Chapter 278 I give you the best

The news that Kei Fujiwara planned to cooperate with the production bureau and was about to select personnel and form a team within the bureau spread quickly. Some people didn't believe it at first. After confirmation from many parties, they were cheered up when they learned that it was the truth.

When the producers' meeting was held again, many directors and producers began to look at Kei Fujiwara with a more flattering look, and some even began to extend invitations to Kei Fujiwara and treat him to dinner from time to time.

Kei Fujiwara has received countless dinner invitations throughout the year. If he accepts them all, he can eat until next year... Next year is enough, and he can't handle all the invitations from artist management companies. Kei Fujiwara attended the management company's dinner once

, it was Ms. Fukuyama’s invitation, and as a result, the president of her agency was present in person, and almost all the young female artists from the company were invited to sit with her, not even a single male.

Faced with the invitation, Kei Fujiwara had no time to shirk it at first. After returning to Mizuhara Production Company, Kei Fujiwara began to sit down with Yui Mizuhara to discuss which director should be selected after cooperating with the production bureau.

Mizuhara Yui had stayed at Fukuyamadai for a long time and knew the main creative staff of the station relatively well, so she and Fujiwara Kei analyzed it in detail.

"Director Kojima is a director who is very good at shooting suspense dramas. I have worked in his team before. He has an excellent ability to convert words into images, especially in mobilizing tension. So when shooting some suspense or

Director Kojima is very good at dramas with intense plots."

In other words, if you shoot some storylines with soothing plots, the performance will be poor.

But unfortunately, many Japanese dramas of this era, especially romantic dramas, have very soothing plots. For example, "Tokyo Love Story", and "Long Vacation" and "Life is Beautiful" that have been transferred by Kei Fujiwara.

It is precisely because of these reasons that Japanese dramas have not been good in overseas markets for a long time, because only those who understand the social conditions and culture of their own country will have enough patience to watch such slow-paced stories.

However, it was only after 2000 that Japanese dramas were completely counterattacked by Korean dramas. They can still survive now, so there is no need to rush it for the time being.

If a more famous young actor is found to play the male and female lead, the ratings can be even higher.

"Well, Director Kikuchi, this person..."

"Fujiwara, when you write the script for the production bureau, don't forget our Yue Jiu." Mizuhara Yui said quietly. Knowing that Fujiwara Kei had to write several works at the same time, even though she still had confidence in him, she still spoke from the bottom of her heart.

I feel a little uneasy in my heart. I don’t know if he can write it.

Mizuhara Yui's face heated up. She couldn't help but recall the scene of feeding Kei Fujiwara Laba porridge that day in her mind, and her face became even hotter.

Not to mention, Kei Fujiwara has as much stock in his mind as ever... I don’t know where he got all the inspiration.

If I remember correctly, the average ratings of this drama should be around 22. Since this drama appeared as the vanguard of Yuejiu dramas in the parallel world, it created the dividends of Yuejiu, but failed to reap this

The bonus of this drama, and now that Fukuyama Channel’s September 9 time slot is relatively mature, if it is broadcast at this time, the ratings performance is expected to be better.

"This is a drama that I plan to shoot in the next season. You can take a look at it first. If you like it, it will be broadcast on the 9th of the month. In addition to "Furuhata Rensaburo", I will also select two more dramas and hand them over to the production bureau.

time period.”

It's just that this drama should be more regretful than "Long Vacation". The male and female protagonists of "Long Vacation" ran into the wedding hall hand in hand in the last episode, while the male and female protagonists of "Tokyo Love Story" missed it after all.

The paper was filled with dense words, like an article. After a closer look, I saw that the article was divided into several paragraphs. Each paragraph had a book title number, which was the title of the play. And the words under the name were about this

Plot introduction of the drama.

"Okay, I understand." Hearing many names at once, Kei Fujiwara remembered that his brain ached, so he pinched the bridge of his nose and said.

Based on her years of experience working in Mizunami Productions and dealing with these creative staff, Mizuhara Yui introduced all the senior directors in the station. After hearing this, Fujiwara Kei also began to silently select candidates in his mind.

Akana Rika in the play is also a memory of a generation...the story of three village children who were tricked into returning from overseas.

"Next one."

After that day, Mizuhara Yui was so depressed that she almost escaped into Buddhism. But after all, she had been in the workplace for so many years, so she still had some psychological quality, and gradually she reacted as usual... But when she heard Fujiwara Kei say such words, she still couldn't bear her thoughts.

Keep going off track.

If the average ratings of the Yuejiu drama were only 17%, it is estimated that the entire team would be frantically looking for problems internally. However, compared to other crews, this result is not bad, even pretty good, and it is estimated that it can be obtained at the internal meeting of the production bureau.

A word of praise.

As for director Sato, Kei Fujiwara is familiar with him. When he first started working as an AD, he was in his team and was selected by him to be his stunt double for a period of time. Later, when filming "The Long Vacation", I originally wanted to choose Sato as the director, but because of

The other party questioned his ability and declined. Later, Sato also expressed his kindness to Fujiwara Kei on many occasions.

Mizuhara Yui read the plot introduction from beginning to end and found that the tone and style of this drama are very similar to "Long Vacation". They are both water-like plots, telling the stories of small people, and there is a touch of light in the story.

The sadness is in line with the idea of ​​"sorrow for things" that is deeply rooted in Japanese society.

"Director Sato, you should be familiar with her. He is very good at filming romantic dramas. Many of his works have achieved good results. The ratings of his works in the past three years have been above 17%..."

Having said this, I suddenly felt a little weird.

"Look at this." Kei Fujiwara handed over some pieces of paper, "Which story do you think is better?"

"Ah." Mizuhara Yui came back to her senses, "Sorry, I was distracted..."

"Don't worry, no one will forget you if you forget." Kei Fujiwara said with a smile.

Damn Fujiwara, don't say such misleading words... Could this guy be doing this on purpose?

When he was distracted, Fujiwara Kei stretched out his fingers and clasped Mizuhara Yui's arm with his knuckles, "Hey, Mizuhara..."

Mizuhara Yui felt excited and gave her the works to choose first, and then handed the rest to the production bureau. This must be a way for Fujiwara Kei to show his attention. Mizuhara Yui lowered her head and looked at it.

The first one that caught my eye was "Tokyo Love Story". As a parallel world, the drama that opened the curtain on Fuji TV's nine dramas was also the most influential Japanese drama in China in the 1990s, and its ratings in the country were also very good.

The introduction of each drama is very detailed, almost describing the main plot of each episode. No wonder Fujiwara can write so quickly and his ideas are so clear.

After watching this drama, but before reading the plot introduction of the next drama, Mizuhara Yui couldn't help but said: "Fujiwara, just choose "Tokyo Love Story" for the September 9th drama. This drama is very good."

Fujiwara Kei lowered his head and glanced at the paper in front of her, and couldn't help but said: "You just watched a drama, why don't you decide after watching it?"

When Kei Fujiwara said this, Yui Mizuhara also felt that she was a little impatient. However, this drama was written by Kei Fujiwara at the beginning, and it must be Kei Fujiwara’s most satisfying one. It was difficult for Fujiwara to think of story ideas for several dramas at the same time.

Wow. Others may not be as good as this...forget it, let's finish it first and then talk about it.

Thinking about it, Mizuhara Yui looked at the text introduction of the next drama, and what caught her eye was "Tokyo Cinderella".
Chapter completed!