At this moment, Jiahao slowly approached the treasure appraisal table, and he could clearly see that there was an antique "giant painting" placed on the table. The painting looked to be at least one meter long and about half a meter wide.

, in addition to seeing such a huge picture on TV, this was the first time He Qing saw such a "masterpiece", which was an eye-opener.

When Jiahao quietly approached Uncle Jiang and the others, the chaotic red light rose up regularly, and gradually gathered into a thicker red cloud in front of Jiahao's eyes.

It didn't seem to be much different from the white light found in the City God's Temple before, and it had the same reaction.

Immediately, I saw a wisp of white and red light quickly shooting into Xiang Jiahao's eyes.

Different feelings appeared in an instant. Jiahao felt that when those silk-like white lights were injected into his body, his eyes began to swell and hurt, and the pain became more and more painful, and he was extremely uncomfortable. This was a feeling he had never felt before.

At that moment, Jiahao couldn't help but frowned tightly. He even wanted to get rid of the invasion of the white light, but in the end he gritted his teeth and persisted.

Because as soon as he saw the ancient painting and the very strong red light, he had a crazy idea in his heart, that is, since the red light is so strong, it is very possible to absorb the creation or collection from that painting.

Wouldn’t it be a wonderful thing if the artistic inspiration from the artist could be passed down to the exquisite skills of painting?

After looking at Tang Bohu's paintings, he became as good a painter as Tang Bohu. Isn't this a great thing that others can't even dream of?

It's just that I'm afraid things are not as simple as imagined. If that's the case, then I can become a great painter who can turn ink into gold in the blink of an eye. However, according to the laws of supernatural powers, this possibility is still very high.

Therefore, Jiahao watched with all his concentration and was very alert. Although the swelling and pain in his eyes became more and more severe, he tried his best to restrain himself.

The next moment, wonderful images appeared again, flashing in the eyes and passing by in a flash.

Jiahao discovered that the origin of that painting was very extraordinary and legendary. It was actually a collection of the Ming Dynasty imperial palace. Several generations of emperors in the Ming Dynasty had personally browsed and admired it. It looked extremely precious.

"Really good stuff!" After reading it, Jiahao couldn't help but admire it secretly.

Although he knows nothing about the appreciation of ancient calligraphy and painting artworks like other works of art, after knowing the ins and outs of it, he can basically make a judgment. If something is not good enough, how can it be cherished by so many people? Moreover, in the Ming Dynasty, from Emperor Jiajing to

The last emperor Chongzhen had a collection.

After the fall of the Ming Dynasty, the palace masterpiece was secretly taken out of the palace by an old eunuch. However, it was tampered with before it was transferred from his hands to other people's hands, and it also changed after it entered the antique market.

Anyway, Jia Hao knew all the important events that happened before and after that painting. While Uncle Jiang and Lin Haitao were still wondering about the age of the thing, he had already dated it accurately.

"Ouch!" Secretly, Jiahao couldn't help but groan, because at this moment, his eyes were so swollen and painful, as if they were filled with hot air, and his eyeballs almost exploded.

There is a lot of unfamiliar information in his mind, all of which are colorful techniques and techniques. His current understanding of traditional Chinese painting is definitely at the master level.

It turns out that the composition and layout are free. According to the needs of the theme, the limitations of time and space are broken, such as: "Along the River During the Qingming Festival", "Ten Thousand Miles of the Yangtze River", etc. The composition adopts scatter perspective to combine content thousands of miles away and days apart.

Concentrated expression in one picture.

The content is summarized and the main body is highlighted. The modeling concept of Chinese painting originates from life. In the process of refining, selecting and processing objects, it does not break away from people's visual experience, nor does it violate the logic of life. It pays attention to transforming natural objects into objects through artistic management.

Painting form symbols expressed with pen and ink.

Mainly line modeling, supplemented by point and surface modeling. The shape, quality and image of the object are combined through the combination of various lines with different weights and thicknesses, as well as different points and surfaces of different sizes such as virtual and solid.

Techniques are divided into the following points:

Five colors of ink

The name of the Chinese painting technique. It refers to the use of water to adjust the multi-layered density, dryness, and wetness of the ink color. It comes from Zhang Yanyuan's "Records of Famous Paintings of the Past Dynasties" of the Tang Dynasty: "The ink is transported with five colors." There are different opinions on "five colors", or it refers to burnt, thick, heavy,

Light, clear; or refers to thick, light, dry, wet, black; some also add "white", collectively referred to as "six colors". In fact, it refers to the rich changes in the use of ink colors. Lin Shu in the Qing Dynasty used equal amounts of ink,

Place it in five bowls and add different amounts of water to each of them. Use it to distinguish shades of light when painting. The understanding is unavoidable mechanically.

◇Eighteen strokes

The name of Chinese painting techniques. Various description methods for the folds of clothing of ancient figures. Zou Dezhong's "Hua Shi Zhi Meng" of the Ming Dynasty contains "18 description methods from ancient to modern times". It is divided into: 1. High and ancient silk painting (extremely fine pointed pen lines, Gu Kaizhi

(Used); 2. Drawing of piano strings (slightly thicker); 3. Drawing of iron lines (more thick); 4. Drawing of moving clouds and flowing water; 5. Drawing of horse locust (used by Ma He, similar to the drawing of orchid leaves); 6.

, nail head and rat tail; seventh, mixed drawing; eighth, pouting ding (pout, one is used as a prong, bald pen line drawing, used by Ma Yuan and Xia Gui); ninth, Cao Yi drawing (there are two theories, one refers to Cao Zhongda's use of it)

, one refers to Cao Buxing (used by Cao Buxing); 10, folded reed drawing (slender pointed pen, used by Liang Kai); 11, olive drawing (used by Yan Hui); 12, jujube stone drawing (pointed, large pen)

); Thirteen, willow leaf drawing (used by Wu Daozi); Fourteen, bamboo leaf drawing; Fifteen, war brush water pattern drawing (thick and thick subtracted strokes); Sixteen, subtracted strokes (used by Ma Yuan and Liang Kai)

; Seventeenth, Chai Brush Drawing (another kind of thick and thin strokes); Eighteenth, Earthworm Drawing. Also seen in Wang Diyu's "Coral" of the Ming Dynasty, in which the nail-headed rat tail is used as the nail-headed rat tail drawing, and the pouting head is used as the pouting head drawing.

The rest are the same. The various description methods mentioned above are all named according to the shape of the handwriting based on the expression of clothes pleats in figure paintings of various schools in the past dynasties. There is a model manuscript in "Mustard Seed Garden Painting Book". Ancient and modern clothes are different, and the modern clothes pleat description method has been

It has developed and added various chemical fiber clothing pleats, which were not seen in ancient times.

◇Blank drawing

The name of the Chinese painting technique originates from the ancient "white painting". Those who use ink lines to outline objects without adding color are called white drawings, such as Wu Daozi in the Tang Dynasty, Li Gonglin in the Northern Song Dynasty, and Zhao Mengfu in the Yuan Dynasty.

Light ink, powerful and round, transcendent and unconventional, he is regarded as a master of line drawing. There are also some who use light ink to render. Painters in the Song and Yuan Dynasties also used line drawing to depict flowers and birds, such as Zhongren in the Northern Song Dynasty, Yang Wujiu in the Southern Song Dynasty, and Zhao Mengjian in the Yuan Dynasty

, Zhang Shouzheng et al.r

◇Line drawing method

Abbreviated as "Line Method", also known as "Pythagorean Method". The name of Chinese painting technique. During the Kangxi, Yongzheng and Qianlong reigns of the Qing Dynasty, foreign missionaries such as Lang Shining, Wang Zhicheng, Ai Qimeng and Andeyi who served in the imperial court used both Western and Chinese methods to adopt focus perspective.

Depicting buildings, using perspective to enhance the sense of space and depth of the building. It is different from traditional Chinese "boundary painting". Those who were influenced by it at that time included Wang Youxue, Leng Mei, etc. Zou Yigui said: "Westerners are good at drawing.

The line method is used to paint the yin and yang far and near, and the shadows are from wide to narrow, measured by triangles, and the palaces and houses are painted on the walls, making people want to walk in." The works painted by the line method are mostly for decoration.

It was used in palaces and cloisters. Because it was painted directly on the wall, or painted on paper and silk and then posted on the wall, it weathered over time and very little remains.

At this time, an electronic synthesized voice sounded in his mind: "The host successfully accepted the inheritance, successfully obtained the memory of the past life, and opened the eyes of the host. The energy consumption of opening the host's ability this time is too large, and the system will fall into a deep sleep state." Jia Hao also fell into a deep sleep state.

Regardless of it, he now clearly knows what happened to his eyes?

Why is my nearsightedness better now? Can this thing still cure diseases?

Jiahao didn't think it through either, so he stopped thinking about it.

"Master Jiang, what do you think of Tang Bohu's "Hunting Picture of the Ming Dynasty Autumn"? Look at this seal, is it an authentic work by Tang Bohu?"

At this moment, I suddenly heard a man's voice next to him asking with a smile.

The person who asked the question was the owner of the ancient painting, a tall, thin, middle-aged man. The wealthy family had never seen that man before. He was skinny, his eyes were dull, and he looked a bit unattractive.

"Tang Bohu's painting?! Is the person who painted the painting Tang Bohu?! It doesn't look like it!"

When he heard the man's voice, Jiahao was secretly surprised. Although the video record he had just seen did not indicate who painted the picture, he was familiar with history. According to his understanding of Tang Bohu's life and events,

This painting was not by Tang Bohu, but the painter was from the same period as Tang Bohu, and both were famous painters during the Jiajing period of the Ming Dynasty.

"It's definitely not Tang Bohu's painting! Is the boss lying and making up stories?" Jiahao immediately confirmed.

Despite this, he did not deny the value of the painting at all, but was full of expectations and believed that the thing was valuable.

"Boss Shao, I'm sorry, but my eyesight is poor, but I really can't see this painting well." Uncle Jiang shook his head and replied.

Jiahao could tell that Uncle Jiang didn't think so, and he should have noticed that it was not Tang Bohu's authentic work, but he was too embarrassed to explain the situation in person, so he politely said that he was not sure, but in fact he was not optimistic about it.

"Then...do you accept it in your store?!" The man said urgently, "This is a really good painting. If I didn't need money urgently, I would never sell it!"

"Then tell me first, how much do you plan to transfer this painting for?" Uncle Jiang asked calmly.

The man replied: "Master Jiang, you are an expert. With such a good eye, you must be able to see the value of this painting, so you should give me a price."

Hearing this, Uncle Jiang and Lin Haitao looked at each other with thoughtful expressions in their eyes.

After pondering for a moment, Uncle Jiang said solemnly: "Boss Shao, since you want me to give a price, I will tell you the truth first. This painting is indeed older. But it does not belong to Tang Bohu, it belongs to later generations.

It’s a replica. It’s not bad. If we accept it, we’ll give you 400,000 yuan, but it’s only this price at most.”

"Four hundred thousand?!" the man said in a very excited tone, "Master Jiang, didn't you add more?"

"No, four hundred thousand is the limit price." Uncle Jiang nodded solemnly and replied, "The price we give you should be very real. If you sell it to others or send it to an auction company, you may not be able to achieve such a price.

, Auction companies generally give careful consideration to imitations of famous artists, because they are risky. Think about it, who will bid for a painting that is said to be an imitation in the brochure, and if it is said to be genuine, what if the buyer

If you see it, their reputation will be bad. Mr. Shao, please think about it carefully, we are not in a hurry."

"Hey, I don't have to think about it!" The man shook his head vigorously and sighed, "This painting is at least 600,000 yuan. I won't consider it even one penny less, because the original price I offered was 1 penny.

A few years ago, a Hong Kong boss was willing to buy it for 1.2 million, but I couldn't bear to part with it. Now I have no choice. My family is in urgent need of money, so I had to raise money to sell it at a low price."

"Oh, is that so?" Uncle Jiang said suddenly, "Mr. Shao, please put the things away."

They "Jianbaozhai" don't want 600,000!

"Here comes Boss Laojiang." Mr. Shao didn't hesitate much, and immediately carefully put away the painting, and quickly said goodbye and left "Jianbao Zhai".
Chapter completed!