One year later.

In the workshop of the ceramic factory in Tangshan, my aunt touched the medium bowl that had just been roasted, looked carefully, and couldn't help but say in admiration: "Oh, it turns out that ceramics are produced in this way. I have used my life's rice bowl, and today is the first time I have seen the complete production process."

Second aunt also echoed: "It's the first time I understand it. However, after looking at these items, I think the production of ceramics is quite troublesome. There are too many processes and it is cumbersome. It's basically manual, and it's not careless at all."

Xiao Yunhua and Xie Dong also picked up a few samples of roasted flowers and looked at them for a long time before saying, "I think the production process of ceramics is still very magical. After such a round of processes, they changed from a ball of black mud to our common daily ceramics. We are also very eye-opening."

Both of them came to Tangshan for the first time and also for the first time to come to the ceramic factory. Naturally, they were very curious about many aspects and asked many questions along the way. Wang Liping and Li Guanglin gave detailed answers one by one.

This time I came to Tangshan to a regular work inspection before the end of the year. However, this time the difference is that not only Wang Yiyuan, but also my elder sister and second aunt, Kang Lixin, Xie Dong, Xiao Yunhua and Zhou Wanqiu are also with me, which means that the senior executives of the company are almost all here.

Wang Yiyuan's idea of ​​this arrangement is to let everyone deepen their understanding of various companies, and also to have the meaning of mutual supervision and inspection.

Tangshan is the first stop here. Next, we have to go to Beijing and Zhenjiang, and finally return to Shanghai. After these work is completed, we will hold an annual work meeting for the company.

As soon as we arrived in Tangshan, the group went to the other two processing points first, and then observed and inspected the Ligezhuang factory at the meeting. After a long journey, Wang Liping and his team managed the work relatively solidly, especially in terms of fire protection and personal safety, there were significant improvements.

In the middle, they went to the processing site where the fire broke out last year. The fire scene basically remained the same as before, and they could vaguely recall the tragic scene of the fire.

The compensation for this processing point was later solved well through Kang Lixin's relationship. Because the owner of the furniture company did not show up in the end, the landlord finally compensated most of the factory's losses.

After seeing the production workshop, the group walked towards the workshop at the end. This was a spacious new workshop built by Wang Liping and the others.

When Wang Yiyuan and the others walked in, Teacher Tang was leading a few students to draw on the white fetus.

After saying hello, Teacher Tang smiled and said, "Because we were all going back to Shanghai during the winter vacation. I heard that you were here to wait for you."

This summer vacation, Zhu Yingying matched the ceramic factory and the School of Design of the University of Science and Technology jointly established a ceramic design company, focusing on the design and production of artistic ceramics. After more than half a year of running-in, the company has designed many new varieties in terms of ceramic shapes, and has little reputation in the industry.

To be honest, there are not many local ceramic companies in Tangshan that can have their own equipment research and development. It just so happens that the School of Design of the University of Science and Technology has the strength and foundation in this area. The ceramic factory has such convenient physical and production conditions, so the two sides hit it off, so this new workshop was found.

Now this is not only a workshop and studio of a design company, but also a teaching practice base of the University of Science and Technology.

Ceramic painting is an art practice activity. By using lines, composition, shape, color and certain formal rules, and using specific color materials to create artistic images on ceramics to express creative concepts and spiritual connotations, and then fired through kilns and fire, it can also be said to be an art that combines clay, glaze, blanks, porcelain body, color materials, fire and painting.

"There is no elegance in the room" and "the priceless porcelain of gold is no price". Porcelain not only has cultural heritage, but also has objective appreciation space. Nowadays, artistic porcelain has become a synonym for gifts that are polite and elegant, and has become the first choice for gifts, interior decoration, gifts from customers, gifts from relatives and friends, and collections.

But how do you draw on smooth porcelain? Many people may not know that it is much more difficult for painters to draw on porcelain than on rice paper or canvas. It not only requires higher requirements for painters, but also has much lower production rates.

Therefore, in some famous kilns in my country, such as Jingdezhen and Tangshan ceramic painters, in addition to having solid painting skills, must also be aware of the firing methods of various porcelains. Of course, it is precisely because of them that they have exquisite porcelains.

Teacher Tang brought it over and he was painting freehand flowers and birds on a disc and introduced: "The creation on porcelain depends on the stew, and it should behave just right. Take drawing animals for example, and it is important to have both realistic and childlike fun. Because if the animal is drawn too realistic, it will lose its beauty, and if it is too childlike fun, it will lose its connotation. The grasp of the degree is very important."

He took a group of cups with cat-themed as an example to further explain: "Some cute kittens are catching butterflies, some are hilarious about goldfish in the fish tank, and some are playing with their companions... The size and proportion of the kittens on each single cup are appropriate, the luster and oily texture of the fur and the agility of their eyes are fully displayed."

Everyone visited a set of twelve golden hairpins cups that had been fired in the display cabinet.

Under the lights of the display cabinet, I saw the innocent and straightforward Lin Daiyu, the ingenious and straightforward Wang Xifeng, the strong desire for power, and the dignified and steady Xue Baochai... Looking at these twelve cups, the graceful and graceful figures of the twelve golden hairpins seemed to appear before my eyes, each of them was flesh and blood, vivid and vivid, and the characters were portrayed in an image, lifelike manner.

Teacher Tang introduced: "The most important thing about figure painting is the appropriate body proportions and the description of the facial expressions of the characters. Compared with other subjects, characters are more difficult to portray. Because the characters in many subjects do not exist alone, they have their own background stories. When creating, you must consider the beauty of the picture and be loyal to the original work."

Wang Yiyuan and the others also watched a set of fine-brushed teapots with the theme of "Little Bridge and Flowing Water House" created by the studio, and a large set of landscape ceramic pendants. Everyone was amazed at their delicate brushwork and coloring, as well as the actual effect of firing.

Teacher Tang said: "The studio will be working next year and is preparing to sign contracts with some famous arts and crafts artists at national level and provinces and cities, and work with these teachers to discover more fine and treasures."
Chapter completed!