Yang Tao saw Chen Jiangtao staring at her chest, and her face turned slightly red.

The way to make the "surface" in painting is to dip the pen to fill the ink and then wave it on the paper. However, because the amount of ink needs to be controlled is very large, many painters dare not use it easily.

If you have no choice, you can use it at most about five times.

Chen Jiangtao looked at Yang Tao's demonstration and did notice Yang Tao's chest in his eyes, but what he saw was a breeze gushing between the two peaks.

The wind passes through the forest, which is gentler than the surging waves, and penetrates the entire mountain.

If you want to use human control to wield the brush to drive the ink, it will undoubtedly control the swelling of the water flow; but if the ink is drawn out in a way like a breeze, it will be very easy to control.

Feng Shui focuses on aura rather than control, which is similar to the control of "face" in painting.&1t;i>&1t;/i>

Next, when practicing drawing "faces", Yang Tao emphasized that it only takes understanding and preliminary mastery.

The exercise method given is to dip the brush in full of ink, then drop it back onto the drawing paper, and then drag it back with arm strength.

Chen Jiangtao did not do this. He dipped his brush in full of ink, gently placed it on the paper, and then turned his fingers to guide the pen that was dipped in ink and rolled on the paper.

In the first few times, the guidance force was not well grasped, and one heavy and one light ink surface appeared. After practicing for a few times, the fingers rotated evenly, and the ink surface drawn by the guide became smooth and smooth.

At first, Yang Tao saw that Chen Jiangtao did not practice as she said, and frowned. After seeing Chen Jiangtao draw in the way of introductory several times, she couldn't help but lit up. She also took paper and pen and started practicing next to her.

Don’t use the regular "control" method of the screen, but use the "introduction" method. Not only will the drawn surface be smoother, but it is also more in line with the composition of the entire screen.&1t;i>&1t;/i>

Under the guidance of Yang Tao, Chen Jiangtao practiced basic skills in painting, but he was not limited to what Yang Tao told him, but he always referenced his Feng Shui theory, and his painting level improved very quickly.

On the other side, Cai Fanyu put the painting board on a cliff, and the scenery in front of him was magnificent.

Good paintings require good scenes to inspire.

Zhang Pengyuan, who was standing next to him, deeply agreed with this. He also studied art and was also well-known in the art department. But now when looking at Cai Fanyu's paintings, Zhang Pengyuan knew the difference at once.

Many things may be influenced by wealth and power. Only things related to art really require a person to be able to do so.

Drawing is one of them.

Cai Fanyu is more skilled in using his pen than himself, and he is much more casual when outlining lines. Moreover, Zhang Pengyuan also feels that Cai Fanyu's great change is self-confidence.&1t;i>&1t;/i>

Zhang Pengyuan and Cai Fanyu have always had a good relationship. This kind of relationship is close to that of a master and servant. Cai Fanyu's parents both work in Zhang Pengyuan's company. Cai Fanyu has been Zhang Pengyuan's follower since childhood.

Including painting, it was also after Zhang Pengyuan started that Cai Fanyu began to learn painting in order to get closer to Zhang Pengyuan. For a long time, Cai Fanyu has a kind of restrained mood in his paintings.

The biggest change was that after attending the art fair that year, Zhang Pengyuan was supposed to book an exhibition that time, but because Zhang Pengyuan was playing and did not draw the works he needed in time, Cai Fanyu was asked to participate.

Unexpectedly, Cai Fanyu's painting exhibition was a great success and achieved a reversal of his life. Later, he took advantage of his reputation as painting and participated in the talent show, obtained qualifications, and became a traffic star step by step.

Although there are some private financial support from Zhang Pengyuan’s home, the key reason is that Cai Fanyu has a ruthless spirit, that is, the ruthless spirit of doing something at all costs.&1t;i>&1t;/i>

For example, this time, when Zhang Pengyuan told him that he was repeatedly defeated by Chen Jiangtao at school, Cai Fanyu immediately gave up the opportunity to go to a better school to further study and took the initiative to transfer to Qing'an University to help Zhang Pengyuan deal with Chen Jiangtao, in order to receive greater funding from Zhang Pengyuan in the draft.

"The painting is over." Cai Fanyu was covered in sweat. The assistant next to him quickly handed over the towel and water, but he couldn't stand steadily; the assistant quickly asked someone to bring a portable recliner.

Cai Fanyu lay on the recliner with a pale face, looking at the painting: "Pengyuan, this is the best painting I have ever drawn so far."

Zhang Pengyuan looked at the painting on the easel and sank into it. After a while, he nodded: "Yes, this painting is great!"

After leaving the venue, Li Wei, who had a lecture, left the venue, refused to say that he was not feeling well and did not attend a banquet specially set up for him. Instead, he walked along a remote path in Qing'an University alone.&1t;i>&1t;/i>

Turning over several old buildings, I arrived at a Su-style apartment building.

This is a building built when Qing'an University was founded. It is now a family building for some old teachers. Although it is still part of Qing'an University, it is far away from the current Qing'an University campus center.

Pushing open a small iron door, Li Wei stood in a small yard.

This place is full of bonsai flowers, a thick vine is in the middle of the yard, and the grape vines that crawl out cover the entire yard.

Under a water pipe, there was a large pottery tank half a person tall, filled with water. When you walked in, you could see a rockery rock standing in the middle of the pottery tank. A turtle was lying on the rockery rock to bask in the sun. It was not clear. In the green water, several goldfish could be seen swimming.

There is no one in the yard.

An easel is set up in the center of the yard with a painting on it.

Li Wei walked over and saw the painting clearly. The painting was rough and there were obvious fallacies in many places. It was the painting that Chen Jiangtao painted in the exhibition hall.

But after a brief look, he frowned. After careful look, his eyes showed surprise.

"You are here." A voice sounded, and Professor Zhai, a madman, walked out of the house with a purple clay teapot.

Li Wei was shocked. He came back this time to see this person.

"Yes, I'm here to see you." Li Wei looked up at Professor Zhai, his eyes filled with excitement.

"Well, Zhiguo has called me." Professor Zhai sniffed a mouthful of tea from the purple clay teapot, walked to the easel, and began to observe the painting of Chen Jiangtao.

"Why have you started painting Chinese painting again?" Li Wei asked in surprise, and exclaimed: "But the structure of your painting is indeed much better than yours before."

"This is not what I painted." Professor Zhai sighed: "If I had seen this painting earlier, I would not give up on Chinese painting and study oil painting."

"What!" Li Wei was surprised: "Isn't this what you drew?"
Chapter completed!