A large blue and white dragon jar is in the middle, and the twelve flower god cups are arranged in a circle outside with the blue and white dragon jar as the center, quietly suspending in the air of the space. This situation actually looks very spectacular.

To be honest, at the beginning, Yang Jing was really not very fond of this blue and white dragon jar. Although this big dragon jar is the most precious Jiajing blue and white dragon jar, the shape of this big dragon jar is really...

How to say it, it’s not Yang Jing’s complaint. In his eyes, the shapes of these big dragon jars in the Ming Dynasty are really speechless. You said that this big dragon jar is also a royal official thing, why can’t you design this shape more beautifully?

The blue and white dragon jar, although the name is majestic and domineering, in fact, what is the shape of this big dragon jar? I guess many people don’t know, after all, this big dragon jar is really rare.

But if you find one or two references to describe the shape of the big dragon jar, many people will probably know. Let’s put it this way, almost every household in rural areas still has a large water tank for water or pickled pickles. If you have seen a large water tank for water or pickled pickles, then you will know what the shape of this blue and white dragon jar is...

Especially this Jiajing blue and white dragon jar, the size is smaller than that of an ordinary dragon jar. To put it bluntly, if the batter on the outside of this big dragon jar is mud or painted dark brown or black, you will definitely think that this is the pickle jar for pickled pickles in one bite!

It is precisely because of this reason that Yang Jing always felt that the shape of this blue and white dragon jar was really not very good.

However, today, Yang Jing really likes this Jiajing blue and white dragon jar. For nothing else, just taking out the Twelve Flower God Cup from the belly of this big dragon jar, this big dragon jar can be called a "meanor"! Now the more Yang Jing looks at this big dragon jar, the more he likes it.

After playing with the Twelve Flowers God Cup for a while, Yang Jing then focused on the remaining two large boxes.

Choosing one of the two, Yang Jing did not hesitate at all, and directly chose one of the boxes and opened them. As a result, the surprise brought to Yang Jing far exceeded the total of the previous five boxes!

It may be a bit exaggerating to say this, but Yang Jing thought so! Even though the treasures in the previous few boxes had already made Yang Jing a little numb, when he saw the treasures in the box, Yang Jing still couldn't help but move...

Because Yang Jing found the first treasure from this box, Yang Jing looked straight at it.

This is a piece of porcelain, but the shape is very unique. This piece of porcelain has a trumpet-shaped mouth, a flat drum-shaped belly, and a ring foot outward. The neck, abdomen, and all sides of the feet are covered with strips and square edges, which looks like a bronze ware from the Shang and Zhou dynasties.

This type of porcelain is very rare, but Yang Jing still recognized the shape of the porcelain at a glance. This is a ji Zun, imitating bronze ware from the Shang and Zhou dynasties! There is such a type of porcelain in the Palace Museum, which Yang Jing has seen.

This halberd is about 25 cm tall, with a diameter of about 21 cm and a base diameter of about 16 cm. It has an extremely ancient shape!

In addition to this simple shape, when Yang Jing looked at the bright cinnabar red and the legendary "earthworms walking through mud patterns", he realized that the first exposed treasure was definitely an amazing treasure.

Liu Zifen's "Bamboo Garden Pottery" in the Republic of China, "Ancient porcelain does not emphasize color painting, all instruments are solid colors, and people in the market call it a piece of glaze."

Xu Zhiheng of the Republic of China "Yinliuzhai Shuo Porcelain" "Jun's mistakes are even, and they have been following each other for a long time. The body is fine, and its nature is firm and its body is slightly heavy. The glaze has five colors, thick and moist, and it has rabbit silk text. The red one is like rouge and cinnabar, and the green one is like green one is like green purple one is like ink."

When he saw this plate, these two passages naturally popped up in Yang Jing's mind. These two passages were the key words mentioned in the study materials given to Yang Jing by the fourth master Cai Yi, because this is used to illustrate the characteristics of the "Junyao" porcelain among the five famous kilns in the Northern Song Dynasty.

These two sentences are actually very simple. The former means that in Song porcelain, there are almost no painted porcelain, and most of the porcelain is monochrome, just like only one glaze color is applied.

As for what the latter mentioned, it is the specific characteristics of Jun porcelain, from glaze body to glaze surface to glaze color, especially the point that Jun porcelain has the bright red cinnabar color as the best, followed by other colors!

This jiu Zun is not only simple in appearance, but it makes people know at a glance that it is definitely an amazing treasure with a large door opening, without identification or inspection. Even if this jiu Zun is placed there quietly, it can give people a wonderful feeling of "a beauty who is peerless and independent".

This feeling is very wonderful, and it is not only this treasure that has been passed down from generation to generation that gives people such a wonderful feeling.

Such a gorgeous cinnabar red as rouge, coupled with the unique earthworms' mud pattern, this is clearly a large-opened cinnabar red glaze that produces the halberd!

The five famous kilns in the Song Dynasty - Ru, Guan, Ge, Jun, and Ding. The porcelain in any kiln is a masterpiece of Chinese porcelain.

Among the five famous kilns, Ru kiln is mainly celadon, focusing on "glaze sky blue", "crab claw pattern", "scented gray body", and "seeds nails"; official kiln is also mainly celadon, focusing on "purple-mouthed iron feet"; Ge kiln is also mainly celadon, focusing on "ice cracks", "fish roe pattern", "a hundred rubbish crushes and "gold wire iron wire"; as for Ding kiln, it is mainly white porcelain.

Only Jun kiln porcelain is obviously mainly celadon, but because Jun kiln masters the controllable kiln transformation technology and creates copper-red glaze kiln transformation technology, Jun kiln porcelain is often colorful!

That’s right, the originator of the red glaze technology that was popular in the Ming and Qing Dynasties was Jun kiln porcelain!

Although Jun kiln porcelain is colorful, the saying "Red like rouge cinnabar is the best, and green like green like green purple like ink is the second best." is not a waste of time. Even though blue is the most valuable in the Song Dynasty, only Jun kiln porcelain has cinnabar red as the best!

"The clouds are red after the rain, and the fire is red, and the slight roasting process is added. The cinnabar in the world is not what it is designed to be, and Western gems are difficult to match."

Emperor Qianlong’s poem “Adding Junhong” is enough to prove the status of cinnabar red in Junkiln porcelain!

The Jun kiln porcelains like this, which are shaped like a halberd, are currently very small, and the whole world may only be able to make up a punch - it is one! In China, there are only a few top museums in the collection, but they are also treasures of museums.

The Palace Museum and the Shanghai Museum each have a collection of a Jun kiln moon white glaze halberd. As for the Forbidden City, there is a Jun kiln lilac purple glaze halberd. From the value point of view, the lilac purple glaze halberd in the Forbidden City in the Forbidden City should be higher than the two domestically collected. After all, red is the most expensive kiln.

But in comparison, even the genet of the Forbidden City in Taibei is not as good as the cinnabar red glaze of the genet in Yang Jing's hand. Cinnabar red is the top color in Jun Kiln!
Chapter completed!