The first question before Wenhui is, whether to develop mobile games or VR games?

In theory, VR should be developed. Chu Yuanxi and Yang Jiangang discussed the development plan according to the VR method, and also put forward specific requirements for the IP maker Mario to fight in the form of summoning objects so that the best user experience can be achieved in the VR operation mode during adaptation.

Marius said that the main reason for his delay in writing was that it required a good review of the information related to the ancient Greek Mediterranean to balance this unique worldview with cultural feeling.

What is a unique worldview? It is very clear for example. For example, in "Romance of the Three Kingdoms", the battle between the generals in front of the formation is the battle of the generals in front of the formation. The process and result of the battle directly affect the victory or defeat. This is a unique worldview. Obviously, this is not the case. How could tens of thousands of troops bend the formation for a long time, and two generals fight each other, and who loses the soldiers will run away? It doesn't exist.

The creator of the big ip of "Romance of the Three Kingdoms" sublimated reality, highlighting a large number of classic scenes based on fighting between generals such as Guan Gong, Liu Guan and Zhang three-ying fighting against Lu Bu, Yide and Ma Chao, Zhao Zilong and seven out and seven in, passing five passes and six generals, Zhang Fei and killing Dangyang Bridge, etc., which made the gameologists of later generations greatly facilitate the design of gameplay.

Now this is what Mallor has to do, to catch up with the pace of senior Luo Guanzhong, "Am I spend more time too much? Isn't it too much?"

"I tell you, if you drag on this, your account will be gone." Chu Yuanxi issued an ultimatum to threaten, "Your account in "After a Troubled Time" is in my hands."

So Maliu had to increase the output speed. The scripts and novels he has produced are enough for Yang Jiangang to do a few episodes of animation, so the game is not impossible.

But when the project is about to be established, Yu Wenhui was very painful because the several VR siege lions dug up from technology last week were all visual, and they suddenly changed to games, and they needed to build a game development environment, which was more difficult than imagined.

He had been told by Chu Yuanxi long ago that he would lead this new project, so he had been planning and communicating with several siege lions. He even wanted to continue recruiting, but in the domestic VR environment, he knew it would be difficult to recruit better ones if he recruited them again.

There are still many VRs developed in China, but Yu Wenhui complained several times. To put it bluntly, they are all kindergarten-level. Even if they are made into experiential games, there will not be much dau, let alone income?

But the 5g era is coming soon, and VR is the obvious direction. "Enemy of Rome" is not considered early layout, it can only be said that it is not too late.

So as long as it is not a big problem, I will definitely work hard on VR, but now there is a debate on the basic development environment, or it takes time to get started. What should I do? In an instant, the sound of the company's suggestions for developing into a mobile game became the majority.

Chu Yuanxi also felt that this problem was difficult.

It can be said that this is a world problem. The current VR game development methods are actually not much different from mobile games. It’s just that the objects are more delicate. Don’t miss them after the perspective is closer, which is just this level.

But Chu Yuanxi hopes to make a mmorpg game that can make full use of the three-dimensional space expansion gameplay, which can fully utilize the characteristics of VR, rather than as a gimmick.

He does not require the new work to be as free and open as in online game novels, but at least it must have the meaning of simulating the real world, with texture, large maps, and specific environments must be changed by players, or at least a small amount of changes, so that the gameplay can be developed. In such an environment, players can only get excited when they take risks and fight, and developers can also get excited when they do it, and they must take this epoch-making factor into consideration during the gameplay design stage.

But there is no such product on earth. As a pioneer, it is lonely. Not only does it have no goal to copy it, but it also has to dig a hole for the latecomers, so that they can scratch their heads and even fall into a huge pit when they copy it. Just like Mr. Hippo digs out a huge pit called "Seafood Cylinder" for his competitors who later entered the market for new retail.

However, it is difficult, especially the requirements for the development environment. The main reason is that using this kind of development environment is a bit similar to a sandbox engine. It does not have the requirements as high as a sandbox, but the direction is consistent, and it needs to be in the VR mode. The physics engine and the VR engine must be integrated, which takes the life of the programmer.

Faced with this difficult situation, Chu Yuanxi thought of a solution was to call Yang Jiangang, the Sun Thief, to me! We started to do the plan he came up with, and then he ran away? Can this work? Anyway, programmers and artists are losing their hair, so he has nothing to do.

Actually, it’s not okay. Yang Jiangang is using the engine that quickly makes a living to do animation. Because the framework has been built, although there are not many art resources for demonstration, one of each type of resource can solve the problem. So we can start doing it. Currently, Yang Jiangang is an animal company. He has dug up an art resource online and started to play it directly. When Chu Yuanxi named it, he was writing an animation form.

This table is still difficult to write. It is the structure of the mother-son form. The mother-of-the-block is equivalent to a script. Each line records a āo) work in the order of the occurrence time of a certain āo) work, transitioning scenes, lighting, camera sliding, characters generate outside the camera, doing walking actions, moving into the camera, etc. The engine reads the table and generates animations. Inside the child table are the specific behaviors of each āo), such as which characters are generated where they move, who walks in front and who walks behind, etc.

Therefore, it consumes a lot of memory when editing. Once interrupted, you have to record all breakpoints so that the connection will not be confused. It is especially suitable for people with long overtime skills to do it).

But Chu Yuanxi released the summoning technique, and Yang Jiangang didn't dare not come. When he came, he immediately curled his lips: "Just call me for such a thing? Are you two? How simple is this? We have money."

"What does it have to do with being rich or not?" Yu Wenhui, who was anxious, couldn't help but want to slap his girl.

"Of course, you can develop vr and mobile games at the same time, one server, two clients, and use the same database, but isn't it over for two protocols?"

"This method is good!" Chu Yuanxi patted Yang Jiangang's head on the spot, "If you have made progress, add a chicken leg to Yang Jiangang."
Chapter completed!