", and "The History of the Embroidered Couch" appeared in the age when these books appeared mostly from the perspective of men to write about the fun of bedding in the boudoir. However, "The Legend of the Immortal Woman" uses the perspective of the heroine to write these erotic things. If the author of this book "Master Furong" is a woman, then it is very likely that this person is the first person in the world to write with his body.

This book uses a brief flashback style of classical Chinese to tell the story of the young girl Shangguan Anna who first started to fall in love and tried her own relationship. After getting married, she was frustrated and became unfamiliar. She was eventually regarded as a "failed wife" who sent her to her mother's house, and later converted to Buddhism and used cool water to cleanse her lustful heart.

For version scholars, the various versions of this book that are curious about, also known as "The Legend of the Idiot Woman", include the Spring Garden Series, lithographs and various manuscripts. There are also the Holy Huafang issue of Kyoto, Japan.

However, after many scholars' research, it is believed that the earliest version of this book should be the 29th year of Qianlong's reign, so it is known as the "Qianlong's reign". Unfortunately, this version has been lost, and the best version is the Shenghuafang issue of Kyoto, Japan.

However, for those literati and poets, what they value is the content of this book. "The Biography of the Crazy Pozi" is one of the most distinctive classical Chinese novels in the Ming Dynasty. The book uses the first-person oral tone, and the beginning and ending of "I". It is a self-reported biography, and this genre is rarely seen in ancient my country. Later generations believe that this flashback and autobiography structure method was introduced from the West after the May Fourth Movement. If you examine it carefully, it is obviously not worthy of trust. In addition, although "The Biography of the Crazy Pozi" is also a novel that promotes the indulgence of men and women.

, long and detailed description of the happiness brought by the combination of men and women, but "The Legend of the Confused Woman" is written in the first person of a woman's tone, focusing on talking about sexual feelings from a female perspective, which is very distinctive; the graceful and thirteen men in the book have different psychological changes and facial feelings, which is obviously a kind of personal and serious writing, completely avoiding the clichés of most such novels that blindly teach lust and are the same, which undoubtedly makes "The Legend of the Confused Woman" stand out in the forest of gorgeous books and stand out.

As a big shot in the Shanghai literary world, Huang Shang was obsessed with finding various versions and manuscripts of "The Legend of the Immortal Woman". He was deceived by a servant in a workshop in Liulichang. The other party used a copy of the imitation and handwritten manuscript to deceive him into eight oceans. Later, he was discovered by Huang Shang's old friend Qian Zhongshu and wrote a poem to joke: "I'll ask for a rare fanatic woman, but I'm a sweet girl."

The "Tianjie'er" here refers to people. In the 1940s and 1950s, Huang Zongying was a famous "Tianjie'er" in the film industry. Rong Dingchang (Huang Shang) admired Huang Zongying all the time. Unfortunately, his pursuit failed. He said lightly: "Then I will be your clothes." From then on, Huang Shang came to him. The so-called "seeking all kinds of crazy women in rare books, it is rare to be a beautiful sweet girl." The first couplet says that Huang Shang was looking for the ancient book "Tianjie" and the second couplet mocked him for not being able to pick up girls. From this, it can be seen that being able to own an ancient book "The Legend of Childhood" is something that many traditional Chinese literati dream of.

At this moment, Lin Yi was slightly excited and opened the ancient book. When he saw it, he was shocked. It turned out to be a printed book. It could not be that--

Lin Yi's hands trembled as he flipped the book. He opened the title page of the book and found the card page. Lin Yi looked carefully and saw that the card page was very clearly written on it: In the 45th year of Wanli, Ruyi Workshop was engraved. Then there was a big red seal. Lin Yi carefully identified it, but it was the four big words "Maoxiang's Seal".

Lin Yi's mind was shocked and almost dropped the book in his hand to the ground. Because the two information on this page directly told Lin Yi the age, origin, and who was the hidden person.

First of all, this printed ancient book is actually earlier than the legendary "Qianlong engraving" and nearly a hundred years earlier!

Secondly, the collector of this book was Mao Xiang and Mao Pijiang, a famous writer in the late Ming and early Qing dynasties!

Who is Mao Xiang? If you like reading history books, you should have heard of the "Four Masters of the Late Ming Dynasty".

Among the ancient and modern princes, besides the four kings of the Warring States Period, there are many colorful ones as the four princes of the late Ming Dynasty - Chen Zhenhui, Hou Fangyu, Fang Yizhi, and Mao Pijiang. These four people are loyal and righteous when they come out, and filial and kind-hearted when they come in, they love guests with friendship and friendship, and are romantic and suave. Taiwanese novelist Gao Yang wrote a historical novel of the same name, which has a strong response and is highly praised. It is because Lin Yi was so familiar with Mao Xiang and Mao Pijiang after reading Gao Yang's novels.

Mao Xiang was born in Wanli, Ming Dynasty. His name was Xiang, and his nickname was Feng Rui. His name was Pijiang, and his nickname was Chaomin. He also named Pu'an. He also named Pu Chao. In his later years, he called himself Zuicha Laoren and privately posthumously named Mr. Qianxiao. He was from Rugao, Jiangsu. He is now the former residence of Rucheng Shuichengyuan in Rucheng. He was a writer in the late Ming and early Qing dynasties. He was also known as the "Four Princess of Ming Ji" with Fang Yizhi in Tongcheng, and was named "The Four Princes of Ming Ji" at the age of 83.

Mao Pijiang's life is against the Qing Dynasty and restored the Ming Dynasty, and he has written a lot. The great festival has been concluded by a generation of great men. According to the book "Mao Ze-dong and his secretary Tian Jiaying" by the Central Documents Press, on January 8, 1942, Tian Jiaying published an article titled "Starting from Hou Fangyu" in the "Liberation Daily" in Yan'an. Mao-ze-dong appreciated it very much after reading it, and specially talked to Tian and said: "Among the four young masters in the late Ming Dynasty, the one who truly possesses national integrity is considered Mao Pijiang, and Mao Pijiang focuses more on reality.

After the Qing army entered the pass, he lived in seclusion in the mountains and forests without serving the Qing Dynasty, and ended with the whole festival." But like his predecessor, Tang Bohu and other "four talents in Jiangnan" in the Ming Dynasty, Mao's personality was elegant and elegant, and he was not particular about details. He was once known as "southeastern shadows" and "like a good girl". His marriage and love life were also very legendary, which was understandable at that time. According to research, in addition to the "dewed couple" in Mao Pijiang's life, more than 10 women who had been related to him.

It can be seen from this that it is reasonable that this romantic young master Mao has a book called "The Legend of the Crazy Woman" hidden in his hand.

Just as Lin Yi was making various guesses, suddenly, a wisp of book fragrance came from the "Fantasy Woman" held in his hand and floated leisurely into Lin Yi's nose.

In a trance, Lin Yi seemed to have returned to the era of war with golden swords and iron horses.

In troubled times, beauty is in vain.

A beautiful woman was thorning flowers in the brothel. A gust of wind blew, and the embroidery she embroidered was blown downstairs by the wind.

The white horse's hooves were pedaling, and a luxurious scholar came down from the horse, picked up the embroidery, raised his head, and smiled slightly at her.

She was drunk in the setting sun.

It seems that I have found happiness for my whole life.

...

The lotus tent is warm and the bright moon hangs high.

He drew her eyebrows, painted her, drew the embarrassing erotic pictures, and taught her to write step by step, murmured in her ear, telling her that he was about to leave, but he would come back to marry her, and he would definitely do it.

...

He left.

She was waiting day and night, standing on the eaves of the brothel, waiting for the tall white horse, waiting for the people on the horse.

Since he left, she no longer took customers, and let the madam insult or humiliate them. She kept herself clean and just kept her body as jade for him.

...

He still did not come, but the city began to be in chaos. When the Tartar soldiers came, they burned, killed, and raped them, and did everything they could do.

She was taken aback by a bearded Tartar, who said she wanted to redeem her and marry her. She didn't want to.

One night, the bearded man rushed in and forcibly possessed her. She was no longer clean and became a woman who had lost her morals.

A bearded laughed at, a prostitute learns to keep chastity, and he is a dog-grass!

...

She cried for three days and didn't sleep for three days.

She looked at the familiar calligraphy and paintings, and looked at the "Faithy Woman" given to him by the young master, her tears were dry and her throat was hoarse.

...

In the VIP room, the bearded Tartar was joking and discussing with the madam about helping her redeem her.

A scream came from the brothel girl.

When the bearded man and the madam arrived at the room, they saw that she had already blinded her eyes with an embroidery needle.

Blood and tears,

This love remains unswerving.

...

She became a blind woman and no one wanted her anymore. She was abandoned in a brothel, sewing and washing clothes for others.

As time goes by, she grows old.

He no longer looks, and he became a dirty blind old woman.

Occasionally, she would lean against the corner of the wall, look at the sun in the sky with her blind eyes, feel the hot light, as if she saw the tall white horse and the person who smiled brightly.

He was back and was waving to her.

At night, she would caress the calligraphy and paintings he gave her and the book, and treasure them like a treasure.

...

She was lying on the bed, really dying.

She sold all the things around her that could be sold, but she couldn't bear to leave these five paintings and a book. She held them and felt life passing slowly.

She opened her mouth and said something to her adopted son, her lips were too dry but she couldn't make a sound.

The oil lamp lit on the table made a "beep" sound. After the last beep, the oil lamp slowly ran out and emitted the last ray of light.

She seemed to see everything again, and he rode a white-headed horse to greet her. She spread her arms and returned to girlish time, smiling happily.

On the bed, she let go of the treasures she was holding and left a permanent smile on her face.

...

She was put into the dark coffin, and the treasures were accompanied by her. A shovel of dust fell down and the coffin was submerged in the soil.

The sun also dimmed and everything became silent.

She was inside, still smiling.

Smiling happily.

...

"Hey, my friend, how are you watching? Give me a price, don't waste time!" The voice of Ma Fang Eighth Master came from his ears.

This sound brought Lin Yi back to reality from his illusion.

There was still the small wood cabin in front of me, and a group of fierce guys around him were staring at him, while he was still holding the Wanli version of "The Legend of the Idiot".

Lin Yi took a deep breath, smiled and said, "Do you know that buying and selling such things is illegal?"

When he laughed, Ma Fang Ba laughed, as if he had heard the ridiculous words, "Friend, are you mentally fine? You are actually saying these words here." Someone next to him was about to take action, and Ba Jia stopped him. "If you want to buy old people, you must understand some rules and don't say anything--besides, these things are buried underground, and the government can dig them, why can't we dig them?"

"That's different. People are called archaeology, and you are called tomb robbers." Lin Yi cut off the railway.

"Cao, don't play that trick with me. Who can't say good things? Now I'll ask you what the price of these things can be charged!" Ma Fang Eighth Master got angry.

Lin Yi shook his head and said, "I like all these things very much, and I can give you a high price, but I can't charge them."

"Why?"

"Because if I take it away, it's like helping you and steal more tombs in the future!"

"Cao, are you okay? Are you pretending to be justice and positive energy? I asked you the last word, will you accept it?" Eighth Master gritted his teeth and seemed to be ready to take action.

"No!" Lin Yi was determined.

"Go to death!" The Eighth Master pulled up the sharp knife stabbed on the Grand Master's chair and threw it directly at Lin Yi.

Lin Yi was shocked. Seeing that the flying knife had already flown towards him, he thought to himself, it's over.

At this moment, one hand grabbed the flying knife

Blood flowed out from the blade. Teacher Huang's face remained calm. He grabbed the sharp knife and looked at Lin Yi and asked with concern: "Are you okay?"

Lin Yi's answer was, "No, I've wet my pants."

If you answer and ask like this, you will definitely have a comedy feeling if you are usually in normal times, but the situation in front of you seems so strange that Baye and others looked at the two of them unfriendly, with their eyes full of viciousness.

...
Chapter completed!