Please give me a monthly ticket and a recommendation ticket!

Just after midnight, both ends of the Brooklyn Bridge were completely blocked. From now until four in the morning, the crew has four hours to shoot.

A large number of crew members flocked to the Brooklyn Bridge, busy laying the venue. Hundreds of extras, led by several deputy directors, divided into different groups and walked to various locations of the bridge to prepare for the next shooting.

A large makeup trailer drove to the side of the bridge connecting Manhattan Island. The driver had just stopped the car. Matthew, who had finished makeup in the hotel, pushed the door and got out of the car. The night wind in November blew towards him, making him unable to help but have a cold war.

Behind, Bella Anderson immediately put his down cold-proof clothing on him.

"Thanks."

Matthew looked back at Bella Anderson, then walked up to the bridge and stood next to the guardrail. Bella Anderson followed and reminded, "You have to wait for a while to start shooting, why don't you go back to the car first."

"It's okay." Matthew waved his hand, put on his down cold clothes, and said, "I just came from Los Angeles and was not very accustomed to the cold of New York."

The engine roared, and several helicopters flew from a distance and soon approached the Brooklyn Bridge. Then armored vehicles and some Hummers arrived slowly and entered the Brooklyn Bridge. In order to film and create a large scene of evacuation of Manhattan, the crew invested a lot of money and even made big money.

Matthew had previously heard producer Aziva Gossman mention that the filming of the Brooklyn Bridge will last for six nights, with an estimated cost of up to $1 million per night.

The shots of commercial productions are completely burned with dollars.

In order to block the Brooklyn Bridge from midnight to four o'clock, the crew obtained filming permission from fourteen government departments and also won the support of a 200-person National Guard team.

Alexandra Dadario's father played an important role in this.

Standing here and watching for a while, a crew member hurriedly came over. After seeing Matthew, he quickly accelerated his pace.

"Mr. Horner." The staff reminded, "There is almost done on the set, and the director lets you go."

Matthew nodded slightly, "I understand, lead the way."

The staff led the way, Matthew and Bella Anderson followed behind, left the Brooklyn Bridge and entered the intersection of the bridge. At this time, an isolation area had been set up here, and rows of cars were crowded with the road entering the bridge. Gilmo Del Toro was instructing people to adjust the camera position.

The temporary set gathered hundreds of extras, as well as Hummers and dozens of National Guard soldiers, which seemed a bit messy.

Staff took Matthew to the vicinity of the last car in the convoy's captain's row. The car was far away from the previous car. An actor dressed in a military man stood in the driving position, and several others were waiting by the car.

"Matthew." David Heyman saw him and waved his hand. After he walked over, he called two women, one big and one little, and introduced, "This is Jessica Chastain, who plays Robert's wife."

"Hello." Matthew shook hands with the red-haired actress.

David Heyman then introduced another blonde girl, "This is Khlo Moretz."

Matthew squatted in front of the little girl and said, "Hello, can I call you Kollo?"

This little girl looks less than ten years old, with blonde hair and extremely cute appearance, and she is so cute that she can kill a large number of people.

"You'd better call me Mary." The little girl tilted her head and looked at Matthew, "Isn't this good, dad?"

Matthew was stunned for a moment and asked subconsciously, "Dad?"

The little girl pointed her small chin and said, "Yes, your character is my character's father. The performance teacher said that from the beginning of entering the set, I am not Kollo Moretz, but the character itself. So, you are my father."

A middle-aged woman walked over from behind at this time, and said with apologies, "Sorry, Kloe has been studying performance recently, and he is a little..."

She doesn't seem to know what to say.

Matthew stood up and said with a smile, "It's okay, Khlo's character is indeed the daughter of mine."

"That's it." Khlo Moretz took the initiative to answer, "I'm right, dad."

Matthew couldn't help but reach out to rub her hair. Thinking that he would take pictures, Khlo Moretz's hair should have been specially processed, so he stopped.

But Khlo Moretz shook his hand at her mother, "You are not my mother now." She then pulled Jessica Chastain's hand, "Jess is my mother."

These innocent words made everyone on the set laugh.

"Are I wrong?" Khlo Moretz was puzzled when he heard the laughter, "Don't you enter the role quickly when you enter the set?"

Although I don't know who taught Khlo Moretz's performance theory, Matthew said, "Yes, very right."

Jessica Chastain seems to like this kid too, "Ko... Mary, you're right."

Khlo Moretz immediately held Jessica Chastain with one hand and Matthew with the other, saying, "We are a family now."

Matthew and Jessica Chastain are both actors, so of course they won't be embarrassed by such words.

Director Gilmo del Toro came over at this time, greeted Matthew, summoned the main actors of the scene, briefly talked about the scene, practiced the position again, and prepared to start filming.

"Everyone, we have limited time!" Gilmo del Toro raised a large speaker and shouted, "Everyone is cheered up, we will try to pass once, and you don't want to get frozen in the cold wind, right?"

"right!"

Only Kholo Moretz's voice sounded on the temporary set.

Matthew couldn't help but smile, took off his down cold-proof clothing and handed it to Bella Anderson, then pulled Collo Moretz down and said, "Let's go, let's get in the car."

When he arrived at the car, Kloe Moretz beat the height of his Mercedes-Benz SUV and said to Matthew, "Dad, carry me into the car."

Matthew picked up Kolau Moretz and placed it in the back seat of the car. Then Jessica Chastain got into the car and sat next to Kolau Moretz.

Seeing the two of them sitting down, Matthew closed the rear door and got into the passenger seat.

In front, an assistant director stood in front of the camera. After shouting to start, the military actor in the driver's seat stepped on the accelerator and the car accelerated forward. When Matthew saw the Mercedes-Benz logo at the rear of the car in front, the car slowly slowed down and then stopped behind the Mercedes-Benz sedan.

Immediately, a cameraman who set up Stenikon came over and photographed Matthew through the window. Matthew lowered the window and looked at the Brooklyn Bridge. Jessica Chastain's question came from behind, "Why did we stop?"

A soldier strode over, patted the front hood of the car, saw the epaulette on Matthew's uniform, saluted first, and said, "Sir, we are ordered to block the Brooklyn Bridge, you must as soon as possible."

Matthew pushed the door and got out of the car, came to the back door, looked at his watch, opened the door, and said to Kloe Moretz, "Baby, hurry up, it's only ten minutes."

Kloe Moretz moved to the car door and shouted naturally, "Dad..."

"Let's go, baby." Matthew reached out and picked up Corey Moretz, and comforted her mouth, "It's okay, it's okay, it won't be okay..."

Two soldiers were leading the way. Jessica Chastan was carrying a bag, with the model head of a German Shepherd puppy exposed in the bag. Matthew held Krool Moretz in one hand, followed Jessica Chastan and walked towards the barricade in front of the Brooklyn Bridge.

Kroo Morez was not old, but he looked like a little drama artist, as if he was really his daughter, holding his neck tightly with his hands and laying on his shoulders, looking afraid of lack of security.

A group passed through the extras, and the warning sound of military loudspeakers sounded in front of them.

“…Unless you have passed the security check, you will not pass. Please go home and wait patiently.”

"Get out of the way! Get out of the way!"

Two soldiers drove a road, and Matthew and Jessica Chastain and his group soon approached the Brooklyn Bridge.

The rear was set on the shooting platform of a truck car. Director Gilmo del Toro reminded the photographer, "The lens is raised, the long-range shooting..."

After another five or six seconds of shooting, Gilmo del Toro raised the loudspeaker and shouted, "Stop! The first one is passed!"

The originally noisy temporary set quickly became quiet, and several members of the production and director team walked into the set and were busy taking people to adjust the next shooting scene.

Matthew put down Kollo Morris and walked in the direction he came. Kollo Moretz held his hand and asked curiously, "Matthew, do you have a daughter?"

"Hmm?" Matthew looked at her curiously first, and then asked, "Why don't you call me dad?"

Kolo Moretz blinked and said, "I'll just do this scene tonight. I'm done. It's no longer Mary. I'm now back to Kolo Moretz."

Matthew deliberately pretended to be enlightened, "So that's how it is."

"You haven't answered my question yet," Khlo Moretz reminded.

"No." Matthew shook his head, "I'm not married yet, and I don't have a daughter."

"Yeah." Khlo Moretz nodded, "I thought you were a father and you could give people a sense of security."

Matthew laughed, "Is that so? I'll be proud of you."

After passing through several long lines of cars and coming to the Mercedes-Benz SUV, Krolo Moretz saw his mother, stopped, turned to look at Matthew, and said, "I'm leaving, goodbye, Matthew."

Matthew waved at her, "Goodbye, Khlo. You're a very good little actor."

"Thank you." Kroo Moretz smiled at him and walked quickly towards his mother.
Chapter completed!