PS: Recommended the new book "In the Warm Time" of the author of Hancheng Fusheng. It continues to be a fresh style of single heroines. Books who like single heroines can collect it first.

If you can't figure it out, you won't think about it anymore. It has always been Kim Jong-kwon's advantage. He rarely does such a stubborn thing.

Therefore, he only temporarily saved the script of "Ghost Country" and the director's contact information, and did not give any reply. Zhao Tinglai obviously had no expectations for this, so the matter came to an end at this point.

Another script that he is optimistic about is not a popular film. It is a story that tells the emotional crisis, escape and recovery between husband and wife. The title is "Everything of My Wife".

Although this theme is not popular, it is not as popular as the unpopular. A large number of this type of films are released around the world every year. After all, everyone cannot live without family matters in their lives, and the emotional problems between husband and wife are even more troubles that everyone will encounter.

However, although this type of video is not uncommon, it is very easy to shoot but very few. It is precisely because problems are common and everyone has their own emotional problems, so it is so difficult to resonate with it.

In Kim Jong Kwon's opinion, this "Everything of My Wife" seems relatively novel. It is both in the character setting and plot description and has a unique style. Moreover, this script is written by Min Kyu-dong himself and is prepared to direct and act as an ambitious work.

Among them, the male protagonist's personality is also very different from the image that Kim Jong-kwon usually shows. He is a very weak wife who is in charge of strict control.

Kim Jong-kwon is interested in this reversal acting breakthrough, but this script has a large number of intimate shots and bed scenes, which is a complete burden for Kim Jong-kwon and the challenge is too great.

If he had not had Taeyeon, he might have chosen to convince himself. After all, a good script that was popular is very rare. But now it is the time when the two have experienced such a test of love. Kim Jong-kwon feels that it is painful enough to often endure such parting that cannot be seen, and he really doesn't want to cause trouble.

Moreover, he has asked Taeyeon to do a lot. Just because he refused to have close contact with other male artists, Taeyeon didn't know how many opportunities to act, and there are many rumors behind her that she was a big shot.

So Kim Jong-kwon could only sigh and threw the script aside.

However, he had other plans. Although he was not going to star in it, it would be a waste to give up such a potential movie for nothing. So Kim Jong Kwon was going to talk to Brother Ji Seok if he had time to see if he had the intention to star. As long as he thought of the domineering president style, So Ji Seok, who has the title of melancholy male god, would play a little man who was afraid of his wife everywhere, he would almost laugh out loud!

The last script, or what cannot be called a script, is an idea of ​​director Park Hoon Jung.

When it comes to Park Hoon Jung, Kim Jong Kwon's only impression is that he went to the party of directors Kim Ki-dou, which was when he won the actor's actor in the big clock and begged director Lee Zhenfan to go silly.

Park Hoon Jung was a screenwriter before, and he wrote popular scripts such as "Improper Transaction" and "Seeing the Devil" and became famous for it!

As a result, Park Hoon-jung, who was unwilling to be lonely, started filming her directorial debut after receiving support from director Kim Ki-dou. In order to avoid the "Improper Transaction" he created, the release date was determined in February this year.

As a result, he encountered a Waterloo, with a double dive in box office and reputation, and his talent in the director was also questioned a lot.

Unwilling to give up, Park Hoon-jung decided to write the script himself this time. The inspiration for his script came from the peak masterpiece "Infernal Affairs" in Hong Kong, China in recent years, and he himself is a loyal fan of "Infernal Affairs".

The work "Infernal Affairs" is indeed a major peak work after Hong Kong films fell into decline in recent years. It has received praise from all over the world. Even the famous Hollywood has bought its adaptation rights.

Park Hoon-jung decided on this basis and began to write and polish the script.

The script he sent to Kim Jong-kwon is just a creative and outline. In his opinion, Kim Jong-kwon, who has had many experience in this type of film, is undoubtedly the best candidate for the protagonist. Whether in terms of acting or popularity, Kim Jong-kwon is definitely his first choice.

I just don’t know if Kim Jong-kwon can watch him and his work. After all, he has just enjoyed the bitter fruit of his defeat. He is really unsure whether he can invite Kim Jong-kwon or whether Kim Jong-kwon is interested in it, so he sent this half of the script early to discover Kim Jong-kwon’s tone.

If Kim Jong-kwon is not interested in this, he will save himself from being bored and wasting time.

However, his approach did indeed successfully attract Kim Jong-kwon's attention. No, it should be said that the inspiration obtained from "Infernal Affairs" touched him a little.

Obviously, for Kim Jong Kwon, who thinks he is still familiar with Chinese culture, he naturally cannot have never watched the pinnacle of "Infernal Affairs". On the contrary, he has watched it at least ten times.

This work, named "New World" by Park Hoon-jung, also symbolizes his ambitions, which only uses the undercover setting and draws on some elements, while the rest are all converted into the style of a Korean gangster.

It can be said that the things Park Hoon-jung sent him basically have nothing to do with "Infernal Affairs". It can only be said that they belong to the same style, especially the major reversal ending given by Park Hoon-jung in the end, which made Kim Jong-kwon feel a little excited when he watched it.

Although there are many details and only the entire story framework, Kim Jong-kwon is undeniably moved.

So he quickly asked Park Sang-cheol to make an appointment with Director Park Hoon-jung to meet. After avoiding the media reporter's attention, the two discussed for a long time.

Finally, the two parties reached a certain agreement.

Kim Jong-kwon has this intention to act, but in the end it depends on whether the finished script can meet his expected imagination. Park Hoon-jung seems very confident in this regard. After all, he is famous for two amazing works. His directorial skills may still be lacking, but in terms of the strength of the screenwriter, he does not allow others to question it.

Kim Jong Kwon is willing to believe him once, and Park Hoon Jung also hopes that Kim Jong Kwon can star in his next work. After all, he has failed once, and the qualifications obtained from the screenwriter can no longer withstand the second squander.

It can be said that this work is his turnaround. If it still fails this time, then it is obvious that it will be difficult for someone to ask him to direct the work in the future.
Chapter completed!