Because the quality of the things and the price is low, the business of grandfather’s stalls has always been very good. There is often a situation where a customer buys more than a dozen. In addition, grandfather is the head of a sect, so he naturally has a kind of demeanor. In today’s words, it is called aura, so there is no need for any service. In addition, it was not just to set up a stall to make money. Therefore, regular customers around him are also used to grandfather’s habit of ignoring his grandfather. Generally speaking, customers will pick clothes by themselves until they check out.

My grandfather, who was sitting there reading the newspaper, didn't hear anyone picking clothes for a long time this time, and he didn't care. After seeing it, he left without satisfaction. This is a common thing.

But today the guest was standing in front of the stall, so the curious old man lowered the newspaper, as if he was looking at what the master in front of him was causing the trouble.

In his face, this is a young man with an ordinary face. He has seen him many times and needs to ask again. The one with the eldest brother’s surname, his eyes, nose, mouth, and face shape, are extremely ordinary, and he has almost no characteristics on his body.

In the eyes of ordinary people, they may just meet someone who is very uncharacteristic, and at least they will be greeted, but in the eyes of grandpa, this person obviously used the "disguise technique" to try to cover up his true face.

The so-called disguise technique is actually the same as the disguise technique in general novels. The easy one changes, and the demeanor is the appearance. The so-called disguise technique is the technique (art) that changes a person's appearance.

In some novels or movies, there are often descriptions of disguise, often turning into another person's appearance. This is not completely real. It is possible for a person to become another person's appearance, but it is impossible in a short period of time, and it also requires the complete cooperation of the disguise person. Therefore, the ancient disguise theory was mostly exaggerated, and under the technical level at that time, it was unlikely to make a simulated "disguise mask".

The Disguise Art is a step further on this basis. The Disguise Art is actually a combination of traditional disguise methods and disguise art. After disguise, people who use disguise methods to hide their own characteristics. Most people cannot see the first-level characteristics and will only vaguely feel that when they see a person, they will forget them in an instant.

My grandfather had been enfeoffing the law for many years and met a capable man for the first time, so he calmed down and asked: "I have been retreating from the world for many years. I don't want to see you as a capable man today. I hope he can forgive me." I was kind enough to say a few words first, after all, politeness and then military service is a truth that has not been easy since ancient times.

Then, my grandfather said: "I have never been concerned about the world for a long time. Now I don't dare to make a big deal. If you have any advice, please give me more advice. However, although I am old and incompetent, I don't care."

My grandfather asked him directly about his purpose of coming, and he also threatened him with all kinds of threats, because over the years, my grandfather had almost cut off contact with the entire cultivation world. Many people only knew that this old man was a kind but somewhat serious old man. He didn't know that this neighbor or his colleague was such a powerful figure back then.

The man with an ordinary face opposite did not speak, but just made a hand gesture lightly. Then a little golden light appeared and flashed gently in the air, and disappeared. It seemed as if it had never existed.

"This person can do the Nine Dragon Technique!" Wen Yang suddenly exclaimed when he said this.

Grandpa nodded gently and continued to speak.

Not only Wen Yang's expression, but also grandfather at that time, "This person actually knows the Nine Dragon Technique." It was also my grandfather's idea at that time. You know, although the Nine Dragon Technique is widely circulated among the people, and even many witches and witches also cheat money and sex in the name of the Nine Dragon Divine Art, it is actually just a little bit of fur, and it is not even a fur. It is just a simple and rough trick of injecting the power of the talisman into the water. It is not an exaggeration to say that it is a trick.

There were fewer and fewer people who learned Jiulong Technique. Even in Shangqing Palace, not many people received the true teachings of Jiulong Technique. The man who knew Jiulong Technique must have something to do with him. At the moment, my grandfather didn't say anything, just hugged his fists and said, "Have a moment." After that, he began to clean up the stall quickly, greeted the people next to him, saying that there was something at home and that he would come again tomorrow. After that, like the young man, he made a "please" gesture and walked home.

Grandpa did not take this man home, and he came to a house that seemed to have not lived in for a long time. Grandpa reached out to open the door, and the furnishings in the house were heavily covered with dust.

This is a big house, at least three places deep, using furnishings and screens to separate the hall and the inner room. Once you enter the hall, the portrait of the Sanqing Daozun on the wall is still as new as it is, without a trace of dust. There is also the green smoke burning in the cauldron below.

(In: Units representing the level of the house and courtyard, the exterior wall is one foot wide and the stone is two-in-one; the inner wall is one foot wide and the stone is one-in-one. ——Yan Ruyu, Qing Dynasty, "Miao Preparation View")

Since he walked into this room, the young man began to tremble slightly. When he came in, he could no longer help but look at the furnishings around him, the portraits of Sanqing on the wall, and the familiar grass and trees around him, and suddenly knelt in front of his grandfather: "Master is here, please apologize for the sin of unfilial piety." After that, he kowtowed heavily on the ground, and could not tell how many it was.

This ordinary man is the only apprentice of his grandfather, Wen Yang's master, Jin Meng's biological father, Jin Jingye. No one knows where he has been in the past few years, and no one knows why he suddenly appeared.

Grandpa sighed softly, shook his head, and sat directly on the Grand Master chair behind him, regardless of how much dust there was.

"Tell me, what happened in the past few years? I know that you, a child, wouldn't have been bullied to this point if you weren't bullied. Tell me, who has bullied my apprentice? Although my old bones are useless, the Taoist tradition of Shangqing Palace is not bullied." As my grandfather said, a long-lost domineering arrogance naturally came from around him. If my friends from Grandfather saw it on a regular basis, no one would believe it. The old man who showed his domineering attitude in front of him was the kind and upright old man on weekdays.

The murderous aura in front of him flashed and disappeared, but it was enough for Jin Jingye in front of him. He knelt on his knees and walked forward a few steps. Jin Jingye kowtowed to his master a few more times, hugged his grandfather's legs, and began to cry loudly.

Grandpa gently stroked Jin Jingye's head, as if many years ago. This room was where Jin Jingye learned art back then. In this familiar environment, Jin Jingye's mind was completely relaxed, and he seemed to have returned to his childhood. He was wronged and told his master that everything was decided by the master.

In this way, Jin Jingye kept crying for more than an hour, and grandfather stayed for more than an hour. Finally, Jin Jingye seemed to have vented all the depression in his heart, and then kowtowed to his grandfather again. Before he could ask his grandfather, he talked about his rough experience in the past few years.

After Jin Jingye discovered the station in Mount Tai, he went through a lot of hardships and found that it was a formation set up by the Japanese. He felt that something was strange at the moment, because Jin Jingye learned a lot, and he also knew a little about some of the Japanese Yin-Yang techniques. In his opinion, for the Japanese, setting up such a station is basically more than ten times more difficult than creating an atomic bomb. Even more, Jin Jingye suspected that there were other inside stories, but when he broke the station through hardships, he found that it was just a jade bottle, a small piece of paper in the bottle, and three words were written in "sanctioned text". It was obvious that it was "Tianmen Mountain"

The scattered text, also known as scattered text, is a text for the dead. It was created by ancestors of an ancient nation called the Shui people. According to Maoshan Technique, evil ghosts cannot communicate with the living people in words. Evil ghosts can only use their bodies to speak with the living people by attaching to the human body, which is the scattered guest mentioned in the previous article. However, not every soul has the ability to "scattered guest" on the living people, so the Aqua people who advocate ghosts and gods invented this scattered text, which is specifically used to communicate with dead people, and legends can even communicate with animals who practice immortality.

Li, the original vanishing text had only pronunciation but no text. In later generations, some talented people actually invented texts for this vanishing texts (that is, texts in jade bottles). Since this vanishing texts are really difficult to learn, no matter which dynasty, people who can master this language for ghosts always remain in single digits. In modern times, it is unknown whether there are still people who can read and write such vanishing texts. Of course, the facts are not so exaggerated. At least, as the grandfather of the Maoshan sect, he can write them, and it is normal to give them to his disciples.

"What's next?" Grandpa asked his apprentice. In fact, if he didn't ask, it was impossible not to go according to his apprentice's personality. It would be better to kill him directly.

At that time, Jin Jingye did not say anything nonsense and directly led the team to Tianmen Mountain in Hunan. This was the place he had dreamed of going. Along the way, Jin Jingye also added several team members. These team members were all old acquaintances, not single scientists, and more, they were capable people with unique skills. According to Jin Jingye's estimate, the strength of several towns should be similar, and even if there is a difference, there will not be too big a gap. After all, I encountered it by chance and did not start from scratch. Moreover, the town on Mount Tai will not be the worst. According to the people he has in hand now, Jin Jingye estimated that it would be much easier to break a town like Mount Tai. Therefore, he was full of confidence in the trip to Tianmen Mountain, but unexpectedly, it was this trip to Tianmen Mountain that completely pushed Jin Jingye into the abyss.

(Recommended book friend group 207106109, looking forward to an outbreak on Friday.)

Let’s talk about the scattered text. This thing does exist, and it is not a copycat of others in the Tianli area. The scattered text is attached below, that is, scattered text. Readers who cannot understand it can not read it.

The Aquarium is a nation that advocates ghosts and gods. The Aquarium people believe that whether it is the ancestors’ undead, animals, plants, or some natural objects and natural phenomena, including mountains, stones, caves, water, wind, rain, thunder, electricity, etc., all have souls because of the possession of a certain "ghost" or "god" and "gods", they all have souls, and these souls will never die. When a certain object does not exist, its soul will be transferred to other objects. From a macro perspective, the objects of worship of the Aquarium are mainly divided into two major categories, one is ghost and the other is god.

The dark, backward, negative, and unfavorable souls are ghosts, and all the bright, advanced, positive, and beneficial souls are gods. Generally speaking, God can not only bless mankind or punish those who make mistakes, but ghosts often harm humans. Water books are the integration of various ghosts, various taboos and various methods of warding off evil and exorcising ghosts. Funerals, sacrifices, marriages, construction, travel, divination, festivals, production, etc. of the Aquarium people, and every move is restricted by Water books. Therefore, in the social life of the Aquarium, Water books have a wide range of roles and an important position.

Most of the records of the Water Book are dates, directions, good and bad signs, and methods of exorcising ghosts and evil spirits in terms of primitive religious beliefs. Generally, the year is suitable, the month is suitable, the moon is suitable, and the time is avoided, and the songs or signs of things are used to indicate the good and bad belongings. Therefore, it is mostly used as a tool for wizards to perform rituals. It is just because the water race believes in ghosts and gods, so water books are very useful. The unique function of water books has promoted the generational inheritance of the worship of ghosts and gods of the Aqua race.

In the areas where the water people live, the Shui people (all men) who can understand, read and use water books are called "ghost masters". They have a high status among the people and are worshipped by people. "Shuishu" is an extremely precious treasure passed down by the "ghost masters". They are only passed down by men but not women, and are generally not easily passed to outsiders. Water books are passed down by generations of ghost masters through oral transmission and hand-copying for thousands of years.

All activities of the worship of ghosts and gods in the Aquarium, whether it is to judge the good or bad things, to determine the cause of ghosts, to expel ghosts, or to seek disasters and blessings, are all based on the basis of the water books. Therefore, in all activities of the worship of ghosts and gods in the Aquarium, it must be performed through the ghost master (using water books) as a medium. Therefore, in the worship of ghosts and gods in the Aquarium witch culture, water books is a textbook, while ghost masters are teachers. The combination of ghost masters and water books is the link to maintain the original religious belief of the Aquarium - the world of ghosts and gods, and is a material factor in the inheritance of witch culture, and maintains this mysterious world for the enduring.

In addition to containing a large amount of original religious belief content, the Water Book also preserves the celestial phenomena, calendar materials and ancient water characters that need to be excavated and deciphered. The celestial phenomena and calendar materials reflected in the Water Book are an extremely precious historical and cultural heritage. Some of its basic theories, such as the Nine Stars, Twenty-Eight Constellations, Eight Trigrams and Nine Palaces, Heavenly Stems and Earthly Branches, Sun and Moon Five Stars, Yin and Yang Five Elements, Sixty Jiazi, Four Seasons and Five Directions, Seven Yuan Calendar System, and Jianxu, the First Month of the Water Calendar, are the crystallization of the advanced wisdom and art of the ancestors of the Water Clan. It contains scientific philosophical ethics and dialectical materialist historical view, and has a brilliant page in the cultural history of our country.

The "Ghost Master" divides water books into two categories in terms of purpose and function. One is "white books", which is mainly used for funerals, sacrifices, production, travel, house construction, business, marriage and divination. The other is "the deep mountains of the Libo National Maolan Karst Primitive Forest Nature Reserve, a member of the Heipiao Astronomy Network, where nearly 40,000 Aquarium people live for generations. When you walk into these water conservancy and aquarium towns, Shuiyao Shui Township, Yongkang Shui Township, Jiarong Town (formerly Jiarong Shui Township, Shuiwei Shui Township, and Lixian Shui Township) and other aquarium people living in towns, you walk into a mysterious "water book" world.

Shui Shu is an ancient cultural symbol used by ancient Shui people, similar to oracle bone inscriptions and bronze inscriptions, recording ancient Shui people astronomy, geography, folk customs, religion, ethics, philosophy, aesthetics, law, anthropology, etc. Experts and scholars believe that "Shui Shu" is equivalent to the "Book of Changes" of the Han people, with profound content, is an encyclopedia of the Shui people and an important part of the cultural treasure house of the Chinese nation. In March 2002, Shui Shu was included in the first batch of "Chinese Archives and Documents List".

"Shui Shu" is also called "Ghost Book" and "Anti-Book". One of the questions is that it refers to its structure. Although some characters are imitating Chinese characters, they are basically reverse writing of Chinese characters, and the writing of the characters in reverse or change the way of Chinese characters is written. Why is the characters of "Shui Shu" different from Chinese characters? The writing style is opposite to Chinese characters. These questions make the world puzzled. The second is: In ancient times, the ancestors of the Shui people were persecuted by the ruling class. According to legend, their ancestors "Lu Duogong" created "Ghost Book" to oppose and retaliate against the rulers.

Aquarium is a nation that advocates ghosts and gods. The people of the aquarium believe that whether it is the ancestors, animals, plants, or some natural objects and natural phenomena, including mountains, stones, caves, water, wind, rain, thunder, electricity, etc., all have souls due to the possession of a certain "ghost" or "god" and "gods", they all have souls, and these souls will never die. When a certain object does not exist, its soul will be transferred to other objects. From a macro perspective, the objects of worship of the aquarium are mainly divided into two categories, one is ghost, and the other is god. All dark, backward, negative, and the people.

The unfavorable soul is the ghost, and the bright, advanced, positive, and beneficial soul to the people is the god. Generally speaking, God can not only bless mankind or punish those who make mistakes, but ghosts often harm humans. Water books are the integration of various ghosts, various taboos and various methods of warding off evil and exorcising ghosts. Funerals, sacrifices, marriages, construction, travel, divination, seasons, production, etc. of the Shui people, and every move is restricted by Water books. Therefore, in the social life of the Shui people, Water books have a wide range of roles and an important position.

Most of the records of the Water Book are dates, directions, good and bad signs, and methods of exorcising ghosts and evil spirits in terms of primitive religious beliefs. Generally, the year is suitable, the month is suitable, the moon is suitable, and the time is avoided, and the songs or signs of things are used to indicate the good and bad belongings. Therefore, it is mostly used as a tool for wizards to perform rituals. It is just because the water race believes in ghosts and gods, so water books are very useful. The unique function of water books has promoted the generational inheritance of the worship of ghosts and gods of the Aqua race.

In the Aquarium, the Shui people (all men) who can understand, read and use Shui books (all men) are called "Ghost Masters". They have a high status among the people and are worshipped by people. "Shui Book" is an extremely precious treasure passed down by the "Ghost Masters". They are only passed down by men but not women, and are generally not easily passed to outsiders. Shui Book is passed down by generations of ghost masters through oral transmission and hand-copying for thousands of years. All activities of the Shui Ghost God worship, whether it is to determine the good or bad of the matter or to determine the ghosts and ghosts.

The witchcraft rituals of exorcising ghosts and waiveing ​​disasters and begging for blessings are all found by ghost masters from the water books. Therefore, in all activities of worship of ghosts and gods in the water race, it must be performed through ghost masters (using water books) as a medium. Therefore, in the phenomenon of ghost worship in the water race witch culture, water books is a textbook, while ghost masters are teachers. The combination of ghost masters and water books is the bond that maintains the original religious belief of the water race - the world of ghosts and gods, is a material factor in the inheritance of witch culture, and maintains this mysterious world for a long time.

In addition to containing a large amount of original religious belief content, the Water Book also preserves the celestial phenomena, calendar materials and ancient water characters that need to be excavated and deciphered. The celestial phenomena and calendar materials reflected in the Water Book are an extremely precious historical and cultural heritage. Some of its basic theories, such as the Nine Stars, Twenty-Eight Constellations, Eight Trigrams and Nine Palaces, Heavenly Stems and Earthly Branches, Sun and Moon Five Stars, Yin and Yang Five Elements, Sixty Jiazi, Four Seasons and Five Directions, Seven Yuan Calendar System, and Jianxu, the First Month of the Water Calendar, are the crystallization of the advanced wisdom and art of the ancestors of the Water Clan. It contains scientific philosophical ethics and dialectical materialist historical view, and has a brilliant page in the cultural history of our country.

"Ghost Master" divides water books into two categories in terms of purpose and function. One is "white books", which is mainly used for funerals, sacrifices, production, travel, house construction, business, marriage and divination. The other is "black books", also known as "shui book secrets", and there are very few ghost teachers who can master this book. Black books should be used for "release ghosts" and "retreat ghosts".

According to legend, when outsiders enter the water village, they must abide by the laws and regulations, and are worried that if they do bad things, they will be possessed by the ghost master. As long as the ghost master knows someone's birth date, or obtains a hair, or obtains a piece of clothing and other items on his body, they can implement "release ghosts". When someone is possessed by "release ghosts", he must ask another ghost master to remove the ghost, which is called "release ghosts". Moreover, the ghost master's spells he invited must be higher than the ghost master who "release ghosts", so that the ghost can return to the ghost master who "release ghosts". The ghost master who releases ghosts will die because the ghosts he releases. If the ghost master's spells he invited are lower than the ghost master who releases ghosts, then the ghost master who is released cannot "release ghosts" and will die by the ghosts he released.

The structure of ancient characters of the Shui people is roughly the following three types: one is pictographic characters, some characters are similar to oracle bone inscriptions and bronze inscriptions; the second is imitation of Chinese characters, that is, the reverse writing of Chinese characters, inverted writing or changing the shape of Chinese characters, and the third is religious characters, which means various code symbols representing the original religion of the Shui people. The writing form is written vertically from right to left, without punctuation marks. The carriers of ancient characters of the Shui people seen at present are mainly: oral transmission, hand-copying on paper, embroidery, inscriptions, and wood.

Engraving, ceramic forging, etc. Water books are mainly hand-copyed and passed down orally to this day, so they are praised by experts and scholars as the "living fossils" of world hieroglyphs. Because their structures are mostly pictograms, they are mainly written and described by flowers, birds, insects, fish and other things in nature, as well as some totems such as dragons, and still retain the information of ancient civilizations and are still widely used in aquarium areas. Therefore, they are hailed by experts and scholars as the "living fossils" of world hieroglyphs.
Chapter completed!