"What!" The Feng Shui Club was stunned when Chen Jiangtao said this.

Seeing everyone being stunned, Chen Jiangtao waved his hand: "But, I understand Feng Shui."

While speaking, Chen Jiangtao looked around and saw a painting, he walked over.

Yang Tao watched Chen Jiangtao walk towards the painting, immediately held his forehead and looked at Miao Li and others helplessly: "It seems that our president really doesn't understand painting."

"Why?" Yu Xu asked curiously.

Yang Tao pointed to the painting that Chen Jiangtao walked over: "Look, it was not a painting painted by the art department, but a print, which was originally Fan Kuan's "Traveling in the Stream and Mountains".

Well, Chen Jiangtao didn't even know the paintings and prints he drew. Sure enough, he really didn't know how to draw.

Chen Jiangtao walked to the printed decoration, which attracted some art students from the exhibition hall to look at the paintings.

Some people recognized Chen Jiangtao as the person who competed with Cai Fanyu, and even laughed secretly.

"Look, the president of Feng Shui Club stood in front of the printed decoration and was still enjoying it."

"Haha, he can only look at the prints..."

The discussions made the Feng Shui Club very embarrassed.

Chen Jiangtao didn't care. After taking a closer look, he turned his head and asked Yang Tao: "What kind of painting did you just say this?"

"This is a famous painting of "Traveling in the Streams and Mountains" by Fan Kuan, a great painter in the Northern Song Dynasty. It is a national treasure-level famous painting." When Yang Tao learned to paint, she copied this painting and was very familiar with it.

"Traveling in the Streams and Mountains" is a silk ink stroke created by Fan Kuan of the Northern Song Dynasty.

The main part of the picture is a towering mountain, with high mountains rising above and stunningly powerful.

The top of the mountain is lush with forests, and a waterfall flows down deep in the valley, falling a hundred feet.

The huge rocks are abrupt under the peaks and the trees are straight.

The picture shows the stream flowing in front of the picture, and a team of merchants carrying goods on a mountain road in the mountains are marching, adding vitality to the quiet forest.

"The traveling pictures of the streams and mountains are just as their name." Chen Jiangtao exclaimed: "The momentum of this painting is very powerful, with huge peaks standing on the walls and several levels covering the picture. The hilltops are densely covered with trees. The waterfall flows down from the hillside, and huge rocks are crisscrossing at the foot of the mountain, making the whole painting completely three-dimensional. There is a business team walking on the mountain road, and a bay of streams flowing on the side of the road. Looking at this painting, you can hear the sound of water, voices of people, mules and horses. This is a work that combines the five elements of Feng Shui."

"I don't know how to draw." Chen Jiangtao emphasized again, and then said: "I understand Feng Shui. This painting has all five elements, so the aura flows and generates momentum."

Then, Chen Jiangtao pointed to the printed "Traveling in the Stream and Mountains" and began to talk about the five elements Feng Shui inside.

First of all, this painting does not leave a lot of white space like other landscape paintings, but directly places a huge rock-like mountain peak in the center of the painting and penetrates directly into the sky.

This makes people who see this painting feel the first feeling that they are looking up to the mountains, so the Feng Shui eye of this painting is "magnificent".

The majestic momentum belongs to the West among the five elements.

The east water produces wood, which is vast in momentum; the corresponding western soil produces gold, which is majestic in momentum.

The reason why "Traveling in the Stream and Mountains" has a majestic momentum is that although it expresses the mountains, the shape is exactly the word "gold".

Moreover, the trees on the mountain are not high, and they look like rust on a goldware.

If you ignore pedestrians and the trees in front as embellishments, the main stone behind can be regarded as an ore.

When Chen Jiangtao evaluated this painting, he gradually surrounded many people. When he heard his statement, he was a little disdainful and despised, while others fell into deep thought.

When Yang Tao was said by Chen Jiangtao, she looked carefully and immediately realized that she could really see this way.

Chen Jiangtao ignored the discussions behind him and continued: "Think about it, it is not surprising that a mountain like this is a mountain; but such a large piece of ore can easily show the insignificance of people. Therefore, the main five elements of this painting are gold."

Then, he sat directly on the ground, took out a piece of paper, and wrote a big word "gold" in the middle.

Chen Jiangtao continued to analyze.

The main body of "Story Travel Picture" is gold once it is determined. The center of the forest as the embellishment is marked with wood, and the stream ahead is marked with water. The walking mountain road is fire. The front end of the painting is a stone slope marked with soil.

From the inside to the outside, it happens to be: metal, wood, water, fire, earth, and the five elements are positively rotated; and when people's appreciation angle is from the outside, it is reversed by the five elements: earth, fire, water, wood, and metal.

The center of gravity falls on the metal, and the momentum is suddenly majestic and three-dimensional.

When Chen Jiangtao said this, the people who surrounded him looked at the painting in front of him immediately felt that it made sense. Even some of the people who despised Chen Jiangtao before were surprised.

The most inspiring were several students from the art department who immediately wrote down this order. I have to say that this is really a good way to create a good painting.

When drawing a painting, the most difficult thing is composition. As for filling in the details, it is second.

Chen Jiangtao continued to read "Traveling in the Streams and Mountains", but frowned and shook his head.

"What's wrong?" Yang Tao read "Traveling in the Stream and Mountains" again according to the Feng Shui and Five Elements mentioned by Chen Jiangtao, and found it quite reasonable. At this time, he saw Chen Jiangtao shook his head again and asked in confusion.

Is there anything wrong with this print?

Chen Jiangtao also said inexplicably: "There is a bit of a harmonious painting, that is, the shade of grass leaves in the lower right corner are obviously too lush and the proportion is slightly larger."

After hearing what Chen Jiangtao said, those who thought his five elements had some truths shook their heads and smiled: This kid really didn't know that the world was so strong that he dared to say that there was something unreasonable about national treasure paintings like "Traveling in the Mountains".

Chen Jiangtao walked to the painting, reached out to gesture a few times, and kept shaking his head: "It's really wrong here. Calculate the proportion of the whole painting, the shade of the trees and grass leaves here should be sparse."

Then, Chen Jiangtao explained that the growth of plants and trees is determined by the nourishment of water, and the vegetation on the left side of the stream can be used as a reference for the position on the lower right. The two should be a roughly the same whole, so that they can appear harmonious.

Now in "Traveling in the Streams and Mountains", there are only two trees beside the stream in the lower left, and the grass quilt is also sparse; while the grass in the lower right corner is deep and lush, which not only does not conform to the five elements of water-borne wood.

It also moves the center of gravity of the entire painting to the lower right corner.

After hearing what Chen Jiangtao said, the people around him were already cursing rudely: "What a thing? After making a mistake, they actually said that the national treasure-level "Traveling in the Mountains" has something bad! It's ridiculous!"

"I didn't say that this painting is not good." Chen Jiangtao stretched out his hand and pointed at the dense grass leaves in the lower right corner: "The painter who painted this painting must want those who admire it to notice it, that is, something must be hidden here."

What was hidden?
Chapter completed!