Zhou Rui looked at the few papers in his hand. Although they were very ordinary, they contained a lot of information.

Combined with the contents on the treasure appraisal technique.

Zhou Rui also understood the origin of these letters from home.

According to historical records, in the fifth year of Yongzheng, Zheng Banqiao visited Tongzhou and studied in Tianning Temple in Yangzhou, and handwritten one of the Four Books.

Of course, these family books are not any of the "Four Books".

However, these pages of home letters were indeed written by Zheng Banqiao to his mother when he was studying in Tianning Temple.

Zhou Rui can also understand some of the contents in it.

It's similar to calling my mother from another place.

What is "I am good outside and let my mother not worry about it. In addition, I also ask my mother to take good care of her health and take good care of herself. When the Chinese New Year is over, he will go home and so on."

The content is not very important.

The key is that the owner of this book.

There is a saying that goes.

People with ability are bad, bad are also good; people with no ability are good, good are bad.

It seems that those awesome people will feel good if they fart.

If you are an ordinary person and dress in an alternative manner, everyone will definitely point fingers.

Look at what you look like that.

But it’s different for celebrities to wear this way, this is called fashion.

It's called "fashion"!

For example, "beggar's outfits" were worn by beggars in the past, and no one wore them. They were ragged, but now they are different, and they have become a trend. Some girls even deliberately cut their clothes to pieces.

······

The same is true for Zhou Rui's family letter. If it was written by an ordinary person, to be honest, it would be worthless.

Just this paper, no one will necessarily want it when selling waste paper.

But this is Zheng Banqiao's letter, which is of great value.

Regarding Zheng Banqiao, Zhou Rui's impression is still at the stage of going to elementary school.

Hold on to the green mountains and do not relax, and the roots are originally established in the broken rocks;

Thousands of blows are still strong, no matter how winds are east, west, south and north.

I believe that I have basically learned this poem.

This is Zheng Banqiao's bridge.

Zhou Rui knew that Zheng Banqiao’s bamboo was very powerful and quite valuable.

A painting, a suite!

Zheng Banqiao's best at painting bamboo, "they are similar to Po Gong, the more they are not chaotic, the less they are not scattered, the more they are not scattered, the more they are used to, and the more beautiful they are extremely beautiful."

"Biographies of the Pictures of Scholars in the Qing Dynasty" says that two-thirds of his life have been writing about the bamboos. He also wrote a poem: "For forty years, I have painted bamboo branches, and wrote about the thoughts at night during the day, and kept the thinness after being thin. When the painting is raw, it is mature."

Later he said: "When I paint bamboo, I have no knowledge of it, and I get the sunlight and moon shadow in the middle of the ears when I painted bamboos."

Through observation and artistic creation practice, he extracted theories of "bamboo in the eyes", "bamboo in the heart", and "bamboo in the hands".

"Bamboo in the eyes" is a real scene of nature, an observation of nature and an experience of painting; "Bamboo in the heart" is the conception in artistic creation; "Bamboo in the hands" is the realization of artistic creation. He organically integrates subjectivity and objective, phenomenon and imagination, reality and art, creating a state of learning from nature and being higher than nature.

It has a meaning of "seeing mountains as mountains, seeing water as water", "seeing mountains as mountains, not mountains, seeing water as water", and "seeing mountains as mountains as mountains, seeing water as water as water".

Of course, Zheng Banqiao is not only good at painting bamboo, but also very good at painting peaks, stones, orchids, etc.

······

This is what Zhou Rui knows about Zheng Banqiao.

It was still what the teacher said when he was a child, and he remembered it.

Zhou Rui took out his cell phone and asked the queen Hong to search for Zheng Banqiao's calligraphy.

I don't know this, but I was shocked when I saw it.

Zheng Banqiao's talents are not only in painting, but also in calligraphy.

Zheng Banqiao is called Mr. Sanjue, which is the three masters of poetry, calligraphy and painting.

Zheng Banqiao's calligraphy is made of Li style and mixed with running scripts, and calls himself "six and a half-point calligraphy" and is known as "Banqiao style".

Zheng Banqiao learned calligraphy from Ouyang Xun in his early years. The fonts were neat and elegant, but slightly restrained: this was related to the uniform and beautiful style of the Pavilion in the calligraphy world at that time, and this was used as a standard font for the imperial examination to select scholars.

In response, Zheng Banqiao once said: "If you are too flies, you will be too smooth and you will be afraid that your skills will damage your nature."

After he passed the Jinshi at the age of 40, he rarely wrote again.

The most praised thing about Zheng Banqiao's calligraphy is the "six and a half-point calligraphy", which is the "Banqiao style" that uses the "Han Eight Fen" mixed with regular script, running and cursive characters.

"Six and a half" calligraphy is a humorous title for Zheng Banqiao to give his original calligraphy.

There is a kind of "eight-point script" with many strokes in official script. The so-called "six and a half" means generally in official script, but it is mixed with other styles of calligraphy such as regular script, running script, seal script, and cursive script.

The layout of Zheng Banqiao's calligraphy works is also very distinctive. He can intersperse the size, length, square, circle, fat, thin, and sparse, like "stones laying on the street", with rules in it being placed in a vertical manner. It seems to be a essay, but the overall view produces a jumping and agile rhythm.

For example, the banner of "On Calligraphy on Running Stories" written in the 27th year of Qianlong was seventy years old, and it was a masterpiece in his later years. The general meaning was that Su Dongpo liked to use the Qifeng pen of Zhuge, Xuancheng, and wrote very well. Later, he changed to another pen, but his palms were not in line with each other. Banqiao himself liked to use the Deng family sheep brush in Taizhou, and wrote it in a gentle and fluctuating way, all of which were satisfactory. So he compared the Deng family sheep brush in Taizhou to Zhuge, Xuancheng, and finally said: "How dare I imitate Dongpo? When writing with the pen, I love fat but not thin, which is also the meaning of the Po."

The whole work has large and small characters, with thick and thin strokes, slanting and slanting, dots and strokes, lifting and pressing, making the turn like joy in the ears, birds fly in the sky, and fish swim in the water, showing bone strength and spirit in a rhythm of arbitrary mood: He Shaoji, a Qing Dynasty man, said that his words "are inspired by orchids and bamboos, which is particularly unique."

From the composition, structure and strokes of this crystal, it is not possible to see his "strange and graceful ancient shape" orchid Lou God.

······

Zhou Rui kept looking at the phone.

These materials are not available in treasure appraisal techniques.

Need to find it yourself.

After reading it, Zhou Rui couldn't help but feel a little silent.

He found that he seemed to have inherited the love between Yuan Xingde and his family.

The other party actually gave him such a valuable thing.

Then, Zhou Rui picked up the four letters of Zhang family and put them into the mountain and river space.

Finally, Zhou Rui turned his gaze to the last item.

This is a monument.

But this is not a piece of ancient ink, but a modern ink cavity.

This Mokan is very beautiful.

The entire Mokan is a rectangular body.

The four words "Yellow Sea Pine Heart" are engraved on the front of Mo Ding.

And there is also gold powder on the four characters.

Give people a sense of high spirits.

Although it is a modern high-quality imitation, the materials used are good.

Zhou Rui felt heavy when he got it in his hand.

The value should be not low.

Zhou Rui put away the things and then put the box aside.

"Forget it, let's compensate them next time I meet you." Zhou Rui walked straight into the study.

He really didn't expect that Yuan Xingde would give him this trick.

Zhou Rui came to the study and calmed down again!
Chapter completed!