"What is your mission?" Chen Jieyi finished choosing the mission and asked Lian Feiyi next to her.

"The swordsman Leng Fei, the middle-level second stage, and there are some specific parameters and skill tips." Lian Feiyi answered truthfully, such tasks do not need to be kept confidential.

Each task is arranged randomly by the system and is generated when the "player" browses the bulletin board, so it will not be repeated and others will not see it.

"Player" is what humans call themselves here. Just like a large online game, experiencing battles and tasks again and again here, in exchange for virtual resources, and communication with other players., full text, hand-table

However, both of them know that although the dream world is not real, the experience here is completely false. All the accumulated skills and experience can be brought back to the real world. This is the biggest difference from online games.

The extra study time does not necessarily mean to become a warrior. If you choose to learn knowledge and research technology here, you can do it.

However, the border area has a great domain, and the players gathered here are all young people who are interested in martial arts.

Because appearance is based on the true reflection of the real world, everyone's appearance cannot be set freely, and only the name can be changed. This is also the reason why Chen Jieyi and Lian Feiyi recognize each other at a glance. After all, appearance cannot be changed.

Then, the two talked about some things about the mission. Although the missions are subtle, intelligence exchange is not very meaningful. However, it is also useful against various weapons skills and some similar combat skills.

The hostile personality, skills and weapons set by the system are randomly generated, but if the number of times is too many, there will be repetitions. In this regard, interactive intelligence can be used next time even if it is not used this time.

"Swordsmen are easier to deal with. What I really fear is that they encounter swordsmen and spearmen. These two professions are the most difficult to deal with."

Lian Feiyi also understood Chen Jieyi's words.

The sword is the dominant in the battlefield. Since the Han Dynasty, it has gradually gained the position of sword in the military field and has become the main force of cold weapons used on a large scale.

This is because the sword technique is simple and easy to learn, and is suitable for fighting and retreating. The sword that focuses on chopping is the most important, and the most important is momentum and physical strength. It does not require too high demands on the skills and understanding of soldiers, so it is easier to implement.

However, fighting alone is the most powerful swordsman. Looking at the famous martial arts masters in history, they all use swords, which is the hard truth. The sword's attack is flexible, and it contains the ultimate truth of yin and yang, and it combines hardness and softness, which can better be a person's martial arts cultivation on the front line.

Similarly, the same is true for spears. The spears with ash rod as the main material are moderately soft and hard, full of elasticity.

Once it dances, it is difficult for gods to defend against. Since the Song Dynasty, the generals who commanded the troops mainly use gun skills, and the more famous generals of the Southern Song Dynasty Yue Fei and Yang Zaixing were the ones.

In front of real masters of gun use, blocking and defense are useless. Chinese internal martial arts originated from swordsmanship and gun techniques, including the core of yin and yang transformation, taking into account both hardness and softness.

Here we must first talk about China's marksmanship, which is different from the gun martial arts of other civilizations in the world.

Western knights compete and poked each other with a telephone pole. It was too long and was so naive and cute.

Such a long lever, unless it is completely straight, as long as there is a slight distance in the horizontal direction, two horses and one rush to others, the other party will have nothing to do, and the rebound force must break the arm.

The corresponding method for Westerners is to thicken the back of the telephone pole, like a door hammer, relying on the impact of the wood itself, and let go of your hand when colliding to avoid hurting yourself.

The British drove to the left, following the tradition of knight duels...

The knights all hold spears in their right hand, and they must be completely vertical in the collision to achieve results, so they all go to the left.

In fact, as long as you pay attention, you will know that the knight movies you are shooting now, the knight duels are all on the right. This is for safety. You can cover your whole body with a hard armor like a turtle shell, and hedge the two horses on the right. The "power pole" comes horizontally, and the waist is gently pushed, and the pole is broken, and there is no one or two things.

With just a little difference, the battle between life and death in ancient times became a good entertainment for both young and old.

As long as the horse goes to the right, everyone can be King Arthur and win the return of the beauty. On TV, there are people in the UK who run such a tourist project in the castle. Everyone has the opportunity to try it. You should know that this is true.

When two horses intersect, they both use hard weapons and fight head-on. Whoever is heavier will take advantage of it.

In "Water Margin", the Thunder Fire Qin Ming used a mace to use a mace, and the pioneer Suo Chao used a mountain axe to use this idea.

The mace of dozens of kilograms and the mountain axe swept across with the horsepower. You must not hold it hard. If it is a hard rack, the iron spear will be bent and your arms will be broken. When he swings the baton, his hands are empty and there is nothing to do.

Sledgehammers are the most useful against such opponents.

The hammer is heavier than the rod. When you swing it, the impulse will exceed the rod. When the hammer and the impulse are counteracted, and everyone's hands are held empty and not hurt.

The hammer is shorter than the stick, and it will change your moves faster when the enemy is not in a hurry to close the stick, and then hit it with one hammer.

The Jin soldiers like to use maces, and when they hit Yue Yun's golden hammer, they will be finished. The key to using heavy weapons is to transport the weapons out at a speed and hold them in your hands to prevent shock recoil.

This is just like holding the mattress tightly when playing tennis, it will hurt your arms if you hold the ball tightly with one hand. Hold the mattress loosely, and you won’t be afraid of moving the mattress. You have to transport a 100-pound golden hammer in a short time, without some natural magical power.

It is useless to have too little force on the arm. Only by relying on the waist and having the strength of the waist can you move heavy weapons. Internal kung fu is skillful, and it can make a big move, but if you really have to work hard, you will still be unambiguous. Everything is because of the strong waist and strong energy.

If you have a strong waist, your expression will be different: your face looks gentle but you are not angry. The generals in ancient Chinese paintings and the gods in the temples are all big and ten-circle-meter-long, and they have never been painted as a bodybuilder.

It was not that the ancient Chinese did not know how to draw muscles. The little ghost in the temple who carried the legs of the four kings was a muscular man, who was fierce and ugly.

There is no saying that internal strength is in the Western martial arts world. The painter only knows muscles, and the flesh is more beautiful. The male muscles in the sculpture are all bulging. What is the muscles bulging? There is no need to be nervous even if the iron is thrust. It’s a pity that Da Vinci has never seen the inner strength of the spirit.

The general sat high on the tent, his whole body relaxed, his body looked like a beautiful woman, but his energy was concentrated, his armor and soldiers were three thousand rings, and his thunder and thunder were triggered, which was truly brave.

As the saying goes, "Guan Gong doesn't open his eyes, but he wants to kill people." This is what it means. The general in ancient Chinese paintings writes about his spirit, but does not show his shape, and is wide and has a few strokes, but he can fully express his wisdom, trustworthiness, benevolence and courage.

When you wave the heavy weapon, as long as you hit it, it will be enough to drink a pot. If you can't hit it, it will be a disaster.

The heavy weapons are too motivated and they are slow to return, giving the enemy an opportunity to take advantage of. Not only horse spears, mobs, but all the hard weapons will appear if they cannot be hit, and all the swords and sticks will appear.

Hard weapons are one of shock hands, and the other is the time to have a free door.

But the big gun of a white wax rod is different. The white wax rod is elastic. Use the gun tip to hardly hold the axe, rod, and the gun is bent, and there is such a small buffer. The hand will not be shaken, and the enemy's weapons will be removed.

The ash rod can retain energy and will rebound if bent. As long as the gun is turned, the tip of the gun will be stretched out and hit it directly. Half of the credits in it are the enemy's own. This is the mystery of internal kung fu. Attack and defense are one. Defense is attack and defense, and attack is also defense. One action does two things...

On TV, the master of Aiqi War in Japan fights with people. The apprentice over there stretches out a stick and asks him to beat him. He first knocks on the opponent's weapon, then hits the head, and hits him twice in a row, just like playing chess. If you take one step, he takes two steps. Of course, he wins everything, which is simply shameless.

The white wax pole gun has good defense, and the offense is also a move to defeat the enemy without any ambiguity.

After a shot, thousands of plum blossoms were stabbed, and the heart protection mirror on their chest was broken first, and then drilled in. The gun flowers were all fatal, and I don’t know which one to block.

You must not block it at this time, as it is done with one block. The ash rod is soft and the hard block is just borrowed to block it. After the gun handle is turned over, the gun tip immediately hits back from the other direction, and the force is even greater. The credit here is still half of the enemy and half of me.

The boxing scripture says, "The stick is afraid of nodding and the gun is afraid of rounding", which means that once the big gun is shaken, the gun head is swaying randomly, and even the gods are unable to defend against it. The only way to deal with such masters is to shake up your gun and put it on, so that the other party can't hear the power, and it will be difficult for him to take the next move.

If you hit two shots and you hear his power, you can shoot in with the flow. You can either use force to hit or directly. Just stagger the tip of the gun slightly and slide in.

If you can't hear it, you have to change your moves and use a guardian style. It is the same as a master who uses a gun to push his hands on the ground. Whoever hears the opponent's strength will win, and it has nothing to do with what moves to use.

Only laymen will talk about it with relish: use whatever moves to break whatever moves.

If you can stop, take, and slap three moves, in fact, these three moves cannot be separated completely. Only by just one shot, stop, take, and slap three moves can you be considered a good shooting technique to get into the battle formation.

If a big gun is really a skill, two horses intersect and the weapons are touched, the big gun is like a spirit snake. It will crawl into the opponent's weapons. The general has never had this move to kill the enemy.

The big gun with a white wax pole is a magical artifact with life. The gun has its own yin and yang principles. If it bends, it will be straight, and if it is straight, it will be bent. If it is pricked, it will be right. If it is pricked, it will block the back.

The stronger the opponent is, the easier it is to attack the powerful general with heavy weapons. If he bent my pole, I will be happy. The gun handle only turns, without any force. The gun tip pops out and stabs him again.

It would be better if the horses were surrounded by a group of people, and the guns would not be lost.

When a man and a gun are united, the gun will go wherever it wants. Wherever it is, the tip of the gun will be stabbed. As long as a person constantly gives the gun energy and divine will, the gun will naturally enter the water like a dragon.

As long as the ash rod gun has energy, there will be no flaws.

The elastic spear tip of the white wax rod rotates very quickly, and the enemy has no choice but to take advantage of it. Even if you fight one or two, you don’t have to worry about it. With the force of your waist, the spear tip will be 180 degrees, and you can swing the weapons from both sides at the same time.

The spear head is round, and even the rain of arrows shot can be blocked. Once the gun stops shaking, an empty door will appear. If the big gun is not relied on the elasticity of the ash pole, the spear head is slow and has no lethality. The threat of poking the ash pole directly with force is very small, and it is difficult to pierce the iron armor. The most important thing is to do this very slowly.

When an internal master meets an internal master, the one who has good listening to the power can consume the momentum on the opponent's gun. The gun is no longer bulleted, and it is even more terrifying than being besieged.

At this time, the enemy had already snatched it in front of him, and there was no time to exert force to sweep the gun.

Marksmanship is the only Chinese skill in the world, and swordsmanship is a variant of marksmanship.

The internal sword technique is purely a spear technique, not a sword technique. There is a sentence in the sword technique, "If you use the sword as a knife, you will be laughed at by the old sword immortal Sanfeng to death."

In the internal sword technique, you will never hear the sound of the jingle of weapons when fighting swords. At most, a sword is lightly placed on the opponent's weapons. The essence of sword technique lies in the fact that one strikes successfully due to the enemy.

The Neijia sword technique, Rijian, does not have many movements, and practices it in body movements, especially waist and legs...

Kung Fu became a quest to go down the mountain. Shaolin disciples had to fight the Eighteen Bronze Man Formation, while Wudang disciples had to jump onto the tree with a small bamboo pole and stab a monkey.

Shaolin disciples are everywhere, and Wudang has not had many people. Not to mention stabbing a monkey, there are not many people who have practiced the trick of climbing a tree with two legs. As long as each generation of Wudang can produce a Liushan who has mastered the swordsmanship, it will not be so dying.

The internal swordsmanship does not have high requirements for the sword itself. It is OK for a bamboo, but when there is nothing, pinching a sword slap with your index finger is also a sword.

Swords, spears, swords and sticks, swordsmanship is the supreme, and swordsmanship is just the application of the internal master's superb body techniques.

Swordsmanship and swordsmanship are only available in China, and neither Japan nor the West.

Japanese kendo is purely a sword technique, selling dog meat with a sheep's head. Western big swords are also swords. They are very primitive and simple sword techniques, without paying attention to changes, and you will suffer losses when fighting. The harder you use, the more unlucky you are.

However, Western fencing is a good game, especially the foil, but it only uses the function of the sword stab, which is a bit monotonous.

The Western great sword is like an enlarged Chinese sword. The sword handle is very long and is used completely as a knife. Hold it with both hands and swing it wildly. Westerners have a stubborn head, just wanting to swing the sword to be powerful, and never want to cut the sky with one sword.

In order to increase the strength, the Western great sword has a counterweight behind the sword handle, and a very heavy piece of iron lump carved into various flower decorations. The purpose of the counterweight is to increase the impact of the chopping without increasing the size of the sword.

This design concept may not be too bad on the battlefield, but fighting is not good.

It is even more difficult to turn the big sword back, and it increases torque to damage the little finger, so the sword may lose its hand. Lian Feiyi tried it with a fishing rod at Zhang Yueqiu. A nine-foot-long fishing rod also has a counterweight at the end.

The manufacturer's original intention is to be convenient for use, but Zhang Yueqiu had already removed the counterweight and threw it away. This was to make it easier to understand the essence of swordsmanship, and he abandoned the small props for beginners.

If there is a counterweight, the force will be messed up. You can't hear the force of the pole head fishing line, and the fishing line will not be far away.

Lian Feiyi practiced in the way Zhang Yueqiu said. Listening to the force of the fishing line, he gently lifted and bounced the waist to the top of the rod. With just one round and back, the entire ninety-foot fishing line could be fully out.

When fishing, the best position to throw hooks is "white crane cool wings", which is similar to the "flirting" in swordsmanship.

Zhang Yueqiu did not use weights to grasp the big gun. The way to grasp the gun is "not exposed to the gun". The hand holding the gun must grasp the end of the pole without revealing the wood at all.

The advantage of holding this way is that the first thing is that you will not hit yourself when you draw the gun back, and more importantly, the gun and the arm are connected so that you can hear the force at the end of the gun.

At present, the martial arts professors of the State Administration of Martial Arts have written no knowledge of such basic principles and have produced CDs and are full of ugly things. It is conceivable that the standard routines that the Sports Commission has made are not for practical combat but focused on performance.

There is a big loophole in the swordsmanship of the West and Japan, that is, what should I do if I don’t consider cutting the empty knife.
To be continued...